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|Born||January 9, 1974|
Escanaba, Michigan, U.S.
|Genre||Journalism, fiction, video games|
Tom Bissell (born January 9, 1974) is an American journalist, critic, and fiction writer. In 2021, he co-developed the television series The Mosquito Coast based on the novel of the same name. He is also known for his work as a writer of video games, including The Vanishing of Ethan Carter, Battlefield Hardline, and Gears 5. His writing has been adapted into films by James Franco, Julia Loktev, and Werner Herzog.
Bissell studied English at Michigan State University in East Lansing, Michigan. In 1996, when he was 22 years old, Bissell went to Uzbekistan as a volunteer for the Peace Corps. He was there for seven months before returning home. He worked as a book editor in New York City and edited, among other books, The Collected Stories of Richard Yates and Paula Fox's memoir Borrowed Finery. He is a frequent reviewer for The New York Times Book Review.
Bissell's father served in the Marines during the Vietnam War, alongside author and journalist Philip Caputo. The two remained friends during Bissell's childhood and Caputo read Bissell's work and encouraged him in his early writing efforts.
Bissell has written for Harper's Magazine, Slate, The New Republic, and The Virginia Quarterly Review, where he is a contributing editor. While much of Bissell's magazine writing could be considered travel writing, his articles are more concerned with politics, history, and autobiography than tourism.
As a journalist he traveled to Iraq and Afghanistan during wartime.
Bissell's literary work has been recognized and highlighted at Michigan State University in their Michigan Writers Series.
His book in collaboration with Jeff Alexander, "Speak, Commentary", is a collection of fake DVD commentaries for popular films by political figures and pundits such as Noam Chomsky, Dinesh D'Souza and Ann Coulter.
His other books have earned him several prizes, including the Rome Prize, the Anna Akhmatova Prize, and the Best Travel Writing Award from Peace Corps Writers. His journalism has been anthologized in The Best American Travel Writing, and The Best American Science Writing.
In Extra Lives: Why Video Games Matter (2010), Bissell explored the subject of the video game industry. Part memoir, part genre criticism, the book features a profile of Gears of War game designer Cliff Bleszinski, who had achieved celebrity-like status for the hit video game Gears of War, and a chapter on the appeal of games like Grand Theft Auto IV, including Bissell's own simultaneous struggles with addiction to video games and cocaine. Many of the book's essays were written on assignment by established publications such as the The Observer and The New Yorker, and argued the importance of videogames as a cultural and social movement. That year, Bissel was recognized as one of the video game industry's most influential voices opening the door to more opportunities in video games. Bissell went on to write for many hit game franchises, and in 2019, would become the lead writer and an executive producer for an anthology television series based on the non-fiction book Masters of Doom based on the industry's early days.
Bissell wrote about the cult film The Room in a 2010 article ("Cinema Crudité") published in Harper's Magazine. In May 2011, he signed on to co-write (with actor Greg Sestero) a closer look at the film – the resultant book, The Disaster Artist, was published by Simon and Schuster in October 2013. It was later adapted into the feature film The Disaster Artist directed by James Franco and released in 2017. The script adaption of the book was nominated for an Academy Award for Best Adapted Screenplay in 2017.
Bissell's story "Expensive Trips Nowhere" was filmed as The Loneliest Planet (2011).
Approach and Influences
While Bissell has been critical of neo-conservatism, the Bush administration, and American unilateralism, his politics often do not fit within established categories of American liberalism and conservatism. Much of his work is concerned with the legacy of the Soviet Union and Communism. He has cited Philip Caputo as a major influence, along with Michigan writers Jim Harrison and Thomas McGuane. Martin Amis is his favorite living writer, and he has praised Inside Story as Amis' most beautiful book.
In 2005, Pantheon published a collection of Bissell's short fiction, God Lives in St. Petersburg: and Other Stories. In the same year, his story "Death Defier" was published in the Best American Short Stories. His story "Aral" inspired Werner Herzog's 2016 film Salt and Fire.
- Chasing the Sea: Lost Among the Ghosts of Empire in Central Asia (2003) ISBN 978-0-375-42130-3
- Speak, Commentary: The Big Little Book of Fake Dvd Commentaries (2003) (with Jeff Alexander) ISBN 978-1-932416-07-7
- God Lives in St. Petersburg: and Other Stories (2005) ISBN 978-0-375-42264-5
- The Father of All Things: A Marine, His Son, and the Legacy of Vietnam (2007) ISBN 978-0-375-42265-2
- Extra Lives: Why Video Games Matter (2010), ISBN 978-0-307-37870-5
- Magic Hours: Essays On Creators and Creation (2012), ISBN 978-1-936365-76-0
- The Disaster Artist: My Life Inside The Room, The Greatest Bad Movie Ever Made (2013, with Greg Sestero), ISBN 1451661193
- Apostle: Travels Among the Tombs of the Twelve (2016) ISBN 978-0-375-424663
- Everything About Everything: Infinite Jest, Twenty Years Later (2016) ISBN 978-0-316-30605-8
Video game scripts
- Apocalypse Now (unreleased video game based upon the film Apocalypse Now, co-written with Rob Auten)
- Yar's Revenge (2011, with Rob Auten, uncredited)
- Gears of War: Judgment (2013, with Rob Auten)
- Batman: Arkham Origins (2013, additional writing)
- The Vanishing of Ethan Carter (2014, with Rob Auten)
- Battlefield Hardline (2015, with Rob Auten)
- Tales from the Borderlands: Episode 3 (2015, additional writing)
- The Writer Will Do Something (2015, with Matthew S. Burns)
- Uncharted 4: A Thief's End (2016, additional writing)
- The Witness (2016, early story consultant)
- Gears of War 4 (2016, lead writer)
- What Remains of Edith Finch (2017, additional writing)
- Uncharted: The Lost Legacy (2017, additional writing)
- Gears 5 (2019, lead writer)
- Tom Bissell, Rolf Potts' Vagabonding
- McSweeney's Internet Tendency: Tom Bissell, Mcsweeneys.net Archived 2004-04-07 at the Wayback Machine
- "March/April 2007 | Poets & Writers". Pw.org. Archived from the original on 2008-01-16. Retrieved 2010-07-26.
- Bissell, Tom. "The Bunny Revolution | The New Republic". Tnr.com. Retrieved 2010-07-26.
- "Travel Writers: Tom Bissell". Rolfpotts.com. Retrieved 2010-07-26.
- Day to Day (2006-01-11). "A Search for Military Strategy in Iraq". NPR. Retrieved 2010-07-26.
- "Michigan Writers Series". Michigan State University Libraries. Retrieved 2012-07-15.
- Random House, Authors, Tom Bissell, Randomhouse.com
- "Video Games: The Addiction" by Tom Bissell, The Observer March 21, 2010 The Guardian
- Bissell, Tom (November 3, 2008). "The Grammar of Fun: CliffyB and the world of the video game". The New Yorker. Retrieved 29 December 2020.
- Sheffield, Brandon; Fleming, Jeffrey (November 17, 2010). "The Game Developer 50". Gamasutra. Retrieved 29 December 2020.
- Goldberg, Lesley (June 27, 2019). "James and Dave Franco to Exec Produce USA Network Anthology: 'Masters of Doom,' currently a pilot order, will be based on David Kushner's nonfiction book of the same name". The Hollywood Reporter. Retrieved 29 December 2020.
- Bissell, Tom (August 2010). "Cinema Crudité: The mysterious appeal of the post-camp cult film". Harper's. Vol. 321 no. 1923. Harper's Foundation. pp. 58–65. Retrieved December 4, 2018.(subscription required)
- Ruland, Jim (September 27, 2013). "Worst movie ever? 'The Disaster Artist' explores 'The Room'". Los Angeles Times. Retrieved December 4, 2018.
- See, e.g., "On CD Projekt's game "The Witcher 2"". grantland.com. Retrieved 2013-02-12.
- Bissell, Tom (October 26, 2020). "In Fiction, Martin Amis Summons His Literary Friends and Role Models". The New York Times. Retrieved 29 December 2020.
- The Film Stage
- Tom Bissell at IMDb
- The Bat Segundo Show (2012 radio interview): Part One (30 minutes), Part Two (1 hour).
- Contributions to The New Yorker
- Henriksen, Erik. "Tom Bissell Writes What He Wants Magic Hours: Essays on Creators and Creation Is a Book of Essays About Things!". The Portland Mercury. A review of Magic Hours.