Goddess of Kindness, Love and Beauty
Krishna and Radha at Mayapur temple
|Affiliation||Lakshmi, Vishnu, Adi Parashakti, Shakti, Devi, Vaishnavism, form of krishna's love and bhakti|
|Abode||Goloka, Barsana, Vrindavan, Braj Dham|
|Texts||Brahmavaivarta Purāṇa, Devi-Bhagavata Purana, Gita Govinda, many others|
Radha (IAST: Rādhā), also called Radhika, Radharani, and Radhe, is a Hindu goddess popular in Hinduism, especially in the Vaishnavism and Shaktism tradition. She is a milkmaid (gopi), the lover of the Hindu god Krishna in the medieval era texts. She is also a part of Shaktism – the Hindu goddess tradition. She is an avatar of Goddess of wealth and prosperity Lakshmi.
Radha is one of the main goddesses in Hindu Sanatan religion was originally daughter of Madri (later became Bhumi). She is also called Jagat Janani, mother of the whole universe. She has appeared as queen of milkmaids and queen of Vrindavan-Barsana. She taught selfless love and surrender to the godhead shri krishna and blessed them with divine love during her descension. She is the supreme goddess in Vaishnavism. She and her consort Krishna are collectively known as Radha Krishna, the combined form of feminine as well as the masculine realities of God.
Radha is worshipped in some regions of India, particularly by Gaudiya Vaishnavas, Vaishnavas in West Bengal, Assam, Manipur, and Odisha. Elsewhere, she is revered in the Nimbarka Sampradaya and movements linked to Chaitanya Mahaprabhu.
Radha is considered a metaphor for soul, her longing for Krishna theologically seen as a symbolism for the longing for spirituality and the divine. She has inspired numerous literary works, and her Rasa lila dance with Krishna has inspired many types of performance arts till this day.
Her festival is Radhastami.
The Sanskrit term Rādhā (Sanskrit: राधा) means “prosperity, success”. It is a common word and name founded in various contexts in the ancient and medieval texts of India. Of these the most celebrated is the name of the gopi who was the beloved of Krishna. Both Radha and Krishna are the main characters of Gita Govinda of Jayadeva. Radha in this context is considered the avatar of Lakshmi, just like Krishna is considered an avatar of Vishnu.
Similarly, In Hit Harivansh and Swami Haridas Literature, Radha is considered as the main form of deity. Here, Radha is not an avatar of Laxmi but another form of supreme god Shri Krishn Himself. In Devi Bhagvat and Brahma Vaibtra Purana, Radha is mentioned as the source of infinite Laxmi, Gopis, and mother of infinite souls. Jagadguru Shri Kripalu Ji Maharaj has elaborately described the virtue of Radha and said she is the supreme goddess and is worshipped by everyone including godhead Shri krishn and that's why she is called Radha; means one who is the form of worship.
The term is related to Rādha (Sanskrit: राध), which means "kindness, any gift but particularly the gift of affection, success, wealth". The word appears in the Vedic literature as well as the Epics, but is elusive and not as a major deity. In some Vedic contexts, states Sukumar Sen, it could mean "beloved, desired woman" based on an Avestan cognate. However, Barbara Stoller and other scholars disagree with the Avestan interpretation. They state that the better interpretation of Radha in these ancient texts is "someone or something that fulfills a need". Starting with the Bhakti movement and particularly with Jayadeva's composition, her profile as a goddess and constant companion of Krishna became dominant in Krishna-related Vaishnavism.
Rādhikā refers to an endearing form of Gopi Radha.
Radha is an important goddess in the Vaishnavism tradition of Hinduism, as well as an aspect of the Shaktism tradition. She is a goddess whose traits, manifestations, descriptions, and roles vary with region. Since the earliest times, she has been associated with one of the most popular Hindu gods, the cowherd Krishna. In the early Indian literature, her mentions are illusive and not as common as other major goddesses of Hinduism, but during the Bhakti movement era she became popular among Krishna devotees whose strength is her love.
According to Jaya Chemburkar, there are at least two significant and different aspects of Radha in the literature associated with her, such as Sriradhika namasahasram. One aspect is she is a milkmaid (Gopi), another as a female deity similar to those found in the Hindu goddess traditions. She also appears in Hindu arts as ardhanari with Krishna, that is an iconography where half of the image is Radha and the other half is Krishna. This is found in sculpture such as those discovered in Maharashtra, and in texts such as Shiva Purana and Brahmavaivarta Purana. In these texts, this ardhanari is sometimes referred to as Ardharadhavenudhara murti, and it symbolizes the complete union and inseparability of Radha and Krishna.
Radha's depictions vary from being an already married woman who becomes an adulterous lover of Krishna in a secondary role, to being dual divinity equal to Krishna in Jayadeva's Gita Govinda, to being supreme object of devotional love for both Krishna and devotees in Rupa Gosvami's tradition.
In some Hindu sub-traditions, Radha is conceptualized as a goddess who breaks social norms by leaving her marriage, and entering into a relationship with Krishna to pursue her love. According to Heidi Pauwels, it is a "hotly debated issue" whether Radha was already married or had an affair with Krishna while she remained married. Several Hindu texts allude to these circumstances.
According to David Kinsley, a professor of Religious Studies known for his studies on Hindu goddesses, the Radha-Krishna love story is a metaphor for divine-human relationship, where Radha is the human devotee or soul who is frustrated with the past, obligations to social expectations and the ideas she inherited, who then longs for real meaning, the true love, the divine (Krishna). This metaphoric Radha (soul) finds new liberation in learning more about Krishna, bonding in devotion and with passion.
Radha and Sita
The popular Itihasas and other legendary literature of the Hindu traditions present two major Lakshmi avatars – Radha and Sita, and two major Vishnu avatars as their respective companions – Krishna in the Mahabharata and Rama in the Ramayana. The Radha-Krishna and Sita-Rama pairs represent two different personality sets, two perspectives on dharma and lifestyles, both cherished in the way of life called Hinduism. Sita is traditionally wedded, dedicated, and virtuous wife of Rama, an introspective temperate paragon of a serious, virtuous man. Radha is a lover of Krishna, a playful adventurer.
Radha and Sita offer two competing templates within the Hindu tradition. If "Sita is a queen, aware of her social responsibilities", states Pauwels, then "Radha is exclusively focused on her romantic relationship with her lover", giving two contrasting role models from two ends of the moral universe. Yet they share common elements as well. Both love their man and their lives, both face life challenges, both are committed to their true love and both have been influential, adored and beloved goddesses in the Hindu culture.
In some devotional (bhakti) traditions of Vaishnavism that focus on Krishna, Radha represents "the feeling of love towards Krishna". For some of the adherents of these traditions, her importance approaches or even exceeds that of Krishna. Radha is worshipped along with Krishna in Bengal, Assam and Odisha by Vaishnava Hindus. Elsewhere, such as with Visnusvamins, she is a revered deity. She is considered to be his original shakti, the supreme goddess in both the Nimbarka Sampradaya and following the advent of Chaitanya Mahaprabhu also within the Gaudiya Vaishnava tradition.
Radha Chalisa mentions that Krishna accompanies one who chants " Radha" with pure heart. Other gopis are usually considered to be self willing maidservants (Sevika) of Radha. Radharani's superiority is seen in Krishna's flute, which repeats the name Radha. Between Radha and Rukmini, Radha is superior. It is also said that when lord Krishna brought all his consorts to meet Radha, they saw Radha's face and declared her the most beautiful and sacred hearted woman in the whole universe and that she would retain this position until the end of the universe as no one will surpass her beauty and her nature.
Radha's connection to Krishna is of two types: svakiya-rasa (married relationship) and parakiya-rasa (a relationship signified with eternal mental "love"). The Gaudiya tradition focuses upon parakiya-rasa as the highest form of love, wherein Radha and Krishna share thoughts even through separation. The love the gopis feel for Krishna is also described in this esoteric manner as the highest platform of spontaneous love of God, and not of a sexual nature.
Radha and Krishna are the focus of temples in the Chaitanya Mahaprabhu, Vallabhacharya, Chandidas and other sub-traditions of Vaishnavism. She is typically shown standing immediately next to Krishna, jeweled up like a bride, happy. Some important Radha temples are:
- Barsana and Vrindavan in Mathura District, Northern India contain a large number of temples dedicated to both Radha and Krishna, including the Radhavallabh Temple. Sri Sri Radha Parthasarathi Mandir in Delhi is also the Radha krishna Temple.
- The Shree Raseshwari Radha Rani Temple at Radha Madhav Dham in Austin, Texas, USA, established by Jagadguru Shree Kripaluji Maharaj, is one of the largest Hindu Temple complexes in the Western Hemisphere, and the largest in North America.
- Krishna Janmashtami
- Vrindavan Chandrodaya Mandir – the tallest Radha-Krishna temple under construction
- Jackie Menzies (2006). Goddess: divine energy. Art Gallery of New South Wales. p. 54.
- John Stratton Hawley; Donna Marie Wulff (1982). The Divine Consort: Rādhā and the Goddesses of India. Motilal Banarsidass. pp. 1–12. ISBN 978-0-89581-102-8.
- Miller, Barbara Stoler (1975). "Rādhā: Consort of Kṛṣṇa's Vernal Passion". Journal of the American Oriental Society. American Oriental Society. 95 (4): 655–671. doi:10.2307/601022.
- Monier Monier-Williams, Rādhā, Sanskrit-English Dictionary with Etymology, Oxford University Press, page 876
- D. Mason (2009). Theatre and Religion on Krishna’s Stage: Performing in Vrindavan. Palgrave Macmillan. p. 79. ISBN 978-0-230-62158-9.
- Charles Russell Coulter (2013). Encyclopedia of Ancient Deities. Routledge. p. 276. ISBN 978-1-135-96390-3., Quote: "Radha, an incarnation of goddess Lakshmi, (...)"
- John Stratton Hawley; Donna Marie Wulff (1982). The Divine Consort: Rādhā and the Goddesses of India. Motilal Banarsidass. pp. xiii–xviii. ISBN 978-0-89581-102-8.
- Roshen Dalal (2010). Hinduism: An Alphabetical Guide. Penguin Books. pp. 321–322. ISBN 978-0-14-341421-6.
- David Kinsley (1988). Hindu Goddesses: Visions of the Divine Feminine in the Hindu Religious Tradition. University of California Press. pp. 81–86, 89–90. ISBN 978-0-520-90883-3.
- Guy L. Beck (2006). Alternative Krishnas: Regional and Vernacular Variations on a Hindu Deity. State University of New York Press. pp. 46–47. ISBN 978-0-7914-6416-8.
- Sukumar Sen (1943), "Etymology of the Name Radha- krishana," Indian Linguistics, Vol. 8, pp. 434–435
- Jayadeva; Barbara S Miller (Translator) (January 1997). Love Song of the Dark Lord: Jayadeva's Gitagovinda. Columbia University Press. pp. 56 footnote 5. ISBN 978-0-231-11097-6.
- Heidi R. M. Pauwels (1996), The Great Goddess and Fulfilment in Love: Rādhā Seen Through a Sixteenth-Century Lens, Bulletin of the School of Oriental and African Studies, Cambridge University Press, Vol. 59, No. 1 (1996), pp. 29–43
- Jaya Chemburkar (1976), ŚRĪRĀDHIKĀNĀMASAHASRAM, Annals of the Bhandarkar Oriental Research Institute, Vol. 57, No. 1/4 (1976), pp. 107–116
- Shrikant Pradhan (2008), A UNIQUE IMAGE OF "ARDHARADHAVENUDHARAMURTI: OR "ARDHANARI KRISHNA", Bulletin of the Deccan College Research Institute, Vol. 68/69 (2008���2009), pp. 207–213
- Heidi R.M. Pauwels (2008). The Goddess as Role Model: Sita and Radha in Scripture and on Screen. Oxford University Press. pp. 13–14. ISBN 978-0-19-970857-4.
- Roshen Dalal (2010). Hinduism: An Alphabetical Guide. Penguin Books. p. 147. ISBN 978-0-14-341421-6.
- Heidi R.M. Pauwels (2008). The Goddess as Role Model: Sita and Radha in Scripture and on Screen. Oxford University Press. pp. 12–15, 497–517. ISBN 978-0-19-970857-4.
- Vālmīki; Robert P Goldman (Translator) (1990). The Ramayana of Valmiki: Balakanda. Princeton University Press. p. 3. ISBN 9781400884551.
- Dimock Jr, E.C. (1963). "Doctrine and Practice among the Vaisnavas of Bengal". History of Religions. 3 (1): 106–127. doi:10.1086/462474. JSTOR 1062079.
- Marijke J. Klokke (2000). Narrative Sculpture and Literary Traditions in South and Southeast Asia. BRILL. pp. 51–57. ISBN 90-04-11865-9.
- Jacqueline Suthren Hirst; Lynn Karen Thomas (2004). Playing for Real: Hindu Role Models, Religion, and Gender. Oxford University Press. pp. 117–140. ISBN 978-0-19-566722-6.
- Asoke Kumar Majumdar (1955), A Note on the Development of Radha Cult, Annals of the Bhandarkar Oriental Research Institute, Vol. 36, No. 3/4 (July – October 1955), pp. 231–257
- Singh, K.B. (2004). "Manipur Vaishnavism: A Sociological Interpretat1on". Sociology of Religion in India. ISBN 978-0-7619-9781-8. Retrieved 2008-05-03.
- Kinsley, D. (2010). "Without Krsna There Is No Song". History of Religions. 12 (2): 149. doi:10.1086/462672. Retrieved 2008-05-03. "Nimbarka seems to have been the first well-known religious leader to regard Radha as central to his cult (thirteenth century)"
- Radhavallabh Temple
- "Asia and India ISKCON temples". Radha.
- "Archived copy". Dandavats. Archived from the original on 26 June 2015. Retrieved 29 July 2015.
- Vedic Foundation Inaugurated at Barsana Dham, Austin Archived 18 August 2011 at the Wayback Machine.. Retrieved Dec 15th, 2011.
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- Krsna: The Supreme Personality of Godhead (ISBN 0-89213-354-6) by A.C. Bhaktivedanta Swami Prabhupada
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- Hawley J.S. & D.M. Wulff (ed.) (1986) The Divine Consort: Radha and the Goddesses of India, Beacon Press, Boston, ISBN 0-8070-1303-X.
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