|Sexual Perversity in Chicago|
|Written by||David Mamet|
|Place premiered||Organic Theater Company|
Sexual Perversity in Chicago is a play written by David Mamet that examines the sex lives of two men and two women in the 1970s. The play is filled with profanity and regional jargon that reflects the working-class language of Chicago. The characters' relationships come to be hindered by the caustic nature of their words, as much of the dialogue includes insults and arguments. The play presents "intimate relationships [as] minefields of buried fears and misunderstandings".
Characters and plot
- Dan Shapiro: An urban male in his late twenties
- Bernard Litko: Dan's friend and associate
- Deborah Soloman: A woman in her late twenties
- Joan Webber: Deborah's friend and roommate
Scene: Various spots around the North Side of Chicago, a Big City on a Lake.
Time: Approximately nine weeks one summer.
Danny and Bernie balance their mundane office jobs with sexual banter, particularly their experiences and preferences in the bedroom. Likewise, Joan and Deborah frequently discuss the shortcomings of men while at their apartment.
The main plot point is Danny and Deborah's relationship, perpetuating much of the dialogue about men and women. Their romance is quickly established by sexual attraction, but as the play progresses and Deborah moves into Danny's apartment, they are unable to talk with each other seriously. Danny complains in frustration, "Everything's fine. Sex, talk, life, everything. Until you want to get 'closer', to get 'better'. Do you know what the fuck you want?" Eventually, the couple breaks up while Danny and Bernie revert to their usual talk about "broads" and what is wrong with the world.
I don't know anything, Deborah, I swear to God, the older I get the less I know. (pause) It's a puzzle. Our efforts at coming to grips with ourselves...in an attempt to become "more human" (which, in itself, is an interesting concept). It has to do with an increased ability to recognize clues...and the control of energy in the form of lust...and desire (And also in the form of hope)... But a finite puzzle. Whose true solution lies, perhaps, in transcending the rules themselves... (pause) ...and pounding of the fucking pieces into places where they do not fit at all.
The play was a series of blackouts showing various people (waitresses, policemen, investment bankers) having discussions about sex. It featured:
The play was subsequently reworked by Mamet with director Stuart Gordon into the four character structure that made it famous and established David Mamet as a playwright. An earlier Mamet play, Danny Shapiro and his Search for the Mystery Princess, was combined with Sexual Perversity, adding the characters of Bernie Litko and Joan Webber. It was produced and performed by Organic Theater Company in Chicago in June 1974 in a production directed by Stuart Gordon. The cast featured:
- Warren Casey as Bernie Litko
- Eric Loeb as Danny Shapiro
- Carolyn Purdy Gordon as Deborah Soloman
- Roberta Custer as Joan Webber
In December 1975, the play was mounted off-off Broadway at the St. Clements Theatre in New York. An off-Broadway production directed by Albert Takazauckas opened on a double bill with the playwright's The Duck Variations on June 16, 1976 at the Cherry Lane Theatre in Greenwich Village and ran for 273 performances. The cast included F. Murray Abraham and Peter Riegert. Subsequent cast members included Jeff Zinn.
West End Theatre
- Bernard Litko .... Jaromír Dulava
- Joan Weber .... Ivana Chýlková
- Dan Shapiro .... Marek Taclík
- Deborah Solomon .... Lucie Pernetová
David De Silva bought the motion picture rights to Sexual Perversity In Chicago and went with David Mamet on Mamet's first trip to Hollywood, to meet with Michael Eisner, head of Paramount Pictures, regarding doing a film version of the play. Eisner was very enthusiastic about the project, but Mamet ultimately was not able to deliver an acceptable screenplay to the studio. Years later, De Silva sold the film rights to a Chicago producer, Stuart Oken. Oken produced the 1986 film, About Last Night, directed by Edward Zwick, with Demi Moore, Rob Lowe, Jim Belushi and Elizabeth Perkins in the cast. The screenplay was written by Tim Kazurinsky and Denise Declue. The title change resulted from many newspapers refusing to advertise a movie with the original title.
A second film adaptation, also based on the 1986 film and again titled About Last Night, was released in 2014. This film had an African-American cast and was set in Los Angeles. The film starred Kevin Hart, Michael Ealy, Regina Hall and Joy Bryant.
- "Archived copy" (PDF). Archived from the original (PDF) on 2008-11-21. Retrieved 2009-04-23. CS1 maint: discouraged parameter (link) CS1 maint: archived copy as title (link)
- Mamet, Sexual Perversity in Chicago, Grove Press, Inc., 1974
- http://desmoines.metromix.com/events/article/there-is-comedy-in/2242053/content[permanent dead link]
- "Duos sans canapé" (Tribulations sexuelles à Chicago, by David Mamet), Jean-Pierre Thiollet, Le Quotidien de Paris, 1 January 1981.
- David De Silva
- "MAMET REVIVED The perversity of Hollywood". Retrieved 2008-04-08. CS1 maint: discouraged parameter (link)[dead link]
- "Rodriguez thinking 'About Last Night'". Variety. Retrieved 3 May 2013. CS1 maint: discouraged parameter (link)
- "Kevin Hart in Early Red Band Trailer for Steve Pink's 'About Last Night'". First Showing. Retrieved 3 May 2013. CS1 maint: discouraged parameter (link)
- "About Last Night (2014)". Box Office Mojo. Retrieved 5 March 2014. CS1 maint: discouraged parameter (link)