|The Barefoot Contessa|
|Directed by||Joseph L. Mankiewicz|
|Produced by||Joseph L. Mankiewicz (uncredited)|
|Written by||Joseph L. Mankiewicz|
|Music by||Mario Nascimbene|
|Edited by||William Hornbeck|
|Distributed by||United Artists|
|Box office||$3.3 million (US and Canada rentals)|
The Barefoot Contessa is a 1954 American drama film written and directed by Joseph L. Mankiewicz about the life and loves of fictional Spanish sex symbol Maria Vargas. It stars Humphrey Bogart, Ava Gardner, and Edmond O'Brien.
Down on his luck, a washed-up movie director and writer Harry Dawes (Humphrey Bogart) is reduced to working for abusive, emotionally stunted business tycoon Kirk Edwards (Warren Stevens), who has decided that he wants to produce a film to boost his monumental ego. Looking for a glamorous leading lady, they go to a Madrid night club to see a dancer named Maria Vargas (Ava Gardner), about whom Kirk had already been told.
Maria is a blithe but proud spirit who likes to go barefoot and has a troubled home life. Maria immediately likes Harry, whose work she knows, but takes an instant dislike to Kirk. Although she flees during their meeting, Harry tracks her down to her family home and convinces her to fly away with them to the United States to make her first film. Thanks to his expertise and the help of sweaty, insincere publicist Oscar Muldoon (Edmond O'Brien), her film debut is a sensation. With subsequent films by this team, Maria becomes a respected actress, Harry's career is resurrected, and they become friends.
During a party at Maria's house, Kirk and wealthy Latin American playboy Alberto Bravano (Marius Goring) become involved in an argument over Maria. Alberto had conspicuously admired Maria during the evening. When Alberto invites her to join him on his yacht in the Riviera, Kirk orders her to stay away from him. Offended by Kirk's attempted domineering, she accepts Alberto's invitation. Also seeing an opportunity, Oscar, tired of being Kirk's lackey, switches his allegiance to Alberto.
Maria is now a great star, but she is not satisfied. She envies the happiness her friend Harry has found with his wife Jerry (Elizabeth Sellars). Alberto is too frivolous and shallow for her. One evening at a casino, while Alberto is gambling, Maria takes some of his chips and cashes them, throwing the money to her gypsy lover from a window. When Alberto goes on a losing streak, he berates Maria in public for ruining his luck. Subsequently, he receives a slap in the face from Count Vincenzo Torlato-Favrini (Rossano Brazzi), who escorts Maria from the casino.
Maria stays with Vincenzo and his widowed sister, Eleanora (Valentina Cortese), at the count's palazzo. She has found the great love of her life, and they wed in a lavish ceremony, in which Harry gives away the bride. But there is a problem. The count and his sister are the last of the Torlato-Favrinis; without offspring, the noble line will die out. The count has a secret. Due to a war injury, he is impotent. He does not tell Maria about this until their wedding night.
On a rainy night, months later, with Harry in Italy, an unhappy Maria arrives at his hotel room, telling him about her husband's impotence, but confessing that she is pregnant. She believes Vincenzo will want this child in order to perpetuate the family lineage. Harry warns her Vincenzo is too proud to accept this, but Maria feels otherwise and plans to tell him about her pregnancy that night.
After Maria leaves his hotel room, Harry notices Vincenzo's car trailing hers, and follows them. Back at the palazzo in the servants' quarters, Vincenzo shoots to death both Maria and her lover before she can tell him about the child. Harry arrives just as the shots are fired. He does not tell Vincenzo about the pregnancy. The story ends, as it began, with flashbacks at her funeral. Afterward, Vincenzo is taken away by the police.
- Humphrey Bogart as Harry Dawes
- Ava Gardner as Maria Vargas
- Edmond O'Brien as Oscar Muldoon
- Marius Goring as Alberto Bravano
- Valentina Cortese (billed as Valentina Cortesa) as Eleanora (Eleonora) Torlato-Favrini
- Rossano Brazzi as Count Vincenzo Torlato-Favrini
- Elizabeth Sellars as Jerry Dawes
- Warren Stevens as Kirk Edwards
- Franco Interlenghi as Pedro Vargas
- Mari Aldon as Myrna
- Alberto Rabagliati as Nightclub proprietor
- Enzo Staiola as Busboy
- Maria Zanoli as Maria's Mother
- Renato Chiantoni as Maria's Father
- Bill Fraser as J. Montague Brown
- John Parrish as Mr. Black
- Jim Gerald as Mr. Blue
- Diana Decker as Drunken Blonde
- Riccardo Rioli as Gypsy Dancer
- Tonio Selwart as The Pretender
- Margaret Anderson as The Pretender's Wife
- Gertrude Flynn as Lulu McGee
- John Horne as Hector Eubanks
- Bessie Love as Mrs. Eubanks
- Bob Christopher as Eddie Blake
- Anna Maria Paduan as Chambermaid
- Carlo Dale as Chauffeur
According to Turner Classic Movies, Mankiewicz based the film's central character of Maria Vargas on American movie star and dancer Rita Hayworth, who had been married to Prince Aly Khan. According to the audio commentary on the 1931 film Tabu, she was based on Anne Chevalier, an actress in that film.
The Barefoot Contessa is considered one of Mankiewicz's most glamorous "Hollywood" films, and one of the most glamorous of Golden Hollywood, but it was produced out of Cinecittà Studios in Rome. Exterior scenes were shot at Tivoli (the olive grove), Sanremo, and Portofino. Bogart was not on location at Sanremo. The film's Italian production was part of the "Hollywood on the Tiber" phenomenon.
The studio was about to release the film's poster without an image of Bogart, a contractual violation. Bogart had the matter rectified with the addition of a line drawing of his face.
The film was praised by many critics for its extravagance, which earned the director many new admirers. Saturday Review called Ava Gardner "one of the most breathtaking creatures on earth". Some critics disapproved of the film; the book Feature Cinema in the 20th Century: Volume One: 1913–1950: a Comprehensive Guide called the film "dreadful", remarking that Mankiewicz's "intelligence and ambitious aims too often collide with an astonishing lack of subtlety and aesthetic judgment". Bosley Crowther called it a "grotesque barren film" about the "glittering and graceless behavior of the Hollywood-international set."
However, François Truffaut wrote, "…what is beyond doubt is its total sincerity, novelty, daring, and fascination … I myself accept and value it for its freshness, intelligence, and beauty … A subtle and intelligent film, beautifully directed and acted."
Awards and nominations
|Academy Awards||Best Supporting Actor||Edmond O'Brien||Won|
|Best Story and Screenplay||Joseph L. Mankiewicz||Nominated|
|Cahiers du Cinéma||Best Film||Nominated|
|Golden Globe Awards||Best Supporting Actor – Motion Picture||Edmond O'Brien||Won|
|New York Film Critics Circle Awards||Best Actor||Nominated|
|Writers Guild of America Awards||Best Written American Drama||Joseph L. Mankiewicz||Nominated|
In popular culture
The Food Network cooking show Barefoot Contessa is named after Ina Garten's best-selling cookbook, The Barefoot Contessa Cookbook, which in turn was named after her specialty food store which she bought in 1978. The store, which is no longer in operation, opened in 1975 and was named after the film.
A tour boat in the TV series Riptide was named Barefoot Contessa.
The VHS from MGM was first released in 1990 and again in 1999 as part of the Vintage Classics lineup. MGM also released the DVD version in 2001.
- "1954 Box Office Champs". Variety. January 5, 1955. p. 59. Retrieved July 16, 2019 – via Archive.org.
- Miller, Frank. "The Barefoot Contessa". Turner Classic Movies. Retrieved December 30, 2009.
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- Hanna, David (May 1, 1998). Sinatra: Ol' Blue Eyes Remembered. Random House Value Pub. p. 29. ISBN 978-0-517-16068-8.
- DK Eyewitness Travel Guide: Italy: Italy. Dorling Kindersley Limited. February 1, 2012. p. 240. ISBN 978-1-4053-9313-3.
- Higham, Charles (March 17, 1975). Ava: a life story. W.H. Allen. p. 108. ISBN 9780491019620.
- Sadoul, Georges (January 1, 1972). Dictionary of Film Makers. University of California Press. p. 166. ISBN 978-0-520-02151-8.
- Saturday Review. Saturday Review Associates. September 1954. p. 31.
- Klinowski, Jacek; Garbicz, Adam (2012). Feature Cinema in the 20th Century: Volume One: 1913–1950: a Comprehensive Guide. Planet RGB Limited. pp. 2–. ISBN 978-1-62407-564-3.
- Crowther, Bosley (September 30, 1954). "The Screen in Review: The Barefoot Contessa Arrives at Capitol". The New York Times. Retrieved December 30, 2009.
- Truffaut, François (1978). The Films in My Life. Translated by Leonard Mayhew. New York.
- Rosenbaum, Jonathan (June 25, 1998). "List-o-Mania: Or, How I Stopped Worrying and Learned to Love American Movies". Chicago Reader. Archived from the original on April 13, 2020.
- Liberman, Sherri (August 31, 2011). American Food by the Decades. ABC-CLIO. p. 224. ISBN 978-0-313-37698-6.
- Today's Kitchen Cookbook. Meredith Books. 2005. p. 210. ISBN 978-0-696-22542-0.
- "Barefoot Contessa, The (Blu-ray)". Twilight Time Movies.
- "The Barefoot Contessa Blu-ray Review". Home Theater Forum. December 24, 2016.
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