|Native to||Republic of Ireland, United Kingdom of Great Britain and Northern Ireland|
|Region||Ireland (Republic of Ireland and Northern Ireland); Great Britain; United States; Australia; Canada (diaspora)|
|4.3 million in the Republic of Ireland and the United Kingdom (2012 European Commission)|
275,000 L2 speakers of English in Ireland (European Commission 2012)
|ISO 639-3||None (|
Hiberno-English (from Latin Hibernia: "Ireland") or Irish English is the set of English dialects natively written and spoken within the island of Ireland (including both the Republic of Ireland and Northern Ireland).
English was brought to Ireland as a result of the Norman invasion of Ireland of the late 12th century. Initially, it was mainly spoken in an area known as the Pale around Dublin, with mostly Irish spoken throughout the rest of the country. By the Tudor period, Irish culture and language had regained most of the territory lost to the invaders: even in the Pale, "all the common folk… for the most part are of Irish birth, Irish habit, and of Irish language". Some small pockets remained predominantly English-speaking; because of their sheer isolation their dialects developed into later (now extinct) dialects known as Yola in Wexford and Fingallian in Fingal, Dublin. These were no longer mutually intelligible with other English varieties. However, the Tudor conquest and colonisation of Ireland in the 16th century marked a forced decline in the use of the Irish language. By the mid-19th century, English was the majority language spoken in the country.[a] It has retained this status to the present day, with even those whose first language is Irish being fluent in English as well. Today, there is only a little more than one percent of the population that speaks Irish natively. English is one of two official languages, along with Irish, of the Republic of Ireland, and is the country's de facto working language.
Hiberno-English's spelling and pronunciation standards align with British rather than American English. However, Hiberno-English's diverse accents and some of its grammatical structures are unique, with some influence by the Irish language and a tendency to be phonologically conservative, retaining older features no longer common in the accents of England or North America.
Phonologists today often divide Hiberno-English into four or five overarching classes of dialects or accents: Ulster accents, West and South-West Region accents (including, for example, the Cork accent), various Dublin accents, and a supraregional accent developing since only the last quarter of the twentieth century.
- 1 Ulster English
- 2 West and South-West Irish English
- 3 Dublin English
- 4 Supraregional southern Irish English
- 5 Overview of pronunciation and phonology
- 6 Vocabulary
- 7 Grammar and syntax
- 8 See also
- 9 Notes
- 10 References
- 11 Bibliography
- 12 Further reading
- 13 External links
Ulster English (or Northern Irish English) here refers collectively to the varieties of the Ulster province, including Northern Ireland and neighbouring counties outside of Northern Ireland, which has been influenced by Ulster Irish as well as the Scots language, brought over by Scottish settlers during the Plantation of Ulster. Its main subdivisions are Mid-Ulster English, South Ulster English and Ulster Scots, the latter of which is more directly and strongly influenced by the Scots language. All Ulster English has more obvious pronunciation similarities with Scottish English than other Irish English dialects do.
Ulster varieties distinctly pronounce:
- An ordinarily grammatically structured (i.e. non-topicalised) declarative sentences, often, with a rising intonation at the end of the sentence (the type of intonation pattern that other English speakers usually associate with questions).
- // as lowered, in the general vicinity of [ë~ɘ~ɪ̈].
- // as fronted and slightly rounded, more closely approaching [ɞ].
- // and // both in the general vicinity of [ʉ].
- // with a backed on-glide and fronted off-glide, putting it in the vicinity of [ɐʏ~ɜʉ].
- // as [ɛɪ~ɜɪ], particularly before voiceless consonants.
- // as [eː], though nowadays commonly [eːə] or even [ɪːə] when in a closed syllable.
- //, almost always, as a slightly raised monophthong [o̝(:)].
- A lack of happy-tensing; with the final vowel of happy, holy, money, etc. as [e].
- Syllable-final // occasionally as "dark [ɫ]", though especially before a consonant.
Notable lifelong native speakers
- Christine Bleakley, Jamie Dornan, Rory McIlroy, Liam Neeson – "The Northern Irish accent is the sexiest in the UK, according to a new poll. The dulcet tones of Liam Neeson, Jamie Dornan, Christine Bleakley and Rory McIlroy helped ensure the accent came top of the popularity charts"
- John Cole – "His distinctive Ulster accent"
- Nadine Coyle – "I was born and raised in Derry and I can't change the way I talk".
- Daniel O'Donnell – "the languid Donegal accent made famous by Daniel O'Donnell"
- Colin Morgan – "Colin Morgan has revealed that fans of the show are often confused by his accent. The 23-year-old... is originally from Northern Ireland"
West and South-West Irish English
- The backing and slight lowering of // towards [ɐʊ~ʌʊ].
- The more open starting point for // and // of [ɑːɹ~äːɹ] and [ɑː~ä], respectively.
- The preservation of // as monophthongal [oː].
- // and //, respectively, as [t~tʰ] and [d].
- In the West, // and // may respectively be pronounced by older speakers as /ʃ/ and /ʒ/ before a consonant, so fist sounds like fisht, castle like cashle, and arrest like arresht.
South-West Irish English (often known, by specific county, as Cork English, Kerry English, or Limerick English) also features two major defining characteristics of its own. One is the pin–pen merger: the raising of // to [ɪ] when before /n/ or /m/ (as in again or pen). The other is the intonation pattern of a slightly higher pitch followed by a significant drop in pitch on stressed long-vowel syllables (across multiple syllables or even within a single one), which is popularly heard in rapid conversation, by speakers of other English dialects, as a noticeable kind of undulating "sing-song" pattern.
Notable lifelong native speakers
- Roy Keane – "Cork accent"
- Dáithí Ó Sé – "his Kerry dialect"
- The Rubberbandits – "Rubberbandits' strong Limerick accent... sits on a frequency like a tambourine which can cut through any noise"
Dublin English is highly internally diverse and refers collectively to the Irish English varieties immediately surrounding and within the metropolitan area of Dublin. Modern-day Dublin English largely lies on a phonological continuum, ranging from a more traditional, lower-prestige, local urban accent on the one end to a more recently developing, higher-prestige, non-local (regional and even supraregional) accent on the other end, whose most advanced characteristics only first emerged in the late 1980s and 1990s. The accent that most strongly uses the traditional working-class features has been labelled by linguists as local Dublin English. Most speakers from Dublin and its suburbs, however, have accent features falling variously along the entire middle as well as newer end of the spectrum, which together form what is called non-local Dublin English, spoken by middle- and upper-class natives of Dublin and the greater eastern Irish region surrounding the city. A subset of this variety, whose middle-class speakers mostly range in the middle section of the continuum, is called mainstream Dublin English. Mainstream Dublin English has become the basis of an accent that has otherwise become supraregional (see more below) everywhere except in the north of the country. The majority of Dubliners born since the 1980s (led particularly by females) has shifted towards the most innovative non-local accent, here called new Dublin English, which has gained ground over mainstream Dublin English and which is the most extreme variety in rejecting the local accent's traditional features. The varieties at either extreme of the spectrum, local and new Dublin English, are both discussed in further detail below. In the most general terms, all varieties of Dublin English have the following identifying sounds that are often distinct from the rest of Ireland, pronouncing:
- // as fronted and/or raised [æʊ~ɛʊ~eʊ].
- // as retracted and/or centralised [əɪ~ɑɪ].
- // as a diphthong in the range (local to non-local) of [ʌʊ~oʊ~əʊ].
Local Dublin English
Local Dublin English (or popular Dublin English) here refers to a traditional, broad, working-class variety spoken in the Republic of Ireland's capital city of Dublin. It is the only Irish English variety that in earlier history was non-rhotic; however, it is today weakly rhotic, and it uniquely pronounces:
- // as [əɪ].
- // as [ɛʊ~eʊ].
- // as [aɪ~äɪ].
- // as [ʌʊ~ʌo].
- // as [ʊ].
- // and //, respectively, as [t(ʰ)] and [d].
The local Dublin accent is also known for a phenomenon called "vowel breaking", in which the vowel sounds //, //, //, and // in closed syllables are "broken" into two syllables, approximating [ɛwə], [əjə], [uwə], and [ijə], respectively.
Notable lifelong native speakers
- Damien Dempsey – "his distinctly Dublin sounds" and "a working class Dublin accent"
- Imelda May – "Irish celebrities who have distinctive accents — such as Imelda May"
- Conor McGregor
New Dublin English
Evolving as a fashionable outgrowth of the mainstream non-local Dublin English, new Dublin English (also, advanced Dublin English and, formerly, fashionable Dublin English) is a youthful variety that originally began in the early 1990s among the "avant-garde" and now those aspiring to a non-local "urban sophistication". New Dublin English itself, first associated with affluent and middle-class inhabitants of southside Dublin, is probably now spoken by a majority of Dubliners born since the 1980s. It has replaced (yet was largely influenced by) moribund D4 English (often known as "Dublin 4" or "DART speak" or, mockingly, "Dortspeak"), which originated around the 1970s from Dubliners who rejected traditional notions of Irishness, regarding themselves as more trendy and sophisticated; however, particular aspects of the D4 accent became quickly noticed and ridiculed as sounding affected, causing these features to fall out of fashion by the 1990s.
This "new mainstream" accent of Dublin's youth, rejecting traditional working-class Dublin, pronounces:
- // as open as [a].
- // may be [äːɹ] (listen), with a backer vowel than in other Irish accents, though still relatively fronted.
- // as high as [ɔː] or even [oː], causing a re-split in the cot–caught merger that traditionally characterised Dublin speech.
- // as high as [ɔɪ] or even [oɪ].
- // as the Londonian diphthong [əʊ] (listen).
- // and // as both possibly rounded [øːɻ], perhaps causing a fur–fair merger.
- // and // as possibly merged, as well as // and // as possibly merged, leading to potential horse–hoarse and witch–which mergers.
Notable lifelong native speakers
- Saoirse Ronan – "the 'Dub' accent in which she speaks"
- Andrew Scott – "his soft-as-rain Dublin accent"
Supraregional southern Irish English
Supraregional southern Irish English (sometimes, simply, supraregional Irish English or supraregional Hiberno-English) here refers to a variety crossing regional boundaries throughout all of the Republic of Ireland, except the north. As mentioned earlier, mainstream Dublin English of the early- to mid-1900s is the direct influence and catalyst for this variety. Most speakers born in the 1980s or later are showing fewer features of the twentieth-century mainstream supraregional form and more characteristics of an advanced supraregional variety that aligns clearly with the rapidly spreading new Dublin accent (see more above, under "Non-local Dublin English").
Ireland's supraregional dialect pronounces:
- // as quite open [a].
- // along a possible spectrum [aɪ~äɪ~ɑɪ], with innovative [ɑɪ] particularly more common before voiced consonants, notably including /r/.
- // as starting fronter and often more raised than other dialects: [aʊ~æʊ~ɛʊ].
- // may be [äːɹ] (listen), with a backer vowel than in other Irish accents, though still relatively fronted.
- // as [ɒː].
- // as [ɒːɹ], almost always separate from [oːɹ], keeping words like war and wore, or horse and hoarse, pronounced distinctly.
- // as [ɒɪ].
- // as a diphthong, approaching [oʊ] (listen), as in the mainstream United States, or [əʊ] (listen), as in mainstream England.
- // as higher, fronter, and often rounder [ə~ʊ].
Overview of pronunciation and phonology
The following charts list the vowels typical of each Irish English dialect as well as the several distinctive consonants of Irish English. Phonological characteristics of overall Irish English are given as well as categorisations into five major divisions of Hiberno-English: northern Ireland (or Ulster); West & South-West Ireland; local Dublin; new Dublin; and supraregional (southern) Ireland. Features of mainstream non-local Dublin English fall on a range between "local Dublin" and "new Dublin".
Pure vowels (monophthongs)
The defining monophthongs of Irish English:
The following pure vowel sounds are defining characteristics of Irish English:
- The vowel //, as in cut or run, is typically centralised in the mouth and often somewhat more rounded than other standard English varieties, such as Received Pronunciation in England or General American in the United States.
- Most Irish English varieties make some distinction between the "broad" a and "flat" a of Received Pronunciation, whereas General American, for example, makes no distinction.
- There is inconsistency regarding the lot–cloth split and the cot–caught merger; certain Irish English dialects have these phenomena while others do not.
- Any and many are pronounced to rhyme with nanny, Danny, etc. by very many speakers, i.e. with each of these words pronounced with [æ].
All pure vowels of various Hiberno-English dialects:
|flat /æ/||[äː~a]||[æ]||[a]||[æ~a]||add, land, trap|
|/ɑː/ and broad /æ/||[äː~ɑː]||[æː~aː]||[aː]1||bath, calm, dance|
|conservative /ɒ/||[ɒ]||[ä]||[ɑ~ɒ~ɔ]4||[ɑ]||lot, top, wasp|
|divergent /ɒ/||[ɔː~ɒː]||[aː~ä]||[ɔː]||[ɒ]||loss, off|
|/ɔː/||[ɔː~ɒː]||[aː~ä]||[ɒː~ɔː~oː]4||[ɒː]||all, bought, saw|
|/ɛ/||[ɛ]2||dress, met, bread|
|/ə/||[ə]||about, syrup, arena|
|/ɪ/4||[ë~ɘ~ɪ̈]||[ɪ]||hit, skim, tip|
|/iː/4||[i(ː)]3||beam, chic, fleet|
|/ʌ/||[ʌ̈~ʊ]||[ʊ]||[ɤ~ʊ]||[ʌ̈~ʊ]||bus, flood, what|
|/ʊ/||[ʉ]||[ʊ]||book, put, should|
|/uː/||[ʉ(ː)]||[ʊu~uː~]3||[uː]||food, glue, new|
- In some highly conservative Irish English varieties, words spelled with ea and pronounced with [iː] in RP are pronounced with [eː], for example meat, beat, and leaf.
- In words like took where the spelling "oo" usually represents /ʊ/, conservative speakers may use /uː/. This is most common in local Dublin and the speech of north-east Leinster.
Gliding vowels (diphthongs)
The defining diphthongs of Hiberno-English:
The following gliding vowel (diphthong) sounds are defining characteristics of Irish English:
- The first element of the diphthong //, as in ow or doubt, may move forward in the mouth in the east (namely, Dublin) and supraregionally; however, it may actually move backward throughout the entire rest of the country. In the north alone, the second element is particularly moved forward, as in Scotland.
- The first element of the diphthong //, as in boy or choice, is slightly or significantly lowered in all geographic regions except the north.
- The diphthong //, as in rain or bay, is most commonly monophthongised to [eː]. Furthermore, this often lowers to /ɛ/ in words such as gave and came (sounding like "gev" and "kem").
All diphthongs of various Hiberno-English dialects:
|/aɪ/||[ɛɪ~ɜɪ]||[æɪ~ɐɪ]||[əɪ~ɐɪ]1||[ɑɪ~ɐɪ]||[aɪ~ɑɪ]||bright, ride, try|
|/aʊ/||[ɐʏ~ɛʉ]||[ɐʊ~ʌʊ]||[ɛʊ]1||[aʊ~ɛʊ]||now, ouch, scout|
|/eɪ/||[eː(ə)]||[eː]||[eː~eɪ~ɛɪ]||lame, rein, stain|
|/ɔɪ/||[ɔɪ]||[əɪ~ɑɪ]||[aɪ~äɪ]||[ɒɪ~oɪ]||[ɒɪ]||boy, choice, moist|
|/oʊ/||[oː]||[ʌo~ʌɔ]||[əʊ]||[oʊ~əʊ]||goat, oh, show|
Footnotes: ^1 Due to the local Dublin accent's phenomenon of "vowel breaking", /aɪ/ may be realised in that accent as [əjə] in a closed syllable, and, in the same environment, /aʊ/ may be realised as [ɛwə].
The defining r-coloured vowels of Hiberno-English:
The following r-coloured vowel features are defining characteristics of Hiberno-English:
- Rhoticity: Every major accent of Hiberno-English pronounces the letter "r" whenever it follows a vowel sound, though this is weaker in the local Dublin accent due to its earlier history of non-rhoticity. Rhoticity is a feature that Hiberno-English shares with Canadian English and General American but not with Received Pronunciation.
- The distinction between /ɔːr/ and /oʊr/ is almost always preserved, so that, for example, horse and hoarse are not merged in most Irish accents.
All r-coloured vowels of various Hiberno-English dialects:
|/ɑːr/||[ɑɻ~ɑɹ]||[æːɹ~aɹ]||[äːɹ~ɑɹ]4||car, guard, park|
|/ɪər/||[iːɹ~iɚ]||fear, peer, tier|
|/ɛər/||[(ɛ)ɚː]||[ɛːɹ~eɹ]5||bare, bear, there|
|/ɜːr/6||[ɚː]||[ɛːɹ] or [ʊːɹ]6||[ɚː]5||burn, first, learn|
|/ər/||[ɚ]7||doctor, martyr, pervade|
|/ɔːr/8||[ɒːɚ~ɔːɹ]||[äːɹ~ɑːɹ]||[ɒːɹ~oːɹ]||for, horse, war|
|[oːɚ~oːɹ]||[ɔːɹ]||[ɒːɹ]||[oːɹ]||four, hoarse, wore|
|/ʊər/||[uːɹ~uɚ]9||moor, poor, tour|
|/jʊər/||[juːɹ~juɚ]9||cure, Europe, pure|
^2 Every major accent of Irish English is rhotic (pronounces "r" after a vowel sound). The local Dublin accent is the only one that during an earlier time was non-rhotic, though it usually very lightly rhotic today, with a few minor exceptions. The rhotic consonant in this and most other Irish accents is an approximant [ɹ̠].
^3 The "r" sound of the mainstream non-local Dublin accent is more precisely a velarised approximant [ɹˠ], while the "r" sound of the more recently emerging non-local Dublin (or "new Dublin") accent is more precisely a retroflex approximant [ɻ].
^5 In non-local Dublin's more recently emerging (or "new Dublin") accent, /ɛər/ and /ɜr/ may both be realised more rounded as [øːɻ].
^6 In local Dublin, West/South-West, and other very conservative and traditional Irish English varieties ranging from the south to the north, the phoneme /ɜr/ is split into two distinct phonemes depending on spelling and preceding consonants, which have sometimes been represented as /ɛr/ versus /ʊr/, and often more precisely pronounced as [ɛːɹ] versus [ʊːɹ]. As an example, the words earn and urn are not pronounced the same, as they are in most dialects of English around the world. In the local Dublin and West/South-West accents, /ɜr/ when after a labial consonant (e.g. fern), when spelled as "ur" or "or" (e.g. word), or when spelled as "ir" after an alveolar stop (e.g. dirt) are pronounced as [ʊːɹ]; in all other situations, /ɜr/ is pronounced as [ɛːɹ]. Example words include:
In non-local Dublin, younger, and supraregional Irish accents, this split is seldom preserved, with both of the /ɜr/ phonemes typically merged as [ɚː].
^7 In rare few local Dublin varieties that are non-rhotic, /ər/ is either lowered to [ɐ] or backed and raised to [ɤ].
^8 The distinction between /ɔːr/ and /oʊr/ is widely preserved in Ireland, so that, for example, horse and hoarse are not merged in most Irish English dialects; however, they are usually merged in Belfast and new Dublin.
^9 In local Dublin, due to the phenomenon of "vowel breaking" [(j)uːɹ] may in fact be realised as [(j)uʷə(ɹ)].
The defining consonants of Hiberno-English:
The consonants of Hiberno-English mostly align to the typical English consonant sounds. However, a few Irish English consonants have distinctive, varying qualities. The following consonant features are defining characteristics of Hiberno-English:
- H-fulness: Unlike most English varieties of England and Wales, which drop the word-initial /h/ sound in words like house or happy, Hiberno-English always retains word-initial //.
- The phonemes // (as in the) and // (as in thin) are pronounced uniquely in most Hiberno-English. /ð/ is pronounced as [d] or [d̪], depending on specific dialect; and /θ/ is pronounced as [t] or [t̪].
- The phoneme //, when appearing at the end of word or between vowel sounds, is pronounced uniquely in most Hiberno-English; the most common pronunciation is as a "slit fricative".
- The phoneme // is almost always of a "light" or "clear" quality (i.e. not velarised), unlike Received Pronunciation, which uses both a clear and a dark "L" sound, or General American, which pronounces all "L" sounds as dark.
- Rhoticity: The pronunciation of historical /r/ is nearly universal in Irish accents of English. Like with General American (but not Received Pronunciation), this means that the letter "r", if appearing after a vowel sound, is always pronounced (in words such as here, cart, or surf).
Unique consonants in various Hiberno-English dialects:
|English diaphoneme||Ulster1||West &
|/ð/||[ð]||[d]||[d̪]||this, writhe, wither|
|syllable-final /l/||[l] or [ɫ]||[l]||[l] or [ɫ]||ball, soldier, milk|
|/r/3||[ɻ]||[ɹˠ]||prevocalic/intervocalic: [ɹˠ] or [ɾ]
postvocalic: [∅] or [ɹˠ]
|[ɻ]||[ɹˠ] or [ɻ]||rot, shirt, tar|
|/t/ between vowels||[ɾ], [ʔ], or [∅]||[ɾ] or [θ̠]4||[ʔh]||[ɾθ̠]4||[ɾ] or [θ̠]4||battle, Italy, water|
|/t/ in word-final position||[t] or [ʔ]||[θ̠]||[h] or [∅]||[θ̠]||cat, get, right|
|/θ/||[θ]||[t]||[t̪]||lethal, thick, wrath|
|/hw/5||[w]||[ʍ]||[w]||[ʍ] or [w]||awhile, whale, when|
^2 Local Dublin also undergoes cluster simplification, so that stop consonant sounds occurring after fricatives or sonorants may be left unpronounced, resulting, for example, in "poun(d)" and "las(t)".
^3 Rhoticity: Every major accent of Irish English is strongly rhotic (pronounces "r" after a vowel sound), though to a weaker degree with the local Dublin accent. The accents of local Dublin and some smaller eastern towns like Drogheda were historically non-rhotic and now only very lightly rhotic or variably rhotic, with the rhotic consonant being an alveolar approximant, [ɹ]. In extremely traditional and conservative accents (exemplified, for instance, in the speech of older speakers throughout the country, even in South-West Ireland, such as Mícheál Ó Muircheartaigh and Jackie Healy-Rae), the rhotic consonant, before a vowel sound, can also be an alveolar tap, [ɾ]. The rhotic consonant for the northern Ireland and new Dublin accents is a retroflex approximant, [ɻ]. Dublin's retroflex approximant has no precedent outside of northern Ireland and is a genuine innovation of the past two decades. A guttural/uvular [ʁ] is found in north-east Leinster. Otherwise, the rhotic consonant of virtually all other Irish accents is the postalveolar approximant, [ɹ].
- /j/ is dropped after sonorants and fricatives, e.g. new sounds like noo, and sue like soo.
- /dj/ becomes /dʒ/, e.g. dew/due, duke and duty sound like "jew", "jook" and "jooty".
- /tj/ becomes /tʃ/, e.g. tube is "choob", tune is "choon"
- The following show neither dropping nor coalescence: /kj/ (as in cute), /mj/ (as in mute), and /hj/ (as in huge; though the /h/ can be dropped in the South-West of Ireland).
The naming of the letter H as "haitch" is standard.
Loan words from Irish
A number of Irish-language loan words are used in Hiberno-English, particularly in an official state capacity. For example, the head of government is the Taoiseach, the deputy head is the Tánaiste, the parliament is the Oireachtas and its lower house is Dáil Éireann. Less formally, people also use loan words in day-to-day speech, although this has been on the wane in recent decades and among the young.
|Word||Part of speech||Meaning|
|Abú||Interjection||Hooray! Used in sporting occasions, espec. for Gaelic games – Áth Cliath abú! – 'hooray for Dublin!'|
|Fáilte||Noun||Welcome – often in the phrase Céad míle fáilte 'A hundred thousand welcomes'|
|Garsún / gasúr||Noun||Boy|
|Gaeltacht //||Noun||Officially designated region where Irish is the primary spoken language|
|Grá //||Noun||Love, affection, not always romantic – 'he has a great grá for the dog'|
|Plámás||Noun||Smooth talk, flattery|
|Sláinte||Interjection||[To your] health!/Cheers!|
Derived words from Irish
Another group of Hiberno-English words are those derived from the Irish language. Some are words in English that have entered into general use, while others are unique to Ireland. These words and phrases are often Anglicised versions of words in Irish or direct translations into English. In the latter case, they often give a meaning to a word or phrase that is generally not found in wider English use.
|Word or Phrase||Part of Speech||Original Irish||Meaning|
|Arra/ och / musha / yerra||Interjection||Ara / Ach / Muise / Dhera (conjunction of "A Dhia, ara")||"Yerra, sure if it rains, it rains."|
|Bockety||Adjective||Bacach (lame)||Unsteady, wobbly, broken|
|Boreen||Noun||Bóithrín||Small rural road or track|
|Ceili/Ceilidh //||Noun||Céilidhe||Music and dancing session, especially of traditional music|
|Colleen||Noun||Cailín||Girl, young woman|
|Fooster||Verb||Fústar||to busy oneself in a restless way, fidget|
|Give out||Verb||Tabhair amach (lit.)||Tell off, reprimand|
|Gob||Noun||Gob||Animal's mouth/beak (Béal = human mouth)|
|Gombeen||Noun||Gaimbín||Money lender, profiteer. Usually in the phrase 'Gombeen man'|
|Jackeen //||Noun||Nickname for John (i.e. Jack) combined with Irish diminutive suffix "-ín"||A mildly pejorative term for someone from Dublin. Also a self-assertive worthless fellow". Derived from a person who followed the Union Jack during British rule after 1801, a Dublin man who supported the crown. See Shoneen|
|Shoneen||Noun||Seoinín (diminutive of Sean – 'John')||An Irishman who imitates English ways – see Jackeen|
|Sleeveen||Noun||Slíbhín||An untrustworthy, cunning person|
|Soft day||Phrase||Lá bog (lit.)||Overcast day (light drizzle/mist)|
Derived words from Old and Middle English
Another class of vocabulary found in Hiberno-English are words and phrases common in Old and Middle English, but which have since become obscure or obsolete in the modern English language generally. Hiberno-English has also developed particular meanings for words that are still in common use in English generally.
|Word||Part of speech||Meaning||Origin/notes|
|Childer||Noun||Child||Survives from Old-English, genitive plural of 'child'|
|Cop-on||Noun||shrewdness, intelligence, being 'street-wise'||Middle English from French cap 'arrest'|
|Craic / Crack //||Noun||Fun, entertainment. Generally now with the Gaelic spelling in the phrase – 'have the craic' from earlier usage in Northern Ireland, Scotland and northern England with spelling 'crack' in the sense 'gossip, chat'||Old English cracian via Ulster-Scots into modern Hiberno-English, then given Gaelic spelling|
|Devil||Noun||Curse (e.g., "Devil take him") Negation (e.g., for none, "Devil a bit")||middle English|
|Eejit //||Noun||Irish (and Scots) version of 'idiot', meaning foolish person||English from Latin Idiōta; has found some modern currency in England through the broadcasts of Terry Wogan|
|Hames||Noun||a mess, used in the phrase 'make a hames of'||Middle English from Dutch|
|Grinds||Noun||Private tuition||Old English grindan|
|Jaded||Adjective||physically tired, exhausted Not in the sense of bored, unenthusiastic, 'tired of' something||Middle English jade|
|Kip||Noun||Unpleasant, dirty or sordid place||18th-century English for brothel|
|Mitch||Verb||to play truant||Middle English|
|Sliced pan||Noun||(Sliced) loaf of bread||Possibly derived from the French word for bread (pain) or the pan it was baked in.|
|Yoke||Noun||Thing, object, gadget||Old English geoc|
|Wagon/Waggon||Noun||an unpleasant or unlikable woman||Middle English|
|Whisht||Interjection||Be quiet (Also common in Northern England and Scotland)||Middle English|
In addition to the three groups above, there are also additional words and phrases whose origin is disputed or unknown. While this group may not be unique to Ireland, their usage is not widespread, and could be seen as characteristic of the language in Ireland.
|Word||Part of speech||Meaning||Notes|
|Acting the maggot||Phrase||Acting the fool, joking.|
|Banjaxed||Verb||Broken, ruined, or rendered incapable of use. Equivalent in meaning to the German "kaput".|
|Bogger||Noun||Someone from the countryside or near a bog|
|Bowsie||Noun||a rough or unruly person. Cf. Scots Bowsie|
|Bleb||Noun, Verb||blister; to bubble up, come out in blisters.|
|Bucklepper||Noun||An overactive, overconfident person from the verb, to bucklep (leap like a buck)||Used by Patrick Kavanagh and Seamus Heaney|
|Cod||Noun||Foolish person||Usually in phrases like 'acting the cod', 'making a cod of himself'|
|Culchie||Noun||Person from the countryside|
|Delph||Noun||Dishware||From the name of the original source of supply, Delft in the Netherlands. See Delftware.|
|Feck||Verb, Interjection||an attenuated alternative/minced oath (see feck for more details)||"Feck it!", "Feck off"|
|Gurrier||Noun||a tough or unruly young man||perhaps from French guerrier 'warrior', or else from 'gur cake' a pastry previously associated with street urchins. Cf. Scots Gurry|
|Jacks||Noun||Bathroom/toilet||Similar to "jakes" as used in 16th-century England. Still in everyday use, particularly in Dublin.|
|Minerals||Noun||Soft drinks||From mineral Waters|
|Mot||Noun||Girl or young woman, girlfriend||From the Irish word 'maith' meaning good, i.e. good-looking.|
|Press||Noun||Cupboard||Similarly, hotpress in Ireland means airing-cupboard Press is an old word for cupboard in Scotland and northern England.|
|Rake||Noun||many or a lot. Often in the phrase 'a rake of pints'. Cf. Scots rake|
|Runners||Noun||Trainers/sneakers||Also 'teckies' or 'tackies', especially in and around Limerick.|
|Shore||Noun||Stormdrain or Gutter. Cf. Scots shore|
|Wet the tea/The tea is wet||Phrase||Make the tea/the tea is made|
Grammar and syntax
The syntax of the Irish language is quite different from that of English. Various aspects of Irish syntax have influenced Hiberno-English, though many of these idiosyncrasies are disappearing in suburban areas and among the younger population.
The other major influence on Hiberno-English that sets it apart from modern English in general is the retention of words and phrases from Old- and Middle-English.
- the Irish ar bith corresponds to English "at all", so the stronger ar chor ar bith gives rise to the form "at all at all".
- "I've no time at all at all."
- ar eagla go … (lit. "on fear that …") means "in case …". The variant ar eagla na heagla, (lit. "on fear of fear") implies the circumstances are more unlikely. The corresponding Hiberno-English phrases are "to be sure" and "to be sure to be sure". In this context, these are not, as might be thought, disjuncts meaning "certainly"; they could better be translated "in case" and "just in case". Nowadays normally spoken with conscious levity.
- "I brought some cash in case I saw a bargain, and my credit card to be sure to be sure."
Yes and no
Irish lacks words that directly translate as "yes" or "no", and instead repeats the verb used in the question, negated if necessary, to answer. Hiberno-English uses "yes" and "no" less frequently than other English dialects as speakers can repeat the verb, positively or negatively, instead of (or in redundant addition to) using "yes" or "no".
- "Are you coming home soon?" – "I am."
- "Is your mobile charged?" – "It isn't."
This is not limited only to the verb to be: it is also used with to have when used as an auxiliary; and, with other verbs, the verb to do is used. This is most commonly used for intensification, especially in Ulster English.
- "This is strong stuff, so it is."
- "We won the game, so we did."
Recent past construction
Irish indicates recency of an action by adding "after" to the present continuous (a verb ending in "-ing"), a construction known as the "hot news perfect" or "after perfect". The idiom for "I had done X when I did Y" is "I was after doing X when I did Y", modelled on the Irish usage of the compound prepositions i ndiaidh, tar éis, and in éis: bhí mé tar éis/i ndiaidh/in éis X a dhéanamh, nuair a rinne mé Y.
- "Why did you hit him?" – "He was after giving me cheek." (he had been cheeky to me).
A similar construction is seen where exclamation is used in describing a recent event:
- "I'm after hitting him with the car!" Táim tar éis é a bhualadh leis an gcarr!
- "She's after losing five stone in five weeks!"
When describing less astonishing or significant events, a structure resembling the German perfect can be seen:
- "I have the car fixed." Tá an carr deisithe agam.
- "I have my breakfast eaten." Tá mo bhricfeasta ithe agam.
Reflection for emphasis
The reflexive version of pronouns is often used for emphasis or to refer indirectly to a particular person, etc., according to context. Herself, for example, might refer to the speaker's boss or to the woman of the house. Use of herself or himself in this way often indicates that the speaker attributes some degree of arrogance or selfishness to the person in question. Note also the indirectness of this construction relative to, for example, She's coming now
- "'Tis herself that's coming now." Is í féin atá ag teacht anois.
- "Was it all of ye or just yourself?" An sibhse ar fad nó tusa féin a bhí i gceist?
There are some language forms that stem from the fact that there is no verb to have in Irish. Instead, possession is indicated in Irish by using the preposition at, (in Irish, ag.). To be more precise, Irish uses a prepositional pronoun that combines ag "at" and mé "me" to create agam. In English, the verb "to have" is used, along with a "with me" or "on me" that derives from Tá … agam. This gives rise to the frequent
- "Do you have the book?" – "I have it with me."
- "Have you change for the bus on you?"
- "He will not shut up if he has drink taken."
Somebody who can speak a language "has" a language, in which Hiberno-English has borrowed the grammatical form used in Irish.
- "She does not have Irish." Níl Gaeilge aici. literally "There is no Irish at her".
When describing something, many Hiberno-English speakers use the term "in it" where "there" would usually be used. This is due to the Irish word ann (pronounced "oun" or "on") fulfilling both meanings.
- "Is it yourself that is in it?" An tú féin atá ann?
- "Is there any milk in it?" An bhfuil bainne ann?
Another idiom is this thing or that thing described as "this man here" or "that man there", which also features in Newfoundland English in Canada.
- "This man here." An fear seo. (cf. the related anseo = here)
- "That man there." An fear sin. (cf. the related ansin = there)
Conditionals have a greater presence in Hiberno-English due to the tendency to replace the simple present tense with the conditional (would) and the simple past tense with the conditional perfect (would have).
- "John asked me would I buy a loaf of bread." (John asked me to buy a loaf of bread.)
- "How do you know him? We would have been in school together." (We went to school together.)
Bring and take: Irish use of these words differs from that of British English because it follows the Irish grammar for beir and tóg. English usage is determined by direction; person determines Irish usage. So, in English, one takes "from here to there", and brings it "to here from there". In Irish, a person takes only when accepting a transfer of possession of the object from someone else – and a person brings at all other times, irrespective of direction (to or from).
- Don't forget to bring your umbrella with you when you leave.
- (To a child) Hold my hand: I don't want someone to take you.
The Irish equivalent of the verb "to be" has two present tenses, one (the present tense proper or "aimsir láithreach") for cases which are generally true or are true at the time of speaking and the other (the habitual present or "aimsir ghnáthláithreach") for repeated actions. Thus, "you are [now, or generally]" is tá tú, but "you are [repeatedly]" is bíonn tú. Both forms are used with the verbal noun (equivalent to the English present participle) to create compound tenses. This is similar to the distinction between ser and estar in Spanish.
The corresponding usage in English is frequently found in rural areas, especially Mayo/Sligo in the west of Ireland and Wexford in the south-east, Inner-City Dublin along with border areas of the North and Republic. In this form, the verb "to be" in English is similar to its use in Irish, with a "does be/do be" (or "bees", although less frequently) construction to indicate the continuous, or habitual, present:
- "He does be working every day." Bíonn sé ag obair gach lá.
- "They do be talking on their mobiles a lot." Bíonn siad ag caint go minic ar a bhfóin póca.
- "He does be doing a lot of work at school." Bíonn sé ag déanamh go leor oibre ar scoil.
- "It's him I do be thinking of." Is air a bhíonn mé ag smaoineamh.
From Old and Middle English
In old-fashioned usage, "it is" can be freely abbreviated ’tis, even as a standalone sentence. This also allows the double contraction ’tisn’t, for "it is not".
Irish has separate forms for the second person singular (tú) and the second person plural (sibh). Mirroring Irish, and almost every other Indo European language, the plural you is also distinguished from the singular in Hiberno-English, normally by use of the otherwise archaic English word ye [jiː]; the word yous (sometimes written as youse) also occurs, but primarily only in Dublin and across Ulster. In addition, in some areas in Leinster, north Connacht and parts of Ulster, the hybrid word ye-s, pronounced "yiz", may be used. The pronunciation differs with that of the northwestern being [jiːz] and the Leinster pronunciation being [jɪz].
- "Did ye all go to see it?" Ar imigh sibh go léir chun é a fheicint?
- "None of youse have a clue!" Níl ciall/leid ar bith agaibh!
- "Are ye not finished yet?" Nach bhfuil sibh críochnaithe fós?
- "Yis are after destroying it!" Tá sibh tar éis é a scriosadh!
The word ye, yis or yous, otherwise archaic, is still used in place of "you" for the second-person plural. Ye'r, Yisser or Yousser are the possessive forms, e.g. "Where are yous going?"
The verb mitch is very common in Ireland, indicating being truant from school. This word appears in Shakespeare (though he wrote in Early Modern English rather than Middle English), but is seldom heard these days in British English, although pockets of usage persist in some areas (notably South Wales, Devon, and Cornwall). In parts of Connacht and Ulster the mitch is often replaced by the verb scheme, while in Dublin it is often replaced by "on the hop/bounce".
Another usage familiar from Shakespeare is the inclusion of the second person pronoun after the imperative form of a verb, as in "Wife, go you to her ere you go to bed" (Romeo and Juliet, Act III, Scene IV). This is still common in Ulster: "Get youse your homework done or you're no goin' out!" In Munster, you will still hear children being told, "Up to bed, let ye" [lɛˈtʃi].
Other grammatical influences
Now is often used at the end of sentences or phrases as a semantically empty word, completing an utterance without contributing any apparent meaning. Examples include "Bye now" (= "Goodbye"), "There you go now" (when giving someone something), "Ah now!" (expressing dismay), "Hold on now" (= "wait a minute"), "Now then" as a mild attention-getter, etc. This usage is universal among English dialects, but occurs more frequently in Hiberno-English. It is also used in the manner of the Italian 'prego' or German 'bitte', for example a barman might say "Now, Sir." when delivering drinks.
So is often used for emphasis ("I can speak Irish, so I can"), or it may be tacked onto the end of a sentence to indicate agreement, where "then" would often be used in Standard English ("Bye so", "Let's go so", "That's fine so", "We'll do that so"). The word is also used to contradict a negative statement ("You're not pushing hard enough" – "I am so!"). (This contradiction of a negative is also seen in American English, though not as often as "I am too", or "Yes, I am".) The practice of indicating emphasis with so and including reduplicating the sentence's subject pronoun and auxiliary verb (is, are, have, has, can, etc.) such as in the initial example, is particularly prevalent in more northern dialects such as those of Sligo, Mayo and the counties of Ulster.
Sure is often used as a tag word, emphasising the obviousness of the statement, roughly translating as but/and/well. Can be used as "to be sure", the famous Irish stereotype phrase. (But note that the other stereotype of "Sure and …" is not actually used in Ireland.) Or "Sure, I can just go on Wednesday", "I will not, to be sure." The word is also used at the end of sentences (primarily in Munster), for instance "I was only here five minutes ago, sure!" and can express emphasis or indignation.
To is often omitted from sentences where it would exist in British English. For example, "I'm not let go out tonight", instead of "I'm not allowed to go out tonight".
Will is often used where British English would use "shall" or American English "should" (as in "Will I make us a cup of tea?"). The distinction between "shall" (for first-person simple future, and second- and third-person emphatic future) and "will" (second- and third-person simple future, first-person emphatic future), maintained by many in England, does not exist in Hiberno-English, with "will" generally used in all cases.
Once is sometimes used in a different way from how it is used in other dialects; in this usage, it indicates a combination of logical and causal conditionality: "I have no problem laughing at myself once the joke is funny." Other dialects of English would probably use "if" in this situation.
- English (Ireland) at Ethnologue (18th ed., 2015)
- Irish English: history and present…. Google Books. Retrieved 28 February 2011.
- "Hiberno-English Archive". DRAPIer. IE: DHO. Archived from the original on 16 September 2010. Retrieved 26 November 2010.
- Culture and Religion in Tudor Ireland 1494–1558, University College Cork, archived from the original on 16 April 2008
- Ranelagh, John O'Beirne (1994), A Short History of Ireland, Cambridge, p. 118
- Hickey, Raymond (November 8, 2007). Irish English: History and Present Day Forms. Cambridge University Press. p. 121. Retrieved March 4, 2018.
- de Gruyter 2004, pp. 90–93
- Hickey, Raymond. A Sound Atlas of Irish English, Volume 1. Walter de Gruyter: 2004, pp. 57-60.
- Hickey (2007:118)
- "Northern Ireland accent is rated sexiest in the UK by a new survey". Belfast Telegraph. 2015.
- "Political Broadcaster John Cole Dies At 85 Archived 20 June 2015 at the Wayback Machine." Sky News. 2013.
- "Nadine Coyle: I was born in Derry, I can't change the way I talk". Belfast Telegraph. 2014.
- "Time to train the voice". The Irish Times. 1998.
- French, Dan (2009). "'Merlin' star reveals accent confusion". Digital Spy. Hearst Magazines UK.
- Wells, 1982, p. 433.
- Hickey (2007:313)
- Hickey (2007:309)
- "Learn English in Cork City & County" Archived 15 November 2017 at the Wayback Machine. Language Travel Ireland: Learn English by Living It. Language Travel Ireland, InnovationWorks, National Technology Park, Limerick, Ireland. 2010.
- Hardie, David. "Roy Keane's call helped young Hibs star through injury". Edinburgh News. 2014.
- It's a brogue's gallery for Rose host Dáithí". Independent.ie. 2010.
- Woulfe, Jimmy. "RubberBandits wax lyrical on Limerick brogue". Irish Examiner. 2015.
- Hickey (2007b:180)
- Hickey, Raymond (2015). Dublin English Archived 22 October 2016 at the Wayback Machine Irish English Resource Centre. University of Duisburg and Essen.
- de Gruyter 2004, pp. 91
- de Gruyter 2004, pp. 83–84
- Reynolds, Deirdre. "Lunch with Damien Dempsey: Ronnie Drew never watered down his accent – why should I?". Independent.ie. 2013.
- Delaney, Caroline (2013-12-03). "Why we're finally embracing our regional accents". Irish Examiner. Retrieved 2015-12-24.
- Hickey (2007:355)
- Hickey (2007:357)
- Hickey, Raymond. Dublin English: Evolution and Change. John Benjamins Publishing: 2005, pp. 46-48
- Linehan, Hugh (2016). "Saoirse Ronan’s accent should not be a talking point". The Irish Times.
- Allfree, Claire. "Sherlock actor Andrew Scott: Tenderness is more interesting than blatant sexuality". Metro. 2010.
- Hickey (2007:114)
- Hickey (2007:29)
- Hickey (2007:317)
- (de Gruyter 2004, p. 84)
- Wells, John C. 1982. Accents of English: Volume 2. Cambridge: Cambridge University Press. p. 425.
- de Gruyter 2004, pp. 92
- Hickey (1984:330)
- de Gruyter 2004, pp. 88
- Hickey (1984:234)
- Hickey (2007:320)
- (de Gruyter 2004, p. 93)
- Hickey (2007b:184)
- Wells, 1982, p. 435.
- Dolan, Terence Patrick (2004). A dictionary of Hiberno-English: the Irish use of English. Dublin, IE: Gill & Macmillan. p. xix. ISBN 978-0-7171-3535-6. Retrieved 29 January 2011.
- "Easy Irish". IE: Raidió Teilifís Éireann. Retrieved 28 February 2011.
- "Fear of being perceived as misers runs deeper than our pockets". Irish Independent. Independent.ie. 19 November 2012. Archived from the original on 16 June 2013.
- "Drizzle fails to dampen cheerful O'Rourke". The Irish Times. 5 May 2007. Retrieved 28 February 2011.
- "Nuacht a hAon". IE: Raidió Teilifís Éireann. Retrieved 28 February 2011.
- Edwards, Steven Roy, Irish English terms
- "Seanad Eireann – 25/May/2005 Order of Business". Debates.oireachtas.ie. 25 May 2005. Retrieved 28 February 2011.
- "Plámás and the Art of Flattery ~ Gatherings from Ireland # 92". SOCIAL BRIDGE. 2013-03-15. Retrieved 2013-10-21.
- Gifford, Don; Seidman Robert J. (1988). Ulysses annotated: notes for James Joyce's Ulysses. London, England: University of California Press. p. 55. ISBN 978-0-520-25397-1. Retrieved 29 January 2011.
- McCafferty, Kate (2002). Testimony of an Irish slave girl. Viking. p. 209. ISBN 978-0-670-03065-1. Retrieved 29 January 2011.
- Hickey, Raymond (2005). Dublin English: evolution and change. p. 145. ISBN 978-90-272-4895-4. Retrieved 29 January 2011.
- Oxford English dictionary online
- Dolan, Terence Patrick (2004). A Dictionary of Hiberno-English. Dublin, Ireland: Gill & Macmillan. p. 28. ISBN 978-0-7171-4039-8. Retrieved 29 January 2011.
- Oxford Dictionaries online[permanent dead link]
- Oxford English dictionary online
- Leslie, Catherine Amoroso (2007). Needlework through history: an encyclopedia. Westpost, CT, USA: Greenwood Press. p. 91. ISBN 978-0-313-33548-8. Retrieved 29 January 2011.
- The form gansey Archived 4 June 2013 at the Wayback Machine, from Garnsey, a form of Guernsey, where the style of fisherman's jersey originated.
- "Service with a snarl". The Irish Times. 29 November 2010. Retrieved 28 February 2011.
- Collins Dictionary online
- Hickey, Raymond (8 November 2007). Irish English: history and present-day forms. p. 364. ISBN 978-0-521-85299-9. Retrieved 29 January 2011.
- Oxford English dictionary online[permanent dead link]
- "'I didn't expect to lose a son. The guards took their eye off the ball'". The Irish Times. 21 August 2010. Retrieved 28 February 2011.
- "Mon, Jun 09, 1997 – Challenge led to a hooker revival". The Irish Times. 6 June 1997. Retrieved 28 February 2011.
- Simpson, John; Weiner, Edmund (1989). "Oxford English Dictionary, second edition". Oxford: Clarendon Press.
Irish dim. of JACK n.: A contemptuous, self-assertive, worthless fellow.
- Collins Dictionary online
- Oxford English Dictionary online
- "Tue, Sep 09, 2008 – 'Soft day' will become thing of the past – expert". The Irish Times. 9 September 2008. Retrieved 28 February 2011.
- "An Irishman's Diary". The Irish Times. 11 March 2010. Retrieved 28 February 2011.
- "A 'win-win situation' as Travellers design their own homes". The Irish Times. 4 March 2010. Retrieved 28 February 2011.
- New Oxford American Dictionary, 2nd ed. via Apple Mac Dictionary
- Collins, Oisin (2012-02-25). "Irish need more cop-on when it comes to driving hands-free". JOE.ie. Retrieved 2015-12-24.
- Oxford English Dictionary online[permanent dead link]
- Irish Herald newspaper 27.3.2009
- Collins English dictionary online
- Old English deofol
- "Sat, Jan 10, 1998 – Haughey cloud returns to mar Bertie's horizon". The Irish Times. 1 January 1998. Retrieved 28 February 2011.
- Cf.Scots deil tak... Archived 4 June 2013 at the Wayback Machine.
- "A vine romance in Rioja country". The Irish Times. 25 September 2010. Retrieved 28 February 2011.
- Cf. Scots deil a bit Archived 4 June 2013 at the Wayback Machine. Also in A Dictionary of Slang and Unconventional English by Eric Partridge.
- "What is an Eejit? | Notebook". Mad Eejits. Archived from the original on 22 October 2013. Retrieved 2013-10-21.
- Collins Dictionary online
- Irish Times 18.5.2009
- Collins Dictionary online
- "40% of higher maths students take grinds". The Irish Times. 17 August 2010. Retrieved 28 February 2011.
- Oxford Dictionary online
- Irish Examiner 30.4.2013
- Oxford English Dictionary online
- "Reports from Broombridge……". Come here to me!. 2012-01-11. Retrieved 2013-10-21.
- Oxford English Dictionary online
- Oxford dictionary online
- "Brennans Family Pan – Brennans Sliced Pan | Brennans Bread". Brennansbread.ie. Retrieved 28 February 2011.
- Irish times 23.6.2012
- Collins Dictionary online def. 15
- Irish Independent 30.1.2013
- oxford Dictionary online
- "Wed, Jan 16, 2002 – Alone Again, naturally Unfringed Festival 2002". The Irish Times. 1 January 2002. Retrieved 28 February 2011.
- The Irish huist[dead link] meaning "be quiet", is an unlikely source since the word is known throughout England and Scotland where it derives from early Middle English whist (cf. Middle English hust and Scots wheesht Archived 4 June 2013 at the Wayback Machine)
- "Sat, Mar 07, 2009 – RTÉ set to clash with Ryan over his salary". The Irish Times. 3 March 2009. Retrieved 28 February 2011.
- "Labour's Burton says Ireland is 'banjaxed' – RTÉ News". Raidió Teilifís Éireann. Retrieved 28 February 2011.
- Oxford Dictionary online [permanent dead link]
- SND: Bowsie Archived 12 November 2013 at the Wayback Machine
- Terence Patrick Dolan (2004). A dictionary of Hiberno-English: the Irish use of English. Gill & Macmillan Ltd. p. 10. ISBN 978-0-7171-3535-6. Retrieved 9 May 2011.
- Cf. Scots blab/bleb Archived 4 June 2013 at the Wayback Machine.
- "Sat, Jan 04, 2003 – Heroic stoic of the island". The Irish Times. 1 January 2003. Retrieved 28 February 2011.
- Terence Brown, The Literature of Ireland: Culture and Criticism (Cambridge: Cambridge University Press, 2010), p.261; James Fenton, "Against Fakery: Kingsley Amis" in The Movement Reconsidered: Larkin, Amis, Gunn, Davie and their Contemporaries, (Oxford: OUP, 2009), p.107
- "The Chisellers (9780452281226): Brendan O'Carroll: Books". Amazon.com. Retrieved 28 February 2011.
- Oxford dictionary online [permanent dead link]
- "RTÉ Television – Programmes – Entertainment – Katherine Lynch's Single Ladies". Raidió Teilifís Éireann. 11 January 2010. Retrieved 28 February 2011.
- "Top tables". The Irish Times. 5 June 2010. Retrieved 28 February 2011.
- "An Irishman's Diary". The Irish Times. 20 January 2010. Retrieved 28 February 2011.
- "Ceann Comhairle refuses to apologise for calling TDs 'gurriers'". Irish Independent, 8 November 2012
- Oxford English Dictionary online
- SND Gurry Archived 4 June 2013 at the Wayback Machine
- "Educating Rory lays foundations for a Hollywood blockbuster". The Irish Times. 1 June 2010. Retrieved 28 February 2011.
- ||oxford Dictionary online
- "Bertie's role in the kitchen press". The Irish Times. 5 October 2010. Retrieved 28 February 2011.
- SND: Rake Archived 12 November 2013 at the Wayback Machine
- "Sole searching". The Irish Times. 11 May 2010. Retrieved 28 February 2011.
- Dolan, Terence Patrick (2004). A Dictionary of Hiberno-English. Dublin, Ireland: Gill & Macmillan. p. 210. ISBN 978-0-7171-4039-8. Retrieved 29 January 2011.
- SND: Shore Archived 12 November 2013 at the Wayback Machine
- Dolan, Terence Patrick (2004). A Dictionary of Hiberno-English. Dublin, Ireland: Gill & Macmillan. p. 236. ISBN 978-0-7171-4039-8. Retrieved 29 January 2011.
- O'Brien, Kate (1953). Needlework through history: an encyclopedia. Harper. p. 37. Retrieved 29 January 2011.
- "Making space in my brain to love new films". The Irish Times. 11 January 2011. Retrieved 28 February 2011.
- "Present Tense " Your handy guide to Irish cultural etiquette". The Irish Times. 11 January 2008. Retrieved 28 February 2011.
- A semantic and pragmatic examination ... – Google Books. Books.google.com. 1986. ISBN 978-3-87808-372-6. Retrieved 26 November 2010.
- Dialects across borders: selected ... – Google Books. Books.google.com. 2005. ISBN 978-90-272-4787-2. Retrieved 26 November 2010.
- Adger (2004)
- Adger, David (2003). Core Syntax: A Minimalist Approach. Oxford: Oxford University Press. ISBN 0-19-924370-0.
- Hickey, Raymond (1984). "Coronal Segments in Irish English". Journal of Linguistics. 20 (2): 233–250. doi:10.1017/S0022226700013876.
- ——— (2007). Irish English: History and Present-Day Forms. Cambridge, UK: Cambridge University Press. ISBN 0-521-85299-4.
- ——— (2007b). "Dartspeak and Estuary English: Advanced metropolitan speech in Ireland and England". In Ute Smit, Stefan Dollinger, Julia Hüttner, Ursula Lutzky, Gunther Kaltenböck (eds). Tracing English through time: explorations in language variation. Vienna: Braumüller, 179-190.
- Hickey, Raymond (ed.) (2016). Sociolinguistics in Ireland. Basingstoke: Palgrave Macmillan. ISBN 978-1-137-45347-1.CS1 maint: Extra text: authors list (link)
- Kortmann, Bernd; Schneider, Edgar W., eds. (2004). A Handbook of Varieties of English: CD-ROM. Walter de Gruyter. ISBN 3110175320.
|Wikisource has original text related to this article:|