God of love, lust and sex
|Symbol||Bow and arrows|
|Parents||Ares and Aphrodite, or Chaos as primordial god.|
|Siblings||Harmonia, Phobos, Deimos, and Anteros|
|Roman equivalent||Cupid, Amor|
In Greek mythology, Eros (UK: / /,, US: / /,; Ancient Greek: Ἔρως, "Desire") is the Greek god of love and sex. His Roman counterpart was Cupid ("desire"). In the earliest account, he is a primordial god, while in later accounts he is described as one of the children of Aphrodite and Ares and, with some of his siblings, was one of the Erotes, a group of winged love gods.
Cult and depiction
Eros appears in ancient Greek sources under several different guises. In the earliest sources (the cosmogonies, the earliest philosophers, and texts referring to the mystery religions), he is one of the primordial gods involved in the coming into being of the cosmos. In later sources, however, Eros is represented as the son of Aphrodite, whose mischievous interventions in the affairs of gods and mortals cause bonds of love to form, often illicitly. Ultimately, in the later satirical poets, he is represented as a blindfolded child, the precursor to the chubby Renaissance Cupid, whereas in early Greek poetry and art, Eros was depicted as a young adult male who embodies sexual power, and a profound artist.
A cult of Eros existed in pre-classical Greece, but it was much less important than that of Aphrodite. However, in late antiquity, Eros was worshiped by a fertility cult in Thespiae. In Athens, he shared a very popular cult with Aphrodite, and the fourth day of every month was sacred to him (also shared by Herakles, Hermes and Aphrodite).
Eros was one of the Erotes, along with other figures such as Himeros and Pothos, who are sometimes considered patrons of homosexual love between males. Eros is also part of a triad of gods that played roles in homoerotic relationships, along with Heracles and Hermes, who bestowed qualities of beauty (and loyalty), strength, and eloquence, respectively, onto male lovers.
According to Hesiod's Theogony (c. 700 BC), one of the most ancient of all Greek sources, Eros (the god of love) was the fourth god to come into existence, coming after Chaos, Gaia (the Earth), and Tartarus (the abyss).
The Orphic and Eleusinian Mysteries featured Eros as a very original god, but not quite primordial, since he was the child of Night (Nyx). Aristophanes (c. 400 BC), influenced by Orphism, relates the birth of Eros:
- At the beginning there was only Chaos, Night (Nyx), Darkness (Erebus), and the Abyss (Tartarus). Earth, the Air and Heaven had no existence. Firstly, blackwinged Night laid a germless egg in the bosom of the infinite deeps of Darkness, and from this, after the revolution of long ages, sprang the graceful Love (Eros) with his glittering golden wings, swift as the whirlwinds of the tempest. He mated in the deep Abyss with dark Chaos, winged like himself, and thus hatched forth our race, which was the first to see the light.
Son of Aphrodite and Ares
In later myths, he was the son of the deities Aphrodite and Ares: it is the Eros of these later myths who is one of the erotes. Eros was depicted as often carrying a lyre or bow and arrow. He was also depicted accompanied by dolphins, flutes, roosters, roses, and torches.[verification needed]
[Hera addresses Athena:] “We must have a word with Aphrodite. Let us go together and ask her to persuade her boy [Eros], if that is possible, to loose an arrow at Aeetes’ daughter, Medea of the many spells, and make her fall in love with Jason . . .” (Apollonius of Rhodes, Argonautica 3. 25 ff – a Greek epic of the 3rd century BC)
"Once, when Venus’ son [Eros] was kissing her, his quiver dangling down, a jutting arrow, unbeknown, had grazed her breast. She pushed the boy away. In fact the wound was deeper than it seemed, though unperceived at first. [And she became] enraptured by the beauty of a man [Adonis]." (Ovid, Metamorphoses 10. 525 ff.)
"Eros drove Dionysos mad for the girl [Aura] with the delicious wound of his arrow, then curving his wings flew lightly to Olympus. And the god roamed over the hills scourged with a greater fire.” (Nonnus, Dionysiaca 48. 470 ff – a Greek epic of the 5th century AD)
God of Friendship and Liberty
The Lacedaemonians offered sacrifices to Eros before they go to battle, thinking that safety and victory depend on the friendship of those who stand side by side in the battle. In addition, the Cretans offered sacrifices to Eros in their line of battle.
Eros and Psyche
The story of Eros and Psyche has a longstanding tradition as a folktale of the ancient Greco-Roman world long before it was committed to literature in Apuleius' Latin novel, The Golden Ass. The novel itself is written in a picaresque Roman style, yet Psyche retains her Greek name. Eros and Aphrodite are called by their Latin names (Cupid and Venus), and Cupid is depicted as a young adult, rather than a child.
The story tells of the quest for love and trust between Eros and Psyche. Aphrodite was jealous of the beauty of mortal princess Psyche, as men were leaving her altars barren to worship a mere human woman instead, and so she commanded her son Eros, the god of love, to cause Psyche to fall in love with the ugliest creature on earth. But instead, Eros falls in love with Psyche himself and spirits her away to his home. Their fragile peace is ruined by a visit from Psyche's jealous sisters, who cause Psyche to betray the trust of her husband. Wounded, Eros leaves his wife, and Psyche wanders the Earth, looking for her lost love. Eventually, she approaches Aphrodite and asks for her help. Aphrodite imposes a series of difficult tasks on Psyche, which she is able to achieve by means of supernatural assistance.
After successfully completing these tasks, Aphrodite relents and Psyche becomes immortal to live alongside her husband Eros. Together they had a daughter, Voluptas or Hedone (meaning physical pleasure, bliss).
In Greek mythology, Psyche was the deification of the human soul. She was portrayed in ancient mosaics as a goddess with butterfly wings (because psyche was also the Ancient Greek word for 'butterfly'). The Greek word psyche literally means "soul, spirit, breath, life or animating force".
Eros in music
Eros in art
Statue of Eros sleeping; 3rd–2nd century BC; bronze; 41.9 × 35.6 × 85.2 cm, 124.7 kg, height with base: 45.7 cm; Metropolitan Museum of Art (New York City)
The Victory of Eros; by Angelica Kauffman; 1750-1775; oil on canvas; Metropolitan Museum of Art
- A. Corso, Concerning the catalogue of Praxiteles' exhibition held in the Louvre. Conference paper presented at ИНДОЕВРОПЕЙСКОЕ ЯЗЫКОЗНАНИЕ И КЛАССИЧЕСКАЯ ФИЛОЛОГИЯ – 11 June 2007; p. 159
- Oxford Learner's Dictionaries: "Eros"
- Larousse Desk Reference Encyclopedia, The Book People, Haydock, 1995, p. 215.
- R. S. P. Beekes, Etymological Dictionary of Greek, Brill, 2009, p. 449.
- See the article Eros at the Theoi Project.
- "Eros", in S. Hornblower and A. Spawforth, eds., The Oxford Classical Dictionary.
- Mikalson, Jon D. (2015). The Sacred and Civil Calendar of the Athenian Year. Princeton University Press. p. 186. ISBN 9781400870325.
- Conner, Randy P.; Sparks, David Hatfield; Sparks, Mariya (1998). Cassell's Encyclopedia of Queer Myth, Symbol and Spirit. UK: Cassell. p. 133. ISBN 0-304-70423-7.
- Conner, Randy P.; Sparks, David Hatfield; Sparks, Mariya (1998). Cassell's Encyclopedia of Queer Myth, Symbol and Spirit. UK: Cassell. p. 132. ISBN 0-304-70423-7.
- Athenaeus, Deipnosophistae, 13.12 - Greek
- Athenaeus, Deipnosophistae, 13.12 - English
- Hesiod. Theogony, 116–122
- "First of all the gods she devised Erōs." (Parmenides, fragment 13.) (The identity of the "she" is unclear, as Parmenides' work has survived only in fragments.
- Aristophanes, Birds, lines 690–699. (Translation by Eugene O'Neill, Jr., Perseus Digital Library; translation modified.)
- Conner, p. 132, "Eros"
- Apuleius, The Golden Ass (Penguin Classics).
- Banegas, Fabio (2017). Jose Antonio Bottiroli, Complete Piano Works, Vol. 1 (First ed.). The US Library of Congress: Golden River Music. p. 49. ISMN 9790365524174. Retrieved 7 August 2020.
- Aristophanes, Birds. The Complete Greek Drama. vol. 2. Eugene O'Neill, Jr. New York. Random House. 1938. Online version at the Perseus Digital Library.
- Aristophanes, Aristophanes Comoediae edited by F.W. Hall and W.M. Geldart, vol. 2. F.W. Hall and W.M. Geldart. Oxford. Clarendon Press, Oxford. 1907. Greek text available at the Perseus Digital Library.
- "Eros." Cassells's Encyclopedia of Queer Myth, Symbol and Spirit Gay, Lesbian, Bisexual and Transgender Lore, 1997.
- Hesiod, Theogony from The Homeric Hymns and Homerica with an English Translation by Hugh G. Evelyn-White, Cambridge, MA.,Harvard University Press; London, William Heinemann Ltd. 1914. Online version at the Perseus Digital Library. Greek text available from the same website.
- Smith, William; Dictionary of Greek and Roman Biography and Mythology, London (1873). "Eros"
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