|Directed by||Ralph Thomas|
|Produced by||Betty E. Box|
Nat Cohen, Project 7
|Written by||Hugh Leonard|
|Based on||novel by Raymond Hitchcock|
Welbeck Film Distributors
|Distributed by||EMI Films (UK)|
Edwin (Bennett), an innocent and shy young man, is hit by a nude man falling from a high-rise building while carrying a chandelier. Edwin's penis is mutilated in the accident and has to be amputated; the falling man is killed.
Edwin becomes the recipient of the world's first penis transplant: he receives the very large penis of the womanizer killed in the same accident. With his new bit of anatomy (which he names "Percy"), Edwin follows the womanizer's footsteps, meeting all his women friends, before settling happily with the donor's mistreated widow.
- Hywel Bennett – Edwin Anthony
- Denholm Elliott – Emmanuel Whitbread
- Elke Sommer – Helga
- Britt Ekland – Dorothy Chiltern-Barlow
- Cyd Hayman – Moira Warrington
- Janet Key – Hazel Anthony
- Tracey Crisp – Miss Elder
- Antonia Ellis – Rita La Rousse
- Tracy Reed – Mrs. Penney
- Patrick Mower – James Vaile
- Pauline Delaney – Sister Flanagan
- Adrienne Posta – Maggie Hyde
- Julia Foster – Marilyn
- Sheila Steafel – Mrs. Gold
- Arthur English – Pub Comic
- Angus MacKay – TV producer
- Rita Webb – Mrs. Hedges
- Charles Hodgson – TV interviewer
- Sue Lloyd – Bernice
- Denise Coffey – Operator #1
- Edward Malin – Elderly patient
- Margaretta Scott – Rita's Mother
- Graham Crowden – Alfred Spaulton
- T. P. McKenna – Meet the People Compere
- Tony Haygarth – Purdey
- Ronnie Brody – Reporter
- Penny Brahms – Football Spectator
- George Best – Himself
Producer Betty E. Box discovered the novel when she and director Ralph Thomas were meeting a publisher about optioning the film rights for another book. They were not available at the time, but the publisher gave them a manuscript by Raymond Hitchcock about a penis transplant. Box took it back to the office to read. "I zipped through it, laughing aloud as I read", she wrote. "Very unusual. I might sometimes smile at a book, but I hadn't laughed like this since I read Richard Gordon's Doctor in the House."
Ralph Thomas enjoyed the book too so they decided to option the rights. These ended up costing four times more than Box originally thought after Hichcock had his own agent, as opposed to the publisher, do the negotiations. Box and Thomas paid for the rights themselves "not without a fair amount of heart-searching", Box wrote, "as we didn't expect it to be a straightforward financing operation – with the amount required to make a film it seldom is – but this was certainly not a subject I expected Rank, our traditional partners, to finance. They very soon turned it down without even reading it."
Finance was obtained from Nat Cohen at EMI Films - they provided the entire budget. The famous poster was designed by John Troke, a publicist who had introduced Box to the book of Doctor in the House 15 years earlier. A script was prepared by Hugh Leonard while Thomas and Box filmed Doctor in Trouble.
The film was unable to be screened in Australia until the "R" certificate was introduced.
Box says that Raymond Hitchcock was delighted with the film and thought Hywel Bennett was very close to his original James Anthony.
Thomas and Box agreed to make a sequel provided Nat Cohen finance a film they wanted to make about the Byron-Shelley story, The Reckless Years. However Cohen reneged on the deal and only made the sequel.
- Blundy, David. "Ooh, you are awful, film men tell Tories." Sunday Times [London, England] 16 Dec. 1973: 5. The Sunday Times Digital Archive. Web. 29 Mar. 2014.
- Moody, Paul (19 October 2018). EMI Films and the Limits of British Cinema. Springer. p. 102.
- Box p 270
- Box p 272
- Moody, Paul (19 October 2018). EMI Films and the Limits of British Cinema. Springer. p. 85.
- Box p 276
- "Comedy film awaits the 'R'". The Canberra Times. 14 July 1971. p. 3. Retrieved 17 December 2015 – via National Library of Australia.
- Peter Waymark. "Richard Burton top draw in British cinemas." Times [London, England] 30 Dec. 1971: 2. The Times Digital Archive. Web. 11 July 2012.
- Moody, Paul (19 October 2018). EMI Films and the Limits of British Cinema. Springer. p. 83.
- Box p 281