The ruins of Linlithgow Palace are situated in the town of Linlithgow, West Lothian, Scotland, 15 miles (24 km) west of Edinburgh. The palace was one of the principal residences of the monarchs of Scotland in the 15th and 16th centuries. Although maintained after Scotland's monarchs left for England in 1603, the palace was little used, and was burned out in 1746. It is now a visitor attraction in the care of Historic Environment Scotland.
A royal manor existed on the site in the 12th century. This was replaced by a fortification known as 'the Peel', built in the 14th century by occupying English forces under Edward I. The site of the manor made it an ideal military base for securing the supply routes between Edinburgh Castle and Stirling Castle. The English fort was begun in March 1302 under the supervision of two priests, Richard de Wynepol and Henry de Graundeston. The architect, Master James of St George, was also present. In September 1302, sixty men and 140 women helped dig the ditches; the men were paid twopence and the women a penny daily. One hundred foot-soldiers were still employed as labourers on the castle in November and work continued during the Summer of 1303.
In September 1313, Linlithgow Peel was retaken for Scotland by an ordinary Scot named William Binning or Bunnock who was in the habit of selling hay to the garrison of the peel. When the gate was opened for him, he halted his wagon so that it could not be closed, his eight compatriots leapt out from their hiding place under the hay, and they captured the peel for King Robert the Bruce. King Robert sent reinforcements and had the peel dismantled so that it could not be retaken by the English.
In 1424, the town of Linlithgow was partially destroyed in a great fire. King James I started the rebuilding of the Palace as a grand residence for Scottish royalty, also beginning the rebuilding of the Church of St Michael immediately to the south of the palace: the earlier church had been used as a storeroom during Edward's occupation. Mary of Guelders, the widow of James II and mother of James III, made improvements in 1461, for the visit of the exiled Henry VI of England. Over the following century the palace developed into a formal courtyard structure, with significant additions by James III and James IV.
James IV and Margaret Tudor
James IV bought crimson satin for a new doublet to wear while formally welcoming the Spanish ambassador Don Martin de Torre at Linlithgow in August 1489. Silverware and tapestries were brought from Edinburgh for the event, and the wardrobe servant David Caldwell brought cords and rings to hang the tapestry in the palace. New rushes were brought from the Haw of Lithgow for the chamber floor. Entertainment included a play performed by Patrick Johnson and his fellows. After a visit to Stirling the king returned to Linlithgow and played dice with the Laird of Halkett and his Master of Household, and on 17 September rewarded stonemasons working on the palace with two gold angel coins. James IV spent Easter 1490 at the palace, visited the town of Culross, and returned on 18 April to play dice with the Earl of Angus and the Laird of Halkett, losing 20 gold unicorn coins. The king spent Christmas 1490 and Easter 1491 at Linlithgow. On 9 April he bought seeds for the palace gardener. James IV was interested in medicine and experimented taking blood from his servant Domenico and another man at Linlithgow. The king's mistress Margaret Drummond stayed at Linlithgow in the autumn of 1496. The park dykes were rebuilt in 1498.
During the king's stay at Linlithgow in July 1506 a coat was bought for a fool, and James IV visited the building work at the quire of St Michael's Church. He gave the master mason a tip of 9 shillings. His son James V was born in the palace in April 1512. The household of his mother Margaret Tudor at Linlithgow included the African servants Margaret and Ellen More. In April 1513 the roof of the chapel was altered and renewed, and a new organ was made by a French musician and craftsman called Gilyem and fixed to the wall. Timber was shipped to Blackness Castle and carted to the Palace. The windows of the queen's oratory, overlooking the Loch, were reglazed.
The infant king was not kept at Linlithgow, but came to the Palace from Stirling Castle dressed in a new black velvet suit accompanied by minstrels in April 1517, and went on to take up residence in Edinburgh Castle. Margaret Tudor rewarded the king's nurse and governess, Marion Douglas, with a grant of the lands near Linlithgow palace called the Queen's Acres in July 1518. Marion's daughter, Katherine Bellenden, made the king's shirts.
James V added the outer gateway and the elaborate courtyard fountain. The stonework of the south façade was renewed and unified for James V in the 1530s by the keeper, James Hamilton of Finnart. Timber imported from Denmark-Norway, including "Estland boards" and joists, was bought at the harbours of Dundee, South Queensferry, Montrose, and Leith, and shipped to Blackness Castle to be carted to the Palace. Three oak trees were cut down in Callender Wood to provide tables for dressing food in the kitchens, and seven oak trees from the Torwood. The improvements included altering the chapel ceiling and trees were brought from Callender to make scaffolding for this. Six hogshead barrels were bought to hold the scaffold in place.
The older statues of the Pope, the Knight, and Labouring Man on the east side of the courtyard, with the inscriptions on ribbons held by angels were painted. New iron window grills, called yetts, were made by blacksmiths in Linlithgow, and these, with weather vanes, were painted with red lead and vermilion. A metal worker in Glasgow called George Clame made shutter catches for the windows and door locks in iron plated with tin. The chapel ceiling was painted with fine azurite. Thomas Peebles put stained glass in the chapel windows and the windows of the "Lyon Chamber", meaning the courtyard windows of the Great Hall.
A chaplain, Thomas Johnston, kept the palace watertight and had the wallwalks and gutters cleaned. Robert Murray looked after the lead roofs and the plumbing of the fountain. There was a tennis court in the garden and an eel-trap in the Loch. In August 1539 Hamilton of Finnart was paid for rebuilding the king's kitchen, at the north end of the great hall, with a fireplace, an oven, and a room for silver vessels, and another for keeping coal.
During a visit in December 1539 Mary of Guise was provided with gold, silver, and black thread for embroidery, and her ladies' embroidery equipment was brought from Falkland Palace. Tapestry was brought from Edinburgh to decorate the palace. The goldsmiths Thomas Rynde and John Mosman provided chains, tablets or lockets, rings, precious stones, necklaces, and jewelled coifs for ladies called "shaffrons" for the king to give as gifts to his courtiers on New Year's day. On the feast of the Epiphany in January the court watched an "interlude" that was an early version of David Lindsay's play, A Satire of the Three Estates, in the Great Hall. Mary of Guise returned to Edinburgh on 3 February and was crowned soon afterwards.
Mary, Queen of Scots
Mary, Queen of Scots, was born at Linlithgow Palace in December 1542 and lived at the palace for a time. In January 1543 Viscount Lisle heard that she was kept with her mother, "and nursed in her own chamber". In March 1543 the English ambassador Ralph Sadler rode from Edinburgh to see her for the first time. Mary of Guise showed him the queen out of her swaddling and Sadler wrote that the infant was "as goodly a child I have seen, and like to live". The Earl of Lennox came to see the infant queen on 5 April 1543.
The blacksmith William Hill was employed at this time to increase the security of the palace by fitting iron window grills, called yetts. Lord Livingstone was paid £813 for keeping the infant queen in the palace. Regent Arran was worried his enemies, including Cardinal Beaton, would take Mary in July 1543. He came with the Earl of Angus and brought his artillery. He considered putting the queen in Blackness Castle, a stronger fortress. Henry VIII hoped thay Mary would be separated from her mother and taken to Tantallon Castle. Mary was teething and plans to move her were delayed. Following lengthy negotiations between the armed factions at Linlithgow, Mary was taken to Stirling Castle by her mother on 26 July 1543, escorted by the Earl of Lennox. Arran employed a carpenter from Linlithgow, Thomas Milne, to make three wooden chandeliers to hang in the palace in January 1546.
As an adult Queen Mary often visited Linlithgow, but did not commission new building work at the palace. She returned on 14 January 1562 with her half-brother Lord James Stewart and received the Earl of Arran as a guest. She returned to Edinburgh on 30 January after visiting Cumbernauld Castle. Lord Darnley, her second husband, played tennis at Linlithgow. Mary came to Linlithgow in December 1565 to take the air and have a quiet time with few visitors, but her husband Lord Darnley was expected. She was pregnant and was carried to Linlithgow in a horse-litter. She had a bed at Linlithgow of crimson velvet and damask embroidered with love knots.
James VI of Scotland came to Linlithgow in May 1583, and his courtiers, including the Earl of Bothwell and the Earl Marischal played football. James VI held a parliament in the great hall of the palace in December 1585, the first gathering of the whole nobility in the palace since the reign of his grandfather James V of Scotland. James VI gave lands including the palace to his bride Anne of Denmark as a "morning gift". On 14 May 1590 Peder Munk, the Admiral of Denmark, rode to Linlithgow from Niddry Castle, and was welcomed at the palace by the keeper Lewis Bellenden. He took symbolic possession or (sasine) by accepting a handful of earth and stone.
The keeper of the palace in 1594 was the English courtier Roger Aston who repaired the roof using lead shipped from England. Roger Aston was of doubtful parentage and as a joke hung a copy of his family tree next to that of the king of France in the long gallery, which James VI found very amusing.
In January 1595 the Earl of Atholl, Lord Lovat, and Kenneth Mackenzie were kept prisoners in the palace, in order to pacify "Highland matters". Lord Lovat gained the king's favour and soon after married one of Anne of Denmark's ladies in waiting, Jean Stewart, a daughter of Lord Doune.
The daughter of James VI and Anna, Princess Elizabeth, lived in the Palace in the care of Helenor Hay, Countess of Linlithgow, helped by Mary Kennedy, Lady Ochiltree. Alison Hay was her nurse, helped by her sister Elizabeth Hay. John Fairny was appointed to guard her chamber door. Anne of Denmark came to visit Princess Elizabeth at Linlithgow Palace on 7 May 1603, and then rode to Stirling Castle, where she argued with the Countess of Mar and the Master of Mar over the custody of Prince Henry. She brought Prince Henry to Linlithgow on 27 May, and after a week in Edinburgh, went to London.
Decay and repair
After the Union of the Crowns in 1603 the Royal Court became largely based in England and Linlithgow was used very little. The old North Range, described as 'ruinous' in 1599, collapsed on 6 September 1607, and The 1st Earl of Linlithgow wrote to King James VI & I with the news:
Please your most Sacred Majestie; this sext of September, betuixt thre and four in the morning, the north quarter of your Majesties Palice of Linlithgw is fallin, rufe and all, within the wallis, to the ground; but the wallis ar standing yit, bot lukis everie moment when the inner wall sall fall and brek your Majesties fontane."
King James had it rebuilt between 1618 and 1622. The carving was designed by the mason William Wallace. In July 1620, the architect, James Murray of Kilbaberton, estimated that 3,000 stones in weight of lead would be needed to cover the roof, costing £3,600 in Pound Scots (the Scottish money of the time). On 5 July 1621 the then Earl of Mar wrote to James to tell him he had met Murray and viewed the works at 'grate lenthe'. He said the Palace would be ready for the King at Michaelmas.
The carving at the window-heads and the Royal Arms of Scotland on the new courtyard façade were painted and gilded, as were the old statues of the Pope, Knight, and Labouring Man on the east side. In 1629 John Binning, James Workman, and John Sawyers painted the interiors with decorative freizes above walls left plain for tapestries and hangings. Despite these efforts, the only reigning monarch to stay at Linlithgow after that date was King Charles I, who spent a night there in 1633.
In 1648, part of the new North Range was occupied by The 2nd Earl of Linlithgow. An English visitor in October 1641 recorded in a poem that the roof of the great hall was already gone, the fountain vandalised by those who objected on religious grounds to the motto "God Save the King," but some woodcarving remained in the Chapel Royal.
The palace's swansong came in September 1745, when Bonnie Prince Charlie visited Linlithgow on his march south but did not stay overnight. It is said that the fountain was made to flow with wine in his honour. The Duke of Cumberland's army destroyed most of the palace buildings by burning in January 1746.
Keepers and Captains of the Palace
The positions of official keeper and captain of the palace have been held by: Andrew Cavers, Abbot of Lindores, 1498; John Ramsay of Trarinzeane, 1503; James Hamilton of Finnart, 1534, Captain and Keeper; William Danielstoun from 19 November 1540; Robert Hamilton of Briggis, from 22 August 1543; Andrew Melville of Murdocairney, later Lord Melville of Monimail, brother of James Melville of Halhill, from 15 February 1567; George Boyd, deputy Captain, 1564; Andrew Ferrier, Captain of the Palace, 1565, Frenchman; John Brown, June 1569; Andrew Lambie, June 1571; Ludovic Bellenden of Auchnoul 22 November 1587, and 1595 Roger Aston. The office was acquired by Alexander Livingstone, 1st Earl of Linlithgow, and remained in that family until 1715 when the rights returned to the Crown.
The palace has been actively conserved since the early 19th century and is today managed and maintained by Historic Environment Scotland. The site is open to visitors all year round, usually subject to an entrance fee for non-members, but on occasion the entry fee is waived during the organisation's "Doors open days". In summer the adjacent 15th-century parish church of St Michael is open for visitors, allowing a combined visit to two of Scotland's finest surviving medieval buildings. The site was visited by 103,312 people in 2019.
For over 40 years, tours of the palace for children are led by 'Junior Guides', pupils at Linlithgow Primary School
Artistic and cultural uses
On 4 December 2012, the French fashion house Chanel held its tenth Métiers d’Art show in the palace. The collection, designed by Karl Lagerfeld, was called 'Paris-Édimbourg' and inspired by classic Scottish styling using tweed and tartan fabrics worn by models Stella Tennant, Cara Delevingne, and Edie Campbell.
The show renewed media interest in the possibility of restoring the roof of the palace.
In August 2014, a music festival was held on the palace's grounds called 'Party at the Palace'. This became a yearly event and again took place in 2015; from 2016 it was moved to the other side of the loch due to its popularity and need for more space. The festival still boasts views of the palace.
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