Side A of the mid-1970s UK vinyl pressing
|Single by David Bowie|
|from the album Diamond Dogs|
|Released||15 February 1974 (UK)|
May 1974 (US)
|Recorded||Ludolph, Nederhorst den Berg, January 1974; Trident and Olympic, London, December 1973 – January 1974|
4:20 (UK single)
2:58 (US single)
|David Bowie singles chronology|
"Rebel Rebel" is a song by English singer-songwriter David Bowie. It was released in the UK in February 1974 by RCA Records as the lead single from the album Diamond Dogs. Written and produced by Bowie, the song is based around a distinctive guitar riff reminiscent of the Rolling Stones. Cited as his most-covered track, "Rebel Rebel" has been described as Bowie's farewell to the glam rock movement that he had helped initiate, as well as being a proto-punk track. Two versions of the song were recorded: the well-known UK single release and the shorter US single release, which featured added background vocals, extra percussion and a new arrangement.
Upon its release, the song was a commercial success, peaking at number five on the UK Singles Chart and number 64 on the US Billboard Hot 100. The song also received critical acclaim for its central guitar riff and strength as a glam anthem. Several publications consider it to be one of Bowie's greatest songs. It was frequently performed live by Bowie during many of his concert tours and since appeared on many compilation albums. It was remastered in 2016 as part of the Who Can I Be Now? (1974–1976) box set.
Originally planned in late 1973 as part of an aborted Ziggy Stardust musical, "Rebel Rebel" was Bowie's last single in his signature glam rock style. It was also his first hit since 1969 not to feature lead guitarist Mick Ronson; Bowie played guitar himself on this and almost all the other tracks on Diamond Dogs, producing what NME critics Roy Carr and Charles Shaar Murray called "a rocking dirty noise that owed as much to Keith Richards as it did to the departed Ronno". Singer-songwriter Jayne County, who was a cast member of Pork and among Bowie's entourage for two years, maintains that her 1973 song "Queenage Baby", which included the lyric "can't tell whether she's a boy or a girl", was an influence for "Rebel Rebel", a claim which is supported by some rock critics.
Recording and composition
Recording for "Rebel Rebel" began at a solo session at Trident Studios in London following Christmas 1973. It would be Bowie's last known visit to Trident, his principal recording studio since 1968. The recording was subsequently completed the following month in January 1974. According to biographer Marc Spitz, the lyrics of "Rebel Rebel" revisit familiar Bowie territory, featuring "a 'hot' young 'tramp' worrying his or her parents with his or her sexy nihilism", are reflected by the line "You got a few lines and a handful of 'ludes'." Even though the world is ending, the "Rebel" doesn't care, suggesting "we like dancing and we look divine." It also features gender-bending lyrics ("You got your mother in a whirl / She's not sure if you're a boy or a girl"). According to author Peter Doggett, in the context of Diamond Dogs, the song serves as a "musical continuation" between the "Sweet Thing/Candidate/Sweet Thing (Reprise)" medley: it begins with a D to E chord change that was prefigured with a bass guitar slide that constructed the medley's final "chaotic" moments.
The song's distinctive guitar riff is described by rock journalist Kris Needs as "a classic stick-in-the-head like the Stones' 'Satisfaction'". The riff's chords are D, E, and A and were created by Bowie and enhanced by the session musician Alan Parker, who, according to Doggett, added the "downward trail" at the end of each line. Bowie later said, "It's a fabulous riff! Just fabulous! When I stumbled onto it, it was 'Oh, thank you!'" Parker later said Bowie came up with the Stones-like riff to "piss off" Mick Jagger.
"Rebel Rebel" was released on 15 February 1974 in the UK by RCA Records (as LPB05009) as the lead single of Diamond Dogs with the Hunky Dory song "Queen Bitch" as the B-side. The B-side, according to Spitz, was selected by RCA to provide the label with some "much needed fiscal plasma". The single quickly became a glam anthem, the female equivalent of Bowie's earlier hit for Mott the Hoople, "All the Young Dudes". It reached number five on the UK Singles Chart and number 64 on the US Billboard Hot 100.
The original UK single version had a slightly different mix than the album version; the album mix was the only mix to appear on compilation albums, until the single mix appeared on Re:Call 2, as part of the 2016 box set Who Can I Be Now? (1974–1976). The UK single mix was again remastered in 2019 and released on digital media streaming services.
"Rebel Rebel" was released as a single with a different mix in the US and Mexico in May 1974, with "Lady Grinning Soul" as the B-side. According to Doggett, Bowie was not satisfied with creating an enduring "dance-floor anthem", so he recorded a new mix in New York in April 1974, which Doggett calls a "Latin dub mix" that was over two decades ahead of its time. The US mix is shorter (2:58) and more uptempo, dense and camp than the UK single, featuring "sine waves" of percussion by Geoff MacCormack, an original backing vocal line that is preceded by a "rush of backward echo", acoustic guitar and a new arrangement that buries the signature riff beneath phasing. According to Pegg, the US mix begins at the first "hot tramp" lyric at the 1:20 mark in the original UK mix. Within a couple of months, it was withdrawn and replaced by the UK single version, but the same arrangement was used on Bowie's Diamond Dogs Tour, appearing on its concert album David Live.
The song has received critical acclaim from critics for its guitar riff and strength as a glam anthem, being described as a fitting farewell to Bowie's glam era. Marc Spitz praised the song in the biography Bowie: A Biography, calling the riff "magnificent" and Bowie's "last great glitter anthem". He also described the song as Bowie's most "pure and lasting rocker" when mentioning the artist's early 2000s re-recorded version for his 2003 album Reality. Stephen Thomas Erlewine of AllMusic, in his review of Diamond Dogs, called the song "tight" and "sexy" and one of Bowie's best, although he felt the song did not contribute to the overall theme of the album. Dave Thompson, also of AllMusic, described "Rebel Rebel" as one of Bowie's most "playful" numbers and considered it a fitting farewell to the artist's glam rock era and, in a way, to "the entire glam movement which Bowie created", as well as indicating the direction his career was taking. Barry Walters of the online magazine Pitchfork, in a review of Diamond Dogs following Bowie's death, praised the song's "glorious" guitar riff, its "stomping beat", the "hot tramp" lyric pause between both and their "return". Walters continued, "If Bowie often drifted above listeners' heads, here he shoots straight at their solar plexus and scores with what ranks among the greatest, most insistent riffs of the '70s. Rockers who'd dismissed Bowie as a dandy now gave the dude a pass."
Following Bowie's death in 2016, Rolling Stone listed "Rebel Rebel" as one of his 30 essential songs. Spencer Kaufman of Ultimate Classic Rock ranked the song at number seven on his list of Bowie's 10 greatest songs, praising its guitar riff – "one of the most recognizable guitar riffs in rock history" – and as a glam rock anthem, writing, "the tune serves as the perfect bridge between the Rolling Stones and punk rock." In 2018, the writers of NME listed "Rebel Rebel" as Bowie's fifth greatest song. They praised the "heaven-sent" riff and also believed it to be reminiscent of the Rolling Stones. Jon Savage of The Guardian, in his list of the 20 best glam-rock songs of all time, ranked the US version of the single at number 18.
On 14 February 1974, Bowie recorded a lip synced performance of "Rebel Rebel" at Hilversum's Avro Studio 2 for the Dutch television programme Top Pop. Broadcast two days later, it featured Bowie superimposed over flashing disco lights "by the miracle of chromakey" and donning what Pegg called his short-lived "pirate image" – a spotted neckerchief and a black eye-patch. Bowie later recalled:
I had conjunctivitis, so I made the most of it and dressed like a pirate. Just stopped short of the parrot! I had this most incredible jacket that I was wearing that night. It was a bottle-green bolero jacket that Freddi [Burretti] made for me and he got an artist to paint, using the appliqué technique, this supergirl from a Russian comic on the back. Anyway, I did a press conference and performed 'Rebel Rebel' on Dutch television with a bright red Fender Stratocaster. But I took the jacket off during the press conference and somebody stole it. I was really pissed off.
Following the performance, the pirate look, along with the Ziggy Stardust hairstyle, was ditched in favour of the "swept-back parting and double-breasted suits" of the Diamond Dogs Tour. The Top Pop clip later became the song's semi-official video.
The song was a standard of Bowie's concerts from the Diamond Dogs Tour to the Sound+Vision Tour. For his performance at Live Aid in 1985, Bowie performed a saxophone-heavy version. After retiring the song on his Sound+Vision Tour in 1990, Bowie restored "Rebel Rebel" for the "Hours..." Tour. In early 2003, he recorded a new version, featuring an arrangement by Mark Plati without the original's reference to quaaludes. This was issued on a bonus disc that came with some versions of Reality the same year and on the 30th Anniversary Edition of Diamond Dogs in 2004. In 2004 the track was blended in a mash-up with the Reality song "Never Get Old"; the result was issued as the single "Rebel Never Gets Old".
"We love David Bowie", commented Jane's Addiction front-man Perry Farrell in 2001. "Given the length of his career, I'm stunned that he still pushes things musically. But, please, please, David, can you sing 'Rebel Rebel' still?"
Live versions of the song by Bowie have been released on David Live (1974), A Reality Tour (2010), the 1988 Glass Spider DVD, the 2017 releases Cracked Actor (Live Los Angeles '74) and Live Nassau Coliseum '76, and the 2018 releases Welcome to the Blackout (Live London '78), Glastonbury 2000, and Serious Moonlight (Live '83), which was part of the 2018 box set Loving the Alien (1983–1988).
"Rebel Rebel" has appeared on several compilation albums, the first being ChangesOneBowie in 1976. It was also remastered in 2016, along with the entire Diamond Dogs album, as part of the Who Can I Be Now? (1974–1976) box set. The song's original single mix appeared on CD in 2016 on Re:Call 2. The rare US single version was included on the 1989 Sound + Vision box set, on the bonus disc of the 30th Anniversary Edition of Diamond Dogs in 2004 and on Re:Call 2. The original single mix was released again on 24 May 2019 to commemorate the 45th anniversary of the release of Diamond Dogs, this time sourced from the original analogue tape which had been recovered since the release of Who Can I Be Now? (1974–1976).
The track is cited by Nicholas Pegg as Bowie's most-covered track. A cover version by Dead or Alive (band) was released as a single in 1994, under the moniker International Crysis, and peaked at number 76 on the UK Singles Chart.
All songs written by David Bowie.
- "Rebel Rebel" – 4:20
- "Queen Bitch" – 3:13
According to Kevin Cann:
- David Bowie – vocals, lead guitar, producer
- Alan Parker – rhythm guitar
- Herbie Flowers – bass
- Mike Garson – piano
- Aynsley Dunbar – drums
Certifications (David Bowie version)
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- Kris Needs (1983). Bowie: A Celebration: p.29
- Pegg 2000, p. 170: Pegg also credits Alan Parker with augmenting Bowie's guitar work on the album and UK single version of "Rebel Rebel", although the Diamond Dogs sleeve acknowledges Parker only on "1984".
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- Erlewine, Stephen Thomas. "A Reality Tour – David Bowie". AllMusic. Archived from the original on 24 April 2019. Retrieved 3 February 2020.
- Randle, Chris (29 June 2017). "David Bowie: Cracked Actor (Live Los Angeles '74) Album Review". Pitchfork. Archived from the original on 11 July 2017. Retrieved 10 July 2017.
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- Erlewine, Stephen Thomas. "Welcome to the Blackout (Live London '78) – David Bowie". AllMusic. Archived from the original on 17 November 2019. Retrieved 12 March 2020.
- Collins, Sean T. (5 December 2018). "David Bowie: Glastonbury 2000 Album Review". Pitchfork. Archived from the original on 11 July 2019. Retrieved 14 March 2020.
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- "Top AFP - Audiogest - Top 3000 Singles + EPs Digitais" (PDF) (in Portuguese). Associação Fonográfica Portuguesa. Retrieved 16 August 2020.
- "British single certifications – David Bowie – Rebel Rebel". British Phonographic Industry. Select singles in the Format field. Select Silver in the Certification field. Type Rebel Rebel in the "Search BPI Awards" field and then press Enter.
- Buckley, David (1999). Strange Fascination – David Bowie: The Definitive Story. Virgin Books. ISBN 978-1-85227-784-0.CS1 maint: ref=harv (link)
- Cann, Kevin (2010). Any Day Now – David Bowie: The London Years: 1947–1974. Adelita. ISBN 978-0-95520-177-6.CS1 maint: ref=harv (link)
- Carr, Roy; Murray, Charles Shaar (1981). Bowie: An Illustrated Record. Eel Pie Publishing. ISBN 978-0-38077-966-6.CS1 maint: ref=harv (link)
- Doggett, Peter (2012). The Man Who Sold the World: David Bowie and the 1970s. HarperCollins Publishers. ISBN 978-0-06-202466-4.CS1 maint: ref=harv (link)
- Kent, David (1993). Australian Chart Book 1970–1992. St Ives, N.S.W.: Australian Chart Book. ISBN 0-646-11917-6.CS1 maint: ref=harv (link)
- O'Leary, Chris (2015). Rebel Rebel. Zero Books. ISBN 978-1-78099-244-0.CS1 maint: ref=harv (link)
- Pegg, Nicholas (2000). The Complete David Bowie. Reynolds & Hearn Ltd. ISBN 1-903111-14-5.CS1 maint: ref=harv (link)
- Pegg, Nicholas (2011). The Complete David Bowie (6th ed.). London: Titan Books. ISBN 978-0-857-68290-1.CS1 maint: ref=harv (link)
- Spitz, Marc (2009). Bowie: A Biography. New York: Crown Publishing Group. ISBN 978-0-307-71699-6.CS1 maint: ref=harv (link)