|Directed by||Tay Garnett|
|Screenplay by||John Monks, Jr.|
|Based on||story by Houston Branch|
|Produced by||Robert Fellows|
|Cinematography||John F. Seitz|
|Edited by||Billy Shea|
|Music by||Hugo Friedhofer|
|Distributed by||Paramount Pictures|
|September 26, 1947|
|Box office||$2,550,000 (US rentals)|
Joe Madigan's crew harvests wheat for farmers. Jim Davis, a good mechanic who irresponsibly drinks and gambles too much, is fired by his friend, but atones with a heroic act during a fire.
Alperson's rival crew is getting jobs by under-bidding Joe's. A farmer's flirtatious niece, Fay Rankin, finds a field for Joe's workers and then unsuccessfully tries to seduce him. She wants to come along and sets her sights on Jim instead, marrying him.
Fay's interference becomes a problem. Joe ends up owing money and Alperson tries to buy his combines. Fay makes another play for Joe, who calls her "cheap" and "poisonous." Jim catches her slapping Joe, which leads to a fight between the men.
Joe's loyal crew member King catches thievery of wheat by Jim and reports it. Joe, almost broke, is saved again by a penitent Jim, who sells Fay's car, enraging her. Fay finally reveals to Jim that she never loved him at all and that their marriage was a "joke." Joe and Jim team up on a new 3,000-acre job, making them prosperous at last.
The film was based on an original screen story called The Big Haircut by Houston Branch, which focused on wheat harvesters who travel across the country doing their job. "The big haircut" was their slang term for the work they do; the topic was thought to be especially topical because of a worldwide bread shortage at the time. It was bought by Paramount in May 1946 specifically as a vehicle for Alan Ladd. A. I. Bezzerides was hired to work on the script. Tay Garnett signed to direct and Brian Donlevy was originally announced as Ladd's co star. Before a final script and cast had been confirmed, second unit filming commenced in July 1946 at the Russell Giffen ranch, 47 miles north of Fresno in the San Joaquin Valley. Tay Garnett and the film crew shot footage of a real wheat harvest involving 27 combines and Alan Ladd. Female lead Dorothy Lamour was not cast until August. William Demarest also joined in the cast. Eventually Donlevy was replaced by Lloyd Nolan, who was borrowed from 20th Century Fox. Demarest dropped out and Robert Preston was cast as the third lead.
The cast included a 28-year-old Caren Marsh—a bit-part actor who had appeared in a Paramount training film warning military personnel against the dangers of women. So many navy and army men wrote in asking for Marsh's picture that Paramount signed her to a long-term contract; Wild Harvest was her first appearance.
Filming was meant to start on 2 September 1946 but was postponed a day so Alan Ladd could enjoy his birthday. Filming did not finish until November 1946, ten days behind schedule, causing production of Ladd's next film, Saigon, to be postponed.
The film was retitled Wild Harvest in December.
The wheat field fire was filmed in part by using miniatures and special effects. These were overseen by Byron Haskin, his last assignment in that capacity for Paramount before he became a director.
- "Top Grossers of 1947", Variety, 7 January 1948 p 63
- "PARAMOUNT BUYS HARVESTING STORY: Studio Will Produce Houston Branch's 'The Big Haircut' --Lead to Alan Ladd". New York Times. May 11, 1946. p. 34.
- "LIBERTY FILMS BUY NOVEL BY BELDEN: George Stevens Will Produce 'Give Us This Night,' Story of Australian War Bride Of Local Origin". New York Times. June 13, 1946. p. 24.
- Millier, Arthur (July 14, 1946). "Epic of Wheat Harvest Filmed: Combines by Score Chug Through Fields of Grain for 'Big Haircut'". Los Angeles Times. p. C1.
- "PRESSBURGER BUYS MAUGHAM'S NOVEL: United Artists Producer Pays $200,000 for 'Then and Now' --Gov. Davis to Do Film Achard Signed by Paramount Of Local Origin". New York Times. Aug 5, 1946. p. 17.
- Schallert, Edwin (Aug 20, 1946). "ennifer Likely 'Lily;' 'U-I' Buys First Story". Los Angeles Times. p. A3.
- Hopper, Hedda (Aug 21, 1946). "Looking at Hollywood". Chicago Daily Tribune. p. 26.
- "KELLY AND GLAZER BUY 'HALF CASTE': Australian Novel to Serve as Basis for First of Their Two United Artists Pictures Brandt Engages Lavery Of Local Origin". New York Times. Sep 5, 1946. p. 34.
- "RKO, ARGOSY PACT APPEARS IMMINENT: Two Studios Likely to Work Out Production Agreement --Roles for James Mason Of Local Origin". New York Times. Aug 29, 1946. p. 36.
- Hopper, Hedda (Sep 3, 1946). "Looking at Hollywood". Chicago Daily Tribune. p. 26.
- "PARAMOUNT NAMES LAKE, LADD TO FILM: Studio Will Co-Star Team in 'Saigon,' Adventure Story-- Fenton to Be Director Of Local Origin". New York Times. Oct 29, 1946. p. 42.
- "'PADDY' LEAD GOES 'TO PEGGY CUMMINS: Actress Will Depict Irish Girl in Remake by Fox Studios of Gertrude Page Novel Film on Whitman Poem". New York Times. Dec 6, 1946. p. 28.
- ELIZABETH PALLETTE (May 25, 1947). "EXPOSING A FEW SECRET CAMERA TRICKS: An Expert on Special Effects Lets a Few Illusions Fall Where They May". New York Times. p. X4.