|Born||1977 (age 43–44)|
Washington, D.C., United States
|Genres||avant-garde jazz, improvised music|
|Labels||Cuneiform Records, Thirsty Ear, Relative Pitch, International Anthem|
|Associated acts||Art Ensemble of Chicago, Roscoe Mitchell, Anthony Braxton's ZIM Sextet, Nicole Mitchell's Black Earth Ensemble, Artifacts, Hear In Now|
Reid has performed and recorded with the Art Ensemble of Chicago, Nicole Mitchell, Anthony Braxton, the AACM Great Black Music Ensemble, Mike Reed's Loose Assembly, and Roscoe Mitchell. She leads the Tomeka Reid Quartet, with Tomas Fujiwara, Jason Roebke, and Mary Halvorson, and is co-leader of Hear In Now, a trio with Mazz Swift and Silvia Bolognesi.
Reid founded the Chicago Jazz String Summit and was named a 2017 "Chicago Jazz Hero" by the Jazz Journalists Association. In 2019, Reid was appointed Darius Milhaud Distinguished Visiting Professor at Mills College. She is a 2021 United States Artists Fellow.
Early life and classical education
Reid grew up outside of Washington, D.C., and in the 4th grade began playing cello at her elementary school in Silver Spring, Maryland. Reid attended a French immersion school, but spoke very little French; she attributes much of her early enthusiasm for cello to the allowance of English in music class. Reid could not afford additional cello instruction until high school: she briefly attended the Duke Ellington School of the Arts before dropping out due to the high cost of out-of-state enrollment, but assistance for low-income students enabled her to study at Levine School of Music in D.C.
After high school, Reid began studying classical music at the University of Maryland, where she reconnected with Saïs Kamalidiin, a professor she had met at the Duke Ellington School. Reid primarily studied classical music, but Kamalidiin introduced her to jazz performance and improvisation. Reid also met Nicole Mitchell as an undergraduate, during a summer spent in Chicago; Mitchell became another close mentor in improvised music, and Reid went on to perform on over ten albums with her, many as part of Mitchell's Black Earth Ensemble and Black Earth Strings quartet. Reid continued to focus on classical music for the next several years after meeting Mitchell: she earned her Bachelor of Music in 2000, and then moved to Chicago, where she continued her studies in classical cello performance at DePaul University. She completed her Master of Music in 2002. After graduating, Reid began teaching at the University of Chicago Laboratory Schools, where she co-directed the string program for seven years.
Career in jazz
Reid became increasingly involved in the jazz community after moving to Chicago, and in 2009 she decided to more fully commit to the genre by beginning coursework toward a Doctor of Musical Arts in Jazz Studies.
Later that year Reid played a show at The Hideout in a special version of Mike Reed's Loose Assembly, with the quintet of Reed, Reid, Greg Ward, Jason Adasiewicz, and Joshua Abrams joined by Roscoe Mitchell. A recording of the performance was later released as the album Empathetic Parts. In 2010 Reid was also appointed Treasurer of the Association for the Advancement of Creative Musicians and played the Umbria Jazz Festival as part of the AACM Great Black Music Ensemble.
In 2011, Reid left her job as orchestra director at the Lab School, choosing to instead focus on her career as a musician. New Braxton House released Trillium E, the first studio recording of an Anthony Braxton opera, featuring the Tri-Centric Orchestra, which Reid had joined for the recording. The following year she was awarded a residency at the University of Chicago's Washington Park Arts Incubator and released her first album with Hear In Now, a co-led trio with Mazz Swift and Silvia Bolognesi.
In 2013, Reid founded the Chicago Jazz String Summit (CJSS), an international festival of avant-garde string performances. After a three year gap, starting in 2016 Reid has continued to organize the CJSS as an annual Chicago event during the first weekend of May, even though she moved to New York City for four years. Reid ran the 2020 and 2021 Chicago Jazz String Summits as online streamed events, via Chicago's Experimental Sound Studio's facilities, due to the COVID-19 pandemic.
The Chicago Tribune named Reid Chicagoan of the Year in Jazz at the end of a highly-decorated 2015: Reid completed and released her first album of original works, the eponymous Tomeka Reid Quartet, and a co-led trio with Nicole Mitchell and Mike Reed released their self-titled debut, Artifacts. The Chicago Reader included the quartet release, with Tomas Fujiwara, Jason Roebke, and Mary Halvorson, as among the best albums of 2015 and the best Chicago albums of the decade. DownBeat said Artifacts "might be one of the most important AACM records in a generation". Both albums were included in the year's NPR Music Jazz Critics Poll. Reid performed with a quartet arranged by Roscoe Mitchell, a recording of which was released later that year as Celebrating Fred Anderson, and performed at the Chicago Jazz Festival, Hyde Park Jazz Festival, Pritzker Pavilion, Symphony Center, and Chicago Cultural Center.
Reid received her DMA in Jazz Studies from the University of Illinois at Urbana–Champaign in 2017. Her year in releases included the Hear in Now trio's second record, Not Living In Fear, and Signaling, a duo album with Nick Mazzarella that was also included among the Chicago Reader's best Chicago albums of the decade. She was named 2017 "Chicago Jazz Hero" by the Jazz Journalists Association.
In 2018, Reid performed with the Chicago Composers Orchestra in premiering her first orchestral composition, and traveled to Ethiopia, where she studied the masenqo, an East African string instrument. She appeared on 2018 releases including a collective trio album with Dave Rempis and Joshua Abrams, titled Ithra; Geometry Of Caves, by a quartet with Kyoko Kitamura, Taylor Ho Bynum, and Joe Morris; and on Makaya McCraven's Universal Beings.
In 2019, Reid was a Foundation for Contemporary Arts Grants to Artists recipient; the award assisted her in commuting between tour and work when she was notified in late August that she had received a fall appointment as Darius Milhaud Chair in Music Composition at Mills College.
She was winner of the "Miscellaneous Instrument" category in the 2019 and 2020 DownBeat critics polls and is a 2021 United States Artists Fellow. In June 2020, the New York Times consulted Tomeka Reid, along with artists including Yo-Yo Ma, to offer suggestions for cello recordings that could make newcomers to the instrument "fall in love" with its sounds; Reid recommended a composition by Abdul Wadud.
In 2020, Reid moved back to Chicago, after having left for New York City circa 2016.
- Hairy Who & the Chicago Imagists (Corbett vs. Dempsey, 2014)
- Tomeka Reid Quartet (Thirsty Ear, 2015)
- Old New (Cuneiform Records, 2019)
- Alexander Hawkins & Reid
- Shards and Constellations (Intakt Records, 2020)
- Hear In Now (with Mazz Swift and Silvia Bolognesi)
- Hear in Now (Rudi Records, 2012)
- Not Living In Fear (International Anthem Recording Company, 2017)
- Of Things Beyond Thule Vol. 1 (Aerophonic, 2020)
- Geometry of Caves (Relative Pitch Records, 2018)
- Geometry of Distance (Relative Pitch, 2019)
- Reid & Nick Mazzarella
- Signaling (Nessa Records, 2017)
- Reid / Filippo Monico
- The Mouser (Relative Pitch, 2019)
- Reid & Joe Morris
- Combinations 2020 (RogueArt, 2020)
- Dave Rempis / Reid / Joshua Abrams
- Ithra (Aerophonic, 2018) 
- Claudia Solal, Katherine Young, Reid, Benoît Delbecq
- Antichamber Music (The Bridge Sessions, 2019)
- The Urge Trio (with Christoph Erb and Keefe Jackson)
- Live In Toledo (Veto Records, 2013)
- Live At the Hungry Brain (Veto Records, 2017)
- Watershed (with Denis Fournier, Nicole Mitchell, Hanah Jon Taylor, Bernard Santacruz)
- Watershed (RogueArt, 2012)
- with Anthony Braxton
- Trillium E (New Braxton House, 2011)
- 10+1tet (Knoxville) (Braxton Bootleg, 2016)
- Anthony Braxton's Language Music (Sound American, 2016)
- with Jaimie Branch
- Fly or Die (International Anthem, 2017)
- Fly or Die II: Bird Dogs of Paradise (International Anthem, 2019)
- with Taylor Ho Bynum
- Enter the Plustet (Firehouse 12, 2016)
- The Ambiguity Manifesto (Firehouse 12, 2019)
- with Nicole Mitchell
- Afrika Rising (Dreamtime, 2002)
- Hope, Future and Destiny (Dreamtime, 2004)
- Black Unstoppable (Delmark, 2007)
- Renegades (Delmark, 2008)
- Xenogenesis Suite (Firehouse 12, 2008)
- Intergalactic Beings (FPE, 2014)
- Liberation Narratives (Black Earth Music, 2017)
- Mandorla Awakening II (FPE, 2017)
- Maroon Cloud (FPE, 2018)
- Mitchell and Lisa E. Harris, EarthSeed (FPE,2020)
- with Mike Reed's Loose Assembly
- Last Year's Ghost (482 Music, 2007)
- The Speed of Change (482 Music, 2008)
- Empathetic Parts (482 Music, 2010)
- With others
- The AACM Great Black Music Ensemble, At Umbria Jazz 2009 (Musica Jazz, 2010)
- Joshua Abrams, Represencing (Eremite, 2012)
- Living By Lanterns (Jason Adasiewicz & Mike Reed), New Myth/Old Science (Cuneiform, 2012)
- All City Affairs (Peter Andreadis), Bees (Lujo, 2006)
- Jason Ajemian, From Beyond (Sundmagi, 2006)
- Dee Alexander, Sketches of Light (EGEA, 2012)
- Art Ensemble of Chicago, We Are On the Edge (Pi, 2019)
- Baby Teeth, The Simp (Lujo, 2007)
- Birthmark, Antibodies (Polyvinyl, 2012)
- Silvia Bolognesi, Chicago Sessions (Fonterossa Records, 2015)
- Bronze, Calypso Shakedown (Unsound Records, 2009)
- Jeremy Cunningham, The Weather Up There (Northern Spy, 2020)
- Dave Douglas, Engage (Greenleaf, 2019)
- James Elkington, Wintres Woma (Paradise Of Bachelors, 2017)
- Kahil El'Zabar, Kahil El’Zabar’s America the Beautiful (Spiritmuse Records, 2020)
- Tomas Fujiwara, 7 Poets Trio (RogueArt, 2019)
- Theaster Gates, One (IHME, 2017)
- Giddy Motors, Make It Pop (FatCat, 2002)
- Hecuba, Paradise (Manimal Vinyl, 2009)
- HiM, Peoples (After Hours, 2005)
- Devin Hoff, The Lost Songs Of Lemuria (self-released, 2013)
- Luz, Polemonta (Auand, 2014)
- Man Man, Rabbit Habits (Anti-, 2008)
- The Margots (Adrienne Pierluissi, Ken Vandermark, et al.) Pescado (Okka Disk, 2013)
- Makaya McCraven, Universal Beings (International Anthem, 2018)
- Makaya McCraven, Universal Beings E&F Sides (International Anthem, 2020)
- Dave McDonnell Group, The Time Inside a Year (Delmark, 2015)
- Roscoe Mitchell & Nicole Mitchell, Three Compositions (RogueArt, 2012)
- Roscoe Mitchell, Celebrating Fred Anderson (Nessa, 2015)
- The National Trust, Kings & Queens (Thrill Jockey, 2006)
- OHMME, Parts (Joyful Noise, 2018)
- Owen, Ghost Town (Polyvinyl, 2011)
- Owen, L'Ami du Peuple (Polyvinyl, 2013)
- Junius Paul, Ism (International Anthem, 2019)
- Dave Rempis, Nettles (Aerophonic, 2016)
- Kristo Rodzevski, Bitter Almonds (Much Prefer Records, 2017)
- Savath & Savalas (Guillermo Scott Herren), Golden Pollen (Anti-, 2007)
- Third Coast Ensemble (Rob Mazurek, Christophe Rocher, et al.), Wrecks (RogueArt, 2017)
- TromBari (Glenn Wilson & Jim Pugh), The Devil's Hopyard (Jazzmaniac, 2012)
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