|Directed by||D. W. Griffith|
|Written by||Stephen Vincent Benet|
John W. Considine, Jr.
D. W. Griffith (uncredited)
|Produced by||D. W. Griffith|
Joseph M. Schenck
|Edited by||James Smith|
|Music by||Hugo Riesenfeld|
|Distributed by||United Artists|
|August 25, 1930|
Abraham Lincoln, also released under the title D. W. Griffith's "Abraham Lincoln", is a 1930 pre-Code American biographical film about Abraham Lincoln directed by D. W. Griffith. It stars Walter Huston as Lincoln and Una Merkel, in her second speaking role, as Ann Rutledge. The script was co-written by Stephen Vincent Benét, author of the Civil War prose poem John Brown's Body, and Gerrit Lloyd. This was the first of only two sound films made by Griffith.
The first act of the film covers Lincoln's early life as a storekeeper and rail-splitter in New Salem and his early romance with Ann Rutledge, and his early years as a lawyer and his courtship and marriage to Mary Todd in Springfield. The majority of the film deals with Lincoln's presidency during the American Civil War and culminates with Lee's surrender and Lincoln's assassination at Ford's Theatre.
- Characters in the order of their appearance
- W. L. Thorne as Tom Lincoln
- Lucille La Verne as Mid-Wife
- Helen Freeman as Nancy Hanks Lincoln
- Otto Hoffman as Offut
- Walter Huston as Abraham Lincoln
- Edgar Deering as Armstrong
- Una Merkel as Ann Rutledge
- Russell Simpson as Lincoln's Employer
- Charles Crockett as Sheriff
- Kay Hammond as Mary Todd Lincoln
- Helen Ware as Mrs. Edwards
- E. Alyn Warren as Stephen A. Douglas
- Jason Robards as Herndon
- Gordon Thorpe as Tad Lincoln
- Ian Keith as John Wilkes Booth
- Cameron Prudhomme as John Hay (secretary to the president)
- James Bradbury, Sr. as General Scott
- Jimmie Eagle as Young Soldier
- E. Alyn Warren as General Grant
- Oscar Apfel as Secretary of War Stanton
- Frank Campeau as General Sheridan
- Hobart Bosworth as General Lee
- Henry B. Walthall as Colonel Marshall
The film received positive reviews from contemporary critics. Mordaunt Hall of The New York Times called it "quite a worthy pictorial offering with a genuinely fine and inspiring performance by Walter Huston in the role of the martyred President" and later put it on his year-end list of the ten best films of 1930. "More than an outstanding classic of sound pictures, Abraham Lincoln eclipses the most conservative illusion of a modernized Birth of a Nation", wrote Variety in a rave review. "It is a startlingly superlative accomplishment; one rejuvenating a greatest Griffith. In characterization and detail perfection it is such as to be almost unbelievable." Film Daily called it a "distinguished and human narrative" and wrote that Huston's performance "may be listed as one of the 10 best of the year – or any talker year." John Mosher of The New Yorker wrote that it was "by and large.....a pretty high-grade picture." Despite these accolades, however, the film's box office performance was uneven.
The film covers some little-known aspects of Lincoln's early life, such as his romance with Ann Rutledge, his depression and feared suicidal tendencies after her death, and his unexplained breaking off of his engagement with Mary Todd (although the film surmises that this was due to unresolved feelings over Ann Rutledge and adds a dramatic scene where Lincoln stands Mary up on their scheduled wedding day. In reality Abe did break off the engagement, but it was before the wedding day. He would later regret his decision, and return to ask Mary's hand in marriage once again, this time following through, as it happens in the film).
While the early scenes of Lincoln's life are remarkably accurate, much of the later scenes contain historical inaccuracies. The Lincoln-Douglas debates, in addition to the historically accurate topic of the extension of slavery, are turned into an argument about secession. Lincoln was an underdog for the Republican Presidential nomination in 1860; in the film it is suggested he is the sole nominee as a result of the Lincoln-Douglas debates. The outbreak of the Civil War seems to be the Union firing on Charleston, South Carolina from Fort Sumter, rather than the other way around. Also, early in hostilities, General Winfield Scott is depicted as being overconfident of a quick victory (and something of a buffoon), when in reality he was one of the voices in the minority claiming the war would be long, costly, and bloody. Lincoln receives a report from the Secret Service that some copperheads in the North have issued threats against him. The Secret Service was not created until two months after Lincoln's death. Finally, in the climax of the film, Lincoln delivers a conflation of the words of the Gettysburg Address and Second Inaugural Address at Ford's Theatre on April 14, 1865 – just moments before being assassinated. This was Griffith's second portrayal of Lincoln's assassination, the first being in The Birth of a Nation.
Abraham Lincoln is part of the David Wark Griffith collection at the Museum of Modern Art, and it was donated as a gift from screenwriter-producer Paul Killiam, a collector of silent movies. Funding for the preservation of this film was provided by The Lillian Gish Trust for Film Preservation, The Film Foundation, and the Hollywood Foreign Press Association.
More recent assessments of Abraham Lincoln have been less effusive in their praise of the film, finding that Abraham Lincoln has not aged well. In 1978, the film was included as one of the choices in the book The Fifty Worst Films of All Time, criticizing the film's historical inaccuracies, instances of clumsy dialogue and Merkel's melodramatic acting style. Glenn Erickson, reviewing the DVD in 2012, wrote that it "comes off as an interesting curio. Its earnest simplicity seems more dated than ever, despite the fine performance of Walter Huston in the lead role." Film historian Melvyn Stokes found that Abraham Lincoln's episodic structure "came at the cost of dramatic tension" and suggested that the film's disappointing box office performance was due to its having "nothing of major importance and relevance to say about its subject to moviegoers of Depression-era America." Abraham Lincoln was the first sound film about the Civil War which veterans of that war could view.
- Paolo Cherchi Usai (2008). The Griffith Project: Essays on D.W. Griffith. British Film Institute. p. 208. ISBN 9781844572687. Retrieved January 16, 2016.
- Christley, Jaime N. (December 15, 2012). "Abraham Lincoln". Slant Magazine. Retrieved January 15, 2016.
- Hall, Mordaunt (August 26, 1930). "The Screen; Mr. Griffith's First Talker". The New York Times. Retrieved March 27, 2015.
- The New York Times Film Reviews, Volume 1 (1913-1931). The New York Times & Arno Press. 1970. p. 684.
- "Abraham Lincoln". Variety. New York: Variety, Inc.: 21 August 27, 1930.
- "Abraham Lincoln". Film Daily. New York: Wid's Films and Film Folk, Inc.: 10 August 31, 1930.
- Mosher, John (September 6, 1930). "The Current Cinema". The New Yorker: 62.
- Stokes, Melvyn (2007). D. W. Griffith's the Birth of a Nation : A History of the Most Controversial Motion Picture of All Time. Oxford University Press. pp. 267–268. ISBN 9780198044369.
- "Abraham Lincoln (1930)". Museum of Modern Art. Retrieved January 15, 2016.
- "Abraham Lincoln (1930)". FilmFanatic. Retrieved March 27, 2015.
- Erickson, Glenn (November 21, 2012). "Abraham Lincoln". DVD Savant. Retrieved March 27, 2015.
- Strokes, Melvyn. "D. W. Griffith's Abraham Lincoln." Presidents in the Movies: American History and Politics on Screen. Ed. Iwan W. Morgan. Palgrave MacMillan, 2011. p. 58-61. ISBN 9780230117112.
|Wikimedia Commons has media related to Abraham Lincoln.|
|Wikiquote has quotations related to: Abraham Lincoln (1930 film)|