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Graphic Story Magazine was an American magazine edited and published by Bill Spicer in the late 1960s and early 1970s. Attempting to find a new direction for narrative art and a point of departure from commercial comic book stories, this journal of criticism and artwork evolved from Spicer's previous magazine, Fantasy Illustrated.
By the late 1960s, Graphic Story Magazine evolved into the most literate “fanzine.” I remember thinking, at the time, that GSM looked like it was put together by grown-ups, whereas most fanzines, mine included, were cobbled together by my peers — precocious but essentially clueless high school kids. Spicer brought a rare maturity to fanzines that had been conspicuously absent. His editorial direction was less fanboyish and more professional; that is, he and his writers — among whom were John Benson and Richard Kyle — focused less on characters and more on individual cartoonists and in a far more searching way than most other “fan” writers of the time. GSM pioneered long, probing interviews ... which was mostly a matter of asking intelligently conceived questions — or at least of avoiding the usual cretinous fanboy idolatry that wasted so many opportunities.
There were nine issues of Graphic Story Magazine (with the issue numbering continuing from Fantasy Illustrated), with pages per issue varying from 32 pages to the 64-page issue #14 (Winter 1971-72). As writer and historian Steven Grant describes the magazine's roots:
Out in California, Bill Spicer created a truly wonderful fanzine with no specific orientation, Fantasy Illustrated, that had as much in common with the nascent underground comics as with the mainstream. By the early 70s, Spicer positioned himself as a progressive force and changed the name to Graphic Story Magazine ... [and] started a newsletter called Graphic Story World.
The run ended with issue #16 (Summer 1974).
Artists and writers
This sections needs additional citations for verification. (August 2011)
Iissue #14 (Winter 1971-72) featured Basil Wolverton's Powerhouse Pepper, Shock Shannon, The Story of Man, The Counter Culture, Common Types of Barflize and Wolverton caricatures, plus an interview with Wolverton.
The final issue, #16 (Summer 1974), included "The Wishing World" by Mark Evanier and John Pound, "Routine" by George Metzger, a story by Bob Powell (Colorama) and Bhob Stewart's interview with artist Howard Nostrand (later reprinted in The Comics Journal). The front cover by Nostrand showed a decaying, skeletal comic book artist returning from the grave to deliver a completed story to a comic book publisher.
The newsletter Graphic Story World became Wonderworld. Spicer later teamed with Evanier to edit and publish Fanfare, covering popular culture in general.
- Groth, Gary. "Welcome to TCJ.com and Oh, By the Way, A Brief History of Comics Criticism While I’m At It," The Comics Journal (December 14, 2009).
- Graphic Story Magazine entry, Grand Comics Database. Accessed Feb. 4, 2016.
- Grant, Steven (October 27, 1999). "Master of the Obvious, Issue #13". Comic Book Resources. (column). Archived from the original on August 15, 2011. Retrieved December 12, 2009. (requires scrolldown)
- Shelley, Bill. Sense of Wonder