|Comune di Palestrina|
Location of Palestrina in the Metropolitan City of Rome Capital
|Metropolitan city||Rome (RM)|
|• Mayor||Adolfo De Angelis|
|• Total||47.02 km2 (18.15 sq mi)|
|Elevation||450 m (1,480 ft)|
|• Density||470/km2 (1,200/sq mi)|
|Demonym(s)||Palestrinesi o Prenestini|
|Time zone||UTC+1 (CET)|
|• Summer (DST)||UTC+2 (CEST)|
00036 (capital, Valvarino), 00030 (Carchitti)
|Patron saint||St. Agapitus martyr|
|Saint day||August 18|
Palestrina (ancient Praeneste; Ancient Greek: Πραίνεστος, Prainestos) is a modern Italian city and comune (municipality) with a population of about 22,000, in Lazio, about 35 kilometres (22 miles) east of Rome. It is connected to the latter by the Via Prenestina. It is built upon the ruins of an ancient city of the same name.
Palestrina is the birthplace of composer Giovanni Pierluigi da Palestrina.
Early burials show that the site was already occupied in the 8th or 7th century BC. The ancient necropolis lays on a plateau at the foot of the hill below the ancient town. Of the objects found in the oldest graves, and supposed to date from about the 7th century BC, the cups of silver and silver-gilt and most of the gold and amber jewelry are Phoenician (possibly Carthaginian), but the bronzes and some of the ivory articles seem to be of the Etruscan civilization.
Praenestine graves from about 240 BC onwards have been found: they are surmounted by the characteristic pineapple made of local stone, containing stone coffins with rich bronze, ivory and gold ornaments beside the skeleton. From these come the famous bronze boxes (cistae) and hand mirrors with inscriptions partly in Etruscan. Also famous is the bronze Ficoroni Cista (Museo Nazionale Etrusco di Villa Giulia, Rome), engraved with pictures of the arrival of the Argonauts in Bithynia and the victory of Pollux over Amycus, found in 1738. An example of archaic Latin is the inscription on the Ficoroni Cista: "Novios Plautios Romai med fecid / Dindia Macolnia fileai dedit" ("Novios Plautios made me in Rome, Dindia Macolnia gave me to her daughter"). The caskets are unique in Italy, but a large number of mirrors of precisely similar style have been discovered in Etruria. Hence, although it would be reasonable to conjecture that objects with Etruscan characteristics came from Etruria, the evidence points decisively to an Etruscan factory in or near Praeneste itself. Other imported objects in the burials show that Praeneste traded not only with Etruria but also with the Greek east.
The origin of Praeneste was attributed by the ancients to Ulysses, or to other fabulous characters variously called Caeculus, Telegonus, Erulus or Praenestus. the name derives probably from the word Praenesteus, referring to its overlooking location.
Praeneste was probably under the hegemony of Alba Longa while that city was the head of the Latin League. It withdrew from the league in 499 BC, according to Livy (its earliest historical mention), and formed an alliance with Rome. After Rome was weakened by the Gauls of Brennus (390 BC), Praeneste switched allegiances and fought against Rome in the long struggles that culminated in the Latin War. From 373 to 370, it was in continual war against Rome or her allies, and was defeated by Cincinnatus.
Eventually in 354 and in 338 the Romans were victorious and Praeneste was punished by the loss of portions of its territory, becoming a city allied to Rome. As such, it furnished contingents to the Roman army, and Roman exiles were permitted to live at Praeneste, which grew prosperous. The roses of Praeneste were a byword for profusion and beauty. Præneste was situated on the Via Labicana.
Its citizens were offered Roman citizenship in 90 BC in the Social War, when concessions had to be made by Rome to cement necessary alliances. In Sulla's second civil war, Gaius Marius the Younger was blockaded in the town by the forces of Sulla (82 BC). When the city was captured, Marius slew himself, the male inhabitants were massacred in cold blood, and a military colony was settled on part of its territory. From an inscription it appears that Sulla delegated the foundation of the new colony to Marcus Terentius Varro Lucullus, who was consul in 73 BC. Within a decade the lands of the colonia had been assembled by a few large landowners.
From the late Republic to the late Empire, markets, baths, shrines and even a second forum were built in the lower city, near today's Madonna dell'Aquila.
Under the Empire the cool breezes of Praeneste made it a favorite summer resort of wealthy Romans, whose villas studded the neighborhood, though they ridiculed the language and the rough manners of the native inhabitants. The poet Horace ranked "cool Praeneste" with Tibur and Baiae as favored resorts. The emperor Augustus stayed in Praeneste, and Tiberius recovered there from a dangerous illness and made it a municipium. The emperor Marcus Aurelius was at Praeneste with his family when his 7-year-old son Verus died. The ruins of the imperial villa associated with Hadrian stand in the plain near the church of S. Maria della Villa, about three-quarters of a mile from the town. At the site was discovered the Braschi Antinous, now in the Vatican Museums. Pliny the Younger also had a villa at Praeneste, and L. Aurelius Avianius Symmachus retired there. Inscriptions show that the inhabitants of Praeneste were fond of gladiatorial shows.
The Forum of Praeneste
Archaeologists working in the 1950s were able to identify the area around the Cathedral and the Piazza Regina Margherita as the Forum of Ancient Praeneste. The buildings of the forum comprised a central temple, whose walls were re-used for the cathedral, and a two-storey civil basilica consisting of four naves separated by columns, once roofed but today an open space. The basilica was flanked by two buildings, the easternmost containing a raised podium (suggestus) and the public treasury, the aerarium, identified by an inscription dating it to ~150 BC. At some later date (perhaps around 110-100 BC), the buildings flanking the basilica were each embellished with a nymphaeum with a mosaic floor. The western mosaic represents a seascape: a temple of Poseidon on the shore, with fish of all kinds swimming in the sea. The eastern building was decorated with the famous mosaic with scenes from the Nile, relaid in the Palazzo Colonna Barberini  in Palestrina on the uppermost terrace (now the National Archaeological Museum of Palestrina).
Sanctuary of Fortuna Primigenia
Praeneste was chiefly famed for its Temple of Fortuna Primigenia connected with the oracle known as the Praenestine lots (sortes praenestinae). The remains of the sanctuary still standing today were constructed sometime around 120 BC as a spectacular series of terraces, exedras and porticos on four levels down the hillside, linked by monumental stairs and ramps. The inspiration for this feat of unified urbanistic design lay not in republican Rome but in the Hellenistic monarchies of the eastern Mediterranean. Praeneste offered a foretaste of the grandiose Imperial style of the following generation.
The sanctuary of Fortune occupies a series of five vast terraces, which, resting on gigantic masonry substructures and connected with each other by grand staircases, rise one above the other on the hill in the form of the side of a pyramid, crowned on the highest terrace by the round temple of Fortune, today incorporated into the Palazzo Colonna Barberini. This immense edifice, probably by far the largest sanctuary in Italy, must have presented a most imposing aspect, visible as it was from a great part of Latium, from Rome, and even from the sea.
The goddess Fortuna here went by the epithet of Primigenia ("Original"), she was represented suckling two babes, as in the Christian representation of Charity, said to be Jupiter and Juno, and she was especially worshipped by matrons. The oracle continued to be consulted down to Christian times, until Constantine the Great, and again later Theodosius I, forbade the practice and closed the temple.
Features of the temple influenced Roman garden design on steeply sloped sites through Antiquity and once again in Italian villa gardens from the 15th century. The monument to Victor Emmanuel II in Rome owes a lot to the Praeneste sanctuary complex.
The modern town is built on the ruins of the famous temple of Fortuna Primigenia. A bishop of Praeneste is first mentioned in 313.
In 1297 the Colonna family, which had owned Praeneste (then known as Palestrina) from the eleventh century as a fief, revolted against Pope Boniface VIII. In the following year the town was taken by Boniface's Papal forces, razed to the ground and salted by order of the pontiff.
In 1437 the rebuilt city was captured by the Papacy contractor Condottiere Giovanni Vitelleschi and once more utterly destroyed at the command of Pope Eugenius IV. It was rebuilt once more and fortified by Stefano Colonna in 1448. It was sacked in 1527 and occupied by the Duke of Alba in 1556.
In 1630, the comune passed by purchase into the Barberini family. It is likely the transfer was included as one of the conditions of the marriage of Taddeo Barberini and Anna Colonna. Thereafter, the famously nepotistic family, headed by Maffeo Barberini (later Pope Urban VIII), treated the comune as a principality in its own right.
Patriarchs of the Barberini family conferred, on various family members, the title of Prince of Palestrina. During the reign of Urban VIII, the title became interchangeable with that of Commander of the Papal Army (Gonfalonier of the Church) as the Barberini family controlled the papacy and the Palestrina principality.
The Wars of Castro ended (while Taddeo Barberini held both titles) and members of the Barberini family (including Taddeo) fled into exile after the newly elected Pope Innocent X launched an investigation into members of the Barberini family. Later the Barberini reconciled with the papacy when Pope Innocent X elevated Taddeo's son, Carlo Barberini to the cardinalate and his brother Maffeo Barberini married a niece of the Pope and reclaimed the title, Prince of Palestrina.
The Barberini Palace originally included the Nile mosaic of Palestrina.
Palestrina was the scene of an 1849 action between Garibaldi and the Neapolitan army during his defence of the Roman Republic.
The centre of the city was destroyed by Allied bombings during World War II; but that brought the ancient remains of the sanctuary to light.
The modern town of Palestrina is centered on the terraces once occupied by the massive temple of Fortuna. The town came to largely obscure the temple, the monumental remains of which were revealed as a result of American bombing of German positions in World War II. The town also contains remnants of ancient cyclopean walls.
On the summit of the hill at 753 metres (2,470 ft), nearly 1.6 kilometres (1 mi) from the town, stood the ancient citadel, the site of which is now occupied by a few poor houses (Castel San Pietro) and a ruined medieval castle of the Colonna family. The view embraces the Monte Soratte, Rome, the Alban Hills, and the Pontinian Plain as far as the sea. Considerable portions of the southern wall of the ancient citadel, built in massive cyclopean masonry consisting of limestone blocks, are still visible; and the two walls, also polygonal, which formerly united the citadel with the town, can still be traced.
A calendar, which according to Suetonius was set up by the grammarian Marcus Verrius Flaccus in the imperial forum of Praeneste (at the Madonna dell'Aquila), was discovered in 1771 in the ruins of the church of Saint Agapitus, where it had been used as building material.
The cathedral, just below the level of the temple, occupies the former civil basilica of the town, whose façade includes a sundial described by Varro, traces of which may still be seen. In the modern piazza the steps leading up to this basilica and the base of a large monument were found in 1907; evidently only part of the piazza represents the ancient forum. The cathedral has fine paintings and frescoes. In the Church of Santa Rosalia (1677) there is a noteworthy Pietà, carved in the solid rock.
The National Archeological Museum of Palestrina is housed inside the Renaissance Barberini Palace, the former baronial palace, built above the ancient temple of Fortuna. It exhibits the most important works from the ancient town of Praeneste. The famous sculpture of the Capitoline Triad is exhibited on the first floor. The second floor is dedicated to the necropoli and sanctuaries, while the third floor contains a large polychrome mosaic depicting the flooding of the Nile (Nile mosaic of Palestrina).
Thomas Mann spent some time there in 1895 and, two years later, during the long harsh summer of 1897, he stayed over again, with his brother Heinrich Mann, in a sojourn that provided the backdrop, nearly half a century later, for Adrian Leverkühn's pact with the Devil in Mann's novel Doktor Faustus
In popular culture
Dante makes reference in the Inferno to advice given by Guido da Montefeltro to Pope Boniface VIII fraudulently enticing the surrender of Palestrina 1298 by offering the Colonna family an amnesty they never intended to honor, instead razing it to the ground afterward.
A fictional account of the action at Palestrina in 1849 appears in Geoffrey Trease's novel Follow My Black Plume.
References and sources
- "Superficie di Comuni Province e Regioni italiane al 9 ottobre 2011". Istat. Retrieved 16 March 2019.
- "Popolazione Residente al 1° Gennaio 2018". Istat. Retrieved 16 March 2019.
- D.B. Saddington (2011) . "the Evolution of the Roman Imperial Fleets," in Paul Erdkamp (ed), A Companion to the Roman Army, 201-217. Malden, Oxford, Chichester: Wiley-Blackwell. ISBN 978-1-4051-2153-8. Plate 12.2 on p. 204.
- Coarelli, Filippo (1987), I Santuari del Lazio in età repubblicana. NIS, Rome, pp 35-84.
- Ralph Van Deman Magoffin (March 2010). A Study of the Topography and Municipal History of Praeneste. General Books LLC. ISBN 978-1-4432-0054-7.
- it:Cista Ficoroni
- Romanelli, Pietro, Palestrina, Di Mauro Editore, Naples, 1967
- Scriptores Historiae Augustae, "Marcus Aurelius", 21.1
- Q. Aurelius Symmachus, Epistulae, Liber I, V
- Mingazzini, Paolino. "Note di topografia prenestina: l’ubicazione dell’Antro delle Sorti", 1954, reproduced in Mingazzini, Paolino, Scritti vari, Giorgio Bretschnider Editore, Rome, 1986.
- Mingazzini, Paolino, op. cit, pages 179-180.
- Tammisto, Antero. "The Nile Mosaic of Palestrina Reconsidered: the Problematic Reconstruction, Identification and Dating of the So-called Lower Complex with the Nile Mosaic and Fish Mosaic of Ancient Praeneste", in: La Mosaïque greco-romaine, IX, Volume I. École française de Rome, 2005. Morlier, Hélène et al, editors. Pages 3-24.
- The Nile Mosaic of Palestrina
- Coarelli, Filippo, I Santuari del Lazio in età repubblicana. NIS, Rome, 1987. Pages 35-84.
- Roth, Leland M. (1993). Understanding Architecture: Its Elements, History and Meaning (First ed.). Boulder: Westview Press. pp. 217–8. ISBN 0-06-430158-3.
- Described by Cicero, De divinatione 2.85; R. Joy Littlewood, "Fortune," in The Oxford Encyclopedia of Ancient Greece and Rome (Oxford University Press, 2010), vol. 1, p. 212.
- "The Bad Popes" by ER Chamberlin 1969, 1986 ISBN 0-88029-116-8 Chapter III "The Lord of Europe" page 102-104.
- Pietro da Cortona and Roman Baroque architecture, Jörg Martin Merz, Pietro (da Cortona) (p. 31)
- Nigel Hamilton,The Brothers Mann,1978 p.49
- Sayer, Dorothy L. (1977). Divine Comedy 1 - Hell. Penguine Classics. pp. notes on Canto XXXI. ISBN 978-0140440065.
- This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Praeneste". Encyclopædia Britannica. 22 (11th ed.). Cambridge University Press. pp. 243–244.
- This article incorporates text from a publication now in the public domain: Herbermann, Charles, ed. (1913). . Catholic Encyclopedia. New York: Robert Appleton.
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