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|The Madness of King George|
|Directed by||Nicholas Hytner|
|Screenplay by||Alan Bennett|
|Based on||The Madness of George III|
by Alan Bennett
|Edited by||Tariq Anwar|
|Distributed by||Rank Film Distributors|
|Box office||$15.2 million|
The Madness of King George is a 1994 British biographical historical comedy-drama film directed by Nicholas Hytner and adapted by Alan Bennett from his own 1991 play The Madness of George III. It tells the true story of George III of Great Britain's deteriorating mental health, and his equally declining relationship with his eldest son, the Prince of Wales, particularly focusing on the period around the Regency Crisis of 1788–89. Two text panels at the end of the film note that the colour of the King's urine suggests that he was suffering from porphyria, adding that the disease is “periodic, unpredictable and hereditary.” Although modern medicine has suggested that the King's symptoms were the result of acute intermittent porphyria, this theory was vigorously challenged by a research project based at St George's, University of London, reported on the BBC in 2013, that concluded that George III did actually suffer from mental illness after all. The Madness of King George won the BAFTA Awards in 1995 for Outstanding British Film and Best Actor in a Leading Role for Nigel Hawthorne, who was also nominated for the Academy Award for Best Actor. The movie won the Oscar for Best Art Direction; and was also nominated for Oscars for Best Supporting Actress for Mirren, and Best Adapted Screenplay. Helen Mirren also won the Cannes Film Festival Award for Best Actress and Hytner was nominated for the Palme d'Or.
The film depicts the ordeal of King George III, whose bout of madness in 1788 touched off the Regency Crisis of 1788, triggering a power struggle between factions of Parliament under the Tory Prime Minister William Pitt the Younger and the reform-minded Leader of the Opposition Charles James Fox.
At first, the King's behaviour appears mildly eccentric. He is deeply concerned with the wellbeing and productivity of Great Britain, and exhibits an encyclopedic knowledge of the families of even the most obscure royal appointments. He is devoted to his loving wife and their large brood of 15 children. However, he is growing more unsettled, partly over the loss of America. His memory fails, his behavior becomes erratic and hypersexual, he talks and talks, and his urine turns blue.
George, Prince of Wales, aggravates the situation, knowing that he will be named regent if the King becomes incapacitated. George chafes under his father's relentless criticism, and yearns for greater freedom, particularly when it comes to choosing a wife. He married the woman everyone believes to be his mistress, Mrs. Fitzherbert, in a secret ceremony in 1785. Without his father's consent, the marriage is illegal. Even with consent, it would remove him from the succession, because Fitzherbert is a Catholic. He knows that he has the moral support of Fox, whose agenda includes abolition of the slave trade and friendlier relations with America. Knowing how to exacerbate the King's behaviour, the Prince arranges a concert of music by Handel. The King reacts as expected, interrupting the musicians, speaking lasciviously to Lady Pembroke, and finally assaulting his son.
In a private moment, the King tells Charlotte that he knows something is wrong. They are brutally interrupted when the Prince has them separated, supposedly on the advice of physicians. Led by the Prince of Wales' personal physician, Dr. Warren, the King is treated using the medical practices of the time, which focus on the state of his urine and bowel movements, and include painful cupping and purgatives,
Lady Pembroke recommends Dr. Francis Willis, who cured her mother-in-law. Willis uses novel procedures. At his farm in Lincolnshire, patients work to gain “a better opinion of themselves.” He observes to an equerry “To be curbed, thwarted, stood up to, exercises the character.” When the King insults him, foully, he is strapped into a chair and gagged. He will be restrained whenever he “swears and indulges in meaningless discourse” and “does not strive every day and always towards his own recovery”.
When the Prince has the King transferred to Kew, Charlotte watches as her beloved, bearded and wearing a soiled diaper and a straightjacket, struggles against being put in the coach. “Until you can govern yourself, you're not fit to govern others. And until you do so, I shall govern you.” Willis says. At Kew, the King spits soup at Willis, but gains control under the physician's intractable gaze. Later, the King, properly dressed, feeds himself to a round of applause from staff—but the delusions persist.
The Whig opposition confronts Pitt's increasingly unpopular Tory government with a proposal that would give the Prince powers of regency. Baron Thurlow, the Lord Chancellor, obtains and supresses proof of the marriage. Fox wins, and The Regency Bill is printed. Thurlow comes to see the King and joins in a moving reading of King Lear. “ I have remembered how to seem...” the King muses. “What, what!” an expression he has not used in 6 months. His urine is yellow.
Thurlow and the King arrive at Parliament in time to thwart the bill. The King forces the Prince to admit his marriage and to put away Fitzherbert. With the crisis averted, all those who have witnessed his suffering are summarily dismissed, including Greville. Fitzroy observes: “To be kind does not commend you to kings.”
Cheering crowds welcome the royal family to St. Paul's Cathedral. Willis stands by, but the King dismisses him.
“We must be a model family,” he declares; George wants “something to do.” “Smile at the people, wave at them. Let them see that we're happy. That’s why we're here.” Saluting, Willis disappears into the crowd, where Mrs. Fitzherbert also smiles, wistfully.
- Nigel Hawthorne as King George III
- Helen Mirren as Queen Charlotte
- Ian Holm as Francis Willis
- Amanda Donohoe as Lady Pembroke, Lady of the Bedchamber
- Rupert Graves as Captain Greville
- Geoffrey Palmer as Doctor Warren
- Rupert Everett as George, Prince of Wales
- Jim Carter as Charles James Fox, Leader of the Opposition
- Julian Rhind-Tutt as Frederick, the Duke of York
- Julian Wadham as William Pitt the Younger, Prime Minister
- Anthony Calf as Lord Charles FitzRoy
- Adrian Scarborough as Fortnum
- John Wood as Lord Chancellor Lord Thurlow
- Jeremy Child as Black Rod
- Struan Rodger as Henry Dundas
- Barry Stanton as Sheridan
- Janine Duvitski as Margaret Nicholson
- Caroline Harker as Mrs. Fitzherbert
- Roger Hammond as Baker
- Cyril Shaps as Pepys
- Selina Cadell as Mrs. Cordwell
- Alan Bennett as a backbench MP whose speech is interrupted by everyone running out to see the King
- Nicholas Selby as Speaker
In adapting the play to film, the director Nicholas Hytner changed the name from The Madness of George III to The Madness of King George for American audiences, to clarify George III's royalty. A popular explanation developed that the change was made because there was a worry that American audiences would think it was a sequel and not go to see it, assuming they had missed "I" and "II". An interview revealed: "That's not totally untrue," said Hytner, laughing. "But there was also the factor that it was felt necessary to get the word King into the title."
- Arundel Castle, Arundel, West Sussex
- Divinity School, Oxford
- Broughton Castle, Banbury, Oxfordshire
- Eton College, Eton, Berkshire
- Royal Naval College, Greenwich
- St. Paul's Cathedral, London
- Syon House, Brentford, Middlesex
- Thame Park, Oxfordshire
- Wilton House, Wilton, Wiltshire
The film received largely positive reviews from critics. On Rotten Tomatoes, the film has a 93% "Certified Fresh" score based on 44 reviews, with an average rating of 7.83/10. The site's consensus states: "Thanks largely to stellar all-around performances from a talented cast, The Madness of King George is a funny, entertaining, and immensely likable adaptation of the eponymous stage production."
Reviewing the film for Variety, Emanuel Levy praised the film highly, writing: "Under Hytner's guidance, the cast, composed of some of the best actors in British cinema, rises to the occasion... Boasting a rich period look, almost every shot is filled with handsome, emotionally charged composition."
John Simon of The National Review wrote, "The Madness of King George III has survived the transfer from stage to screen, and emerges equally enjoyable on film." Simon praised all the leading actors and most of the supporting cast with the exception of Jim Carter's portrayal of Fox, which he said lacked charisma.
Stanley Kauffmann of The New Republic wrote, "For those who, like myself, were disappointed in the play, the film contains pleasant surprises, all of them resulting from differences between the two arts."
- 2nd – Peter Rainer, Los Angeles Times
- 8th – National Board of Review
- 10th – Kenneth Turan, Los Angeles Times
- Top 10 runner-ups (not ranked) – Janet Maslin, The New York Times
Awards and honours
- Best Actor (Nigel Hawthorne) – Nominated
- Best Supporting Actress (Helen Mirren) – Nominated
- Best Adapted Screenplay (Alan Bennett) – Nominated
- Best Art Direction (Ken Adam, Carolyn Scott) – Won
- Best Film (David Parfitt) – Nominated
- Best British Film (David Parfitt) – Won
- Best Direction (Nicholas Hytner) – Nominated
- Best Actor in a Leading Role (Nigel Hawthorne) – Won
- Best Actress in a Leading Role (Helen Mirren) – Nominated
- Best Actor in a Supporting Role (Ian Holm) – Nominated
- Best Adapted Screenplay (Alan Bennett) – Nominated
- Best Film Music (George Fenton) – Nominated
- Best Cinematography (Andrew Dunn) – Nominated
- Best Production Design (Ken Adam) – Nominated
- Best Costume Design (Mark Thompson) – Nominated
- Best Editing (Tariq Anwar) – Nominated
- Best Sound (Christopher Ackland, David Crozier, Robin O'Donoghue) – Nominated
- Best Makeup and Hair (Lisa Westcott) – Won
Other awards and nominations
- Cannes Film Festival Award for Best Actress (Helen Mirren) – Won
- Palme d'Or (Nicholas Hytner) – Nominated
- Empire Award for Best Actor (Nigel Hawthorne) – Won[dead link]
- Evening Standard British Film Award for Best Film (Nicholas Hytner) – Won
- Evening Standard British Film Award for Best Screenplay (Alan Bennett) – Won
- Evening Standard British Film Award for Best Technical/Artistic Achievement (Andrew Dunn) – Won
- Goya Award for Best European Film (Nicholas Hytner) – Nominated
- London Film Critics' Circle Award for British Film of the Year – Won
- London Film Critics' Circle Award for British Actor of the Year (Nigel Hawthorne) – Won
- London Film Critics' Circle Award for British Actress of the Year (Helen Mirren) – Nominated
- London Film Critics' Circle Award for British Screenwriter of the Year (Alan Bennett) – Won
- London Film Critics' Circle Award for British Technical Achievement of the Year (Ken Adam) – Won
- National Board of Review: Top Ten Films – Won
- Writers Guild of America: Best Screenplay Based on Material Previously Produced or Published (Alan Bennett) – Nominated
- Writers' Guild of Great Britain: Film – Screenplay (Alan Bennett) – Won
- "THE MADNESS OF KING GEORGE (PG)". British Board of Film Classification. 23 January 1995. Retrieved 30 March 2016.
- "The Madness of King George (1994)". Box Office Mojo. Internet Movie Database. Retrieved 30 March 2016.
- "What was the truth about the madness of George III?". BBC News. 15 April 2013. Retrieved 20 June 2021.
- According to the film, it was unheard of for anyone to look directly at the King without his permission.
- Act IV, scene 7
- "The Madness of King George". EW.com.
- DAVID GRITTEN (8 January 1995). "Late-Blooming Nigel Hawthorne Enjoys 'Madness' of King-Size Role in Hytner's Film". Los Angeles Times.
“It was wonderful that Alan Bennett insisted on Nick and me doing the film after we’d done it as a play,” he said of the playwright.
- "PROFILE : Life on an Artistic Carousel : Nicholas Hytner, director of 'Miss Saigon' and 'Carousel,' and 'Madness of King George' on film, is the hottest British import. Is he ready for America's Pop Icon Machine?". LA Times. 8 January 1995. Retrieved 9 July 2017.
- Natale, Richard (3 January 1995). "New Year Box Office Starts Off With Bang Movies: At $15.5 million, 'Dumb' stole the show during the long holiday weekend. But many other movies filled the seats as well". The Los Angeles Times. Retrieved 31 December 2010.
- "The Madness of King George (1994)". Rotten Tomatoes. Flixster. Retrieved 30 March 2016.
- Review: 'The Madness of King George'. Retrieved on 8 October 2016 from https://variety.com/1994/film/reviews/the-madness-of-king-george-2-1200439660/.
- Simon, John (2005). John Simon on Film: Criticism 1982-2001. Applause Books. pp. 450–451.
- Stanley Kauffmann at rottentomatoes.com
- Turan, Kenneth (25 December 1994). "1994: YEAR IN REVIEW : No Weddings, No Lions, No Gumps". Los Angeles Times. Retrieved 20 July 2020.
- "Awards for 1994". National Board of Review. Archived from the original on 25 November 2010. Retrieved 20 July 2020.
- Maslin, Janet (27 December 1994). "CRITIC'S NOTEBOOK; The Good, Bad and In-Between In a Year of Surprises on Film". The New York Times. Retrieved 19 July 2020.
- "Festival de Cannes: The Madness of King George". festival-cannes.com. Retrieved 5 September 2009.
- "Empire Awards Past Winners - 1996". Empireonline.com. Bauer Consumer Media. 2003. Retrieved 16 September 2011.
- The Madness of King George at IMDb
- The Madness of King George at Box Office Mojo
- The Madness of King George at Rotten Tomatoes
- The Madness of King George at AllMovie
- The Madness of King George at the American Film Institute Catalog
- Mikkelson, Barbara & David P. "The Madness of King George" at Snopes.com: Urban Legends Reference Pages.