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Professional wrestling has accrued a considerable amount of jargon throughout its existence. Much of it stems from the industry's origins in the days of carnivals and circuses. In the past, professional wrestlers used such terms in the presence of fans so as not to reveal the nature of the business. In recent years, widespread discussion on the Internet has popularized these terms. Many of the terms refer to the financial aspects of professional wrestling in addition to in-ring terms.
A management employee, often a former wrestler (though it can be a current wrestler), who helps wrestlers set up matches, plan storylines, give criticisms on matches, and relay instructions from the . Agents often act as a liaison between wrestlers and higher-level management and sometimes may also help in training younger wrestlers. They are referred to by WWE as "producers" and by AEW as "coaches".
A wrestler intentionally cutting themselves to provoke bleeding to the opponent's offense.
To determine and schedule the events of a wrestling . The person in charge of setting up matches and writing is a "booker". It is the wrestling equivalent of a screenwriter. A booker can also be described as someone who recruits and hires talent to work in a particular promotion. The United States District Court for the Southern District of Iowa defined a booker in 1956 as "[...] any person who, for a fee or commission, arranges with a promoter or promoters for the performance of wrestlers in professional wrestling exhibitions". Booking is also the term a wrestler uses to describe a scheduled match or appearance on a wrestling show (ie, "a booked match").
A match that ends in a time limit draw.
The lowering (relegation) of a wrestler's status in the eyes of the fans. The opposite of a , it is the act of a promoter or causing a wrestler to lose popularity and credibility through means such as forcing them to lose in matches, losing continuously, allowing opponents to no- or of said wrestler's , or forcing them to participate in unentertaining or degrading storylines. A burial is often used a form of punishment due to real-life backstage disagreements between the wrestler and the booker, the wrestler falling out of favor with the company, or sometimes to demote an unpopular performer or .
A reigning champion's right to retain a title, should he or she lose a championship match by countout or disqualification.
Also lackey or heavyA (typically larger) wrestler who accompanies another wrestler as a to matches and acts as a bodyguard.
A wrestler who is heroic, who is to be cheered by fans. are the opposite of faces, and faces commonly perform against heels.
In a tag team match, the member of a team who is dominated by the team for an extended period of the match. The tactic can be used to help get the crowd behind the face tag team and is usually followed up with a . During the 1980s, Ricky Morton of the Rock 'n' Roll Express was typically in this position while teaming with Robert Gibson; so much so that "playing Ricky Morton" has become synonymous with the term.
A brief offensive flurry by a , before losing momentum back to a after being dominated for several minutes. Usually, it occurs before the actual .
The character portrayed by a wrestler. Can be used to refer specifically to the motif or theme evoked by a character, as indicated by their name, costume or other paraphernalia, or to refer to any aspect of the ed presentation, sometimes negatively (eg. a gimmick match).
A who defeats "pure jobbers" as well as mid-card wrestlers in matches, but consistently loses to level wrestlers.
A style of wrestling that emphasizes brutality and real violence with matches typically involving minimal technical wrestling, instead focusing on moderate brawling techniques and the use of weapons.
An untelevised event.
A smaller wrestling company that operates at a local (rather than national) level and typically employs freelance wrestlers, as opposed to signing wrestlers to exclusive contracts.
A wrestler who routinely loses in order to build the credibility of other wrestlers.
1. Refers to real-life incidents or events that have not been or scripted and are therefore not part of the fictional and presentation. It is often used to describe a genuine injury to a wrestler, as opposed to one scripted as part of a storyline.
A portion of a match, usually the very start of the match, where two wrestler join together in a collar-and-elbow tie up.
A move or series of moves which are mistimed.
The act of luring away key talent from one company to another, usually with offers of higher pay. It is sometimes done deliberately to weaken a company by taking away their top draws. Poaching is typically done by larger companies. A more extreme form of poaching, wherein multiple wrestlers from a company are lured away, is referred to as raiding.
A wrestler, often a respected or feared shooter or street fighter, responsible for enforcing the promoter's will against recalcitrant wrestlers by performing unscripted or painful moves within a match, punishing or intimidating them for defying the management. In today's industry it is a largely outdated because such tactics are illegal if they can be proved. Typically it is only still used by and outside commentators who believe one wrestler is deliberately placed in matches against more dangerous opponents and injured deliberately after disagreements with management. While allegations of this sort persist, including being made by wrestlers themselves, few have been proven.
Originally, along with "grunt-and-groan", used by the mainstream media when presenting a derisive story on professional wrestling, which often stereotyped the participants and audience. Now refers to a style of wrestling popular in Memphis, Tennessee, and as a result, the southeastern United States, which emphasizes and , generally with fewer matches and longer , hence the more recent "southern style" or to be specific compared to the Jim Crockett or Georgia styles, "Memphis style".
When a champion loses his or her title to another, this may be invoked to procure a title rematch in the near future. This fictional clause is often ignored in storylines.
A match finish which occurs sooner (and often differently) than planned. It is used when a wrestler is legitimately injured and cannot continue as planned, when the match is approaching its time limit (or a television segment is running long), or after a botch significantly changes the plot of the match. The term "audible" is also used, referring to the finish being known to happen upon verbal instruction from outside the ring.
To book an angle and/or match so as to explain in kayfabe a wrestler's upcoming (and usually inconvenient) absence.
A rookie, particularly in Japanese professional wrestling. The term "young lion" is used for the trainees from the New Japan Pro-Wrestling dojo; although they usually perform at NJPW shows, typically on the lower card, they are also assigned other tasks such as security around the ring.
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