Allah jang Palsoe (Malay for The False God) is a 1919 stage drama from the Dutch East Indies that was written by the ethnic Chinese author Kwee Tek Hoay, based on E. Phillips Oppenheim's short story "The False Gods". Over six acts, the Malay-language play follows two brothers, one a devout son who holds firmly to his morals and personal honour, the other a man who worships money and prioritises personal gain. The two learn over the course of a decade that money (the titular false god) is not the path to happiness. Kwee Tek Hoay's first stage play, Allah jang Palsoe was written as a realist response to whimsical contemporary theatre. Though the published stageplay sold poorly and the play was deemed difficult to perform, Allah jang Palsoe found success on the stage. By 1930 it had been performed by various ethnic Chinese troupes to popular acclaim, and had pioneered a body of work by authors such as Lauw Giok Lan, Tio Ie Soei, and Tjoa Tjien Mo. In 2006 the script for the play, which continues to be performed, was republished with updated spelling by the Lontar Foundation.
W. S. Gilbert was an Englishdramatist, librettist and illustrator best known for his fourteen comic operas produced in collaboration with the composerSir Arthur Sullivan. Gilbert's most popular collaborations with Sullivan, including H.M.S. Pinafore, The Pirates of Penzance, and The Mikado (one of the most frequently performed works in the history of musical theatre) and most of their other Savoy operas continue to be performed regularly today throughout the English-speaking world and beyond by opera companies, repertory companies, schools and community theatre groups. Lines from these works have permanently entered the English language, including "short, sharp shock", "What never? Well, hardly ever!", and "let the punishment fit the crime". Gilbert also wrote the Bab Ballads, an extensive collection of light verse accompanied by his own comical drawings. His creative output included over 75 plays and libretti, numerous stories, poems, lyrics and various other comic and serious pieces. His plays and realistic style of stage direction inspired other dramatists, including Oscar Wilde and George Bernard Shaw.
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Atelier Nadar - Fly scene from Offenbach's Orphée aux enfers with Jeanne Granier as Eurydice and Eugène Vauthier as Jupiter, 1887 revival, wide-angle shot
Atelier Nadar - Jacques Isnardon, Vaudeville
Bernhardt Hamlet2
Big White Fog
Bon-Ton Burlesquers2
Boris Kustodiev - Portrait of Fyodor Chaliapin - Google Art Project
Carl Nielsen c. 1908 - Restoration
Carloz Schwabe - Vincent d'Indy's Fervaal
Charles Frohman presents William Gillette in his new four act drama, Sherlock Holmes (LOC var 1364) (edit)
Charles Gounod (1890) by Nadar
Charles-Antoine Cambon - La Esmeralda, Act III, Scene 1 set design (Version 2)
Charles-Antoine Cambon - Set design for Act V, Scene 2 of Fromental Halévy's La reine de Chypre
Charles-Antoine Cambon - Set design for the première of Rossini's Robert Bruce, Act III, Scene 3
CharltonHestonCivilRightsMarch1963Retouched
Cherubini, Luigi - Medea - Restoration
Chicago Theatre blend
Cody-Buffalo-Bill-LOC
Collina presso Nagasaki, bozzetto di Alexandre Bailly, Marcel Jambon per Madama Butterfly (1906) - Archivio Storico Ricordi ICON000079 - Restoration
Colosseum in Rome, Italy - April 2007
Composer Rossini G 1865 by Carjat - Restoration
Danny Lee Wynter
Donald Pleasence Allan Warren edit
Elsie Leslie (1899) by Zaida Ben-Yusuf
Ethel Smyth
Ethel Waters - William P. Gottlieb
Eugène Du Faget - Costume designs for Guillaume Tell - 1-3. Laure Cinti-Damoreau as Mathilde, Adolphe Nourrit as Arnold Melchtal, and Nicolas Levasseur as Walter Furst
Eugène Du Faget - Costume designs for Les Huguenots - 2. Julie Dorus-Gras as Marguerite, Adolphe Nourrit as Raoul, and Cornélie Falcon as Valentine
Eugène Grasset - Jules Massenet - Werther
Eva Le Gallienne (mnwp.275003, cropped restoration)
Falstaff 3
François-Joseph Bélanger - Set design for Gluck's Alceste