Edward Hodges Baily
|Born||10 March 1788|
Bristol, England, UK
|Died||22 May 1867 (aged 79)|
London, England, UK
|Awards||FRS, Turner Gold Medal|
Baily's father, who was a celebrated carver of figureheads for ships, destined him for a commercial life, but even at school the boy showed his natural taste and talents by producing numerous wax models and busts of his schoolfellows. At the age of fourteen Baily was placed in a mercantile house, where he worked for the next two years, though he still felt a strong leaning towards his artistic abilities. At the age of sixteen he abandoned his commercial career and began executing portraits in wax. Two Homeric studies, executed for a friend, were shown to John Flaxman, who bestowed on them such high commendation that in 1807 Baily came to London and placed himself as a pupil under the great sculptor. In 1809 he entered the Royal Academy Schools.
In 1811 he gained the Royal Academy gold medal for a model of Hercules restoring Alcestis to Admetus, and soon after exhibited Apollo discharging his Arrows against the Greeks and Hercules casting Lichas into the Sea.
From 1815 he was employed as a designer and modeller with the goldsmiths Rundell, Bridge and Rundell where he worked with William Theed the elder. Theed's son, William Theed the younger, was working in Baily's workshop for some years as a child.
He was elected ARA in 1817 and RA in 1821 when he exhibited one of his best pieces, Eve at the Fountain. He was entrusted with the carving of the bas-reliefs on the south side of the Marble Arch in Hyde Park, and executed numerous busts and statues of public figures, including the prominent, well-known statue of Nelson, at the top of Nelson's Column, in Trafalgar Square. In 1857, the year of his retirement from the Royal Academy, he also designed a Turner Gold Medal for Landscape Painting.
Baily's election as a fellow of the Royal Society (FRS) came in 1842. Amongst his pupils was William Theed (1804–1891), a leading Victorian sculptor who produced a number of portrait busts and the large group sculpture ‘’Africa’’ for the Albert Memorial in Kensington Gardens. Among Baily's assistants were Musgrave Watson (1804–1847) and Joseph Durham ARA (1814–1877).
Financial insecurity was a recurring theme in his life. He was first declared bankrupt in 1831, and again in 1838. On the first occasion questions were asked in Parliament on his behalf because his financial distress had resulted from delays in receiving payment for sculptures at Buckingham Palace. Fortunately his appeals to the Royal Academy for financial assistance, were successful in the 1830s, as again in the 1860s, when they provided him with a pension of £200 a year as an honorary retired RA.
Amongst Baily's many busts and statues of scientific, religious and literary figures (mostly from the Victorian period but some from earlier periods) are the following :
- Charles James Fox & Lord Mansfield – St.Stephen's Hall, Westminster, London
- Lord Byron – Harrow School; and Newstead Abbey, Nottinghamshire
- Michael Faraday – University Museum, Oxford
- Dr Isaac Watts – Dr Watts' Walk, Abney Park Cemetery, Stoke Newington, London
- Sir Robert Peel – Market Place, Bury
- Horatio, Viscount Nelson – on Nelson's Column, Trafalgar Square, London
- Philip John Miles – Holy Trinity, Abbots Leigh
- Richard Owen – Royal College of Surgeons
- Sir John Herschel – St. John's College, Cambridge
- Thomas Bewick – Literary & Philosophical Society, Newcastle upon Tyne
- Sir James Knott – as above
- George O'Brien Wyndham, 3rd Earl of Egremont – St.Mary's, Petworth, Sussex
- Charles, 2nd Earl Grey – Grey Street, Newcastle upon Tyne
- George Stephenson, National Railway Museum, York
- Eve at the Fountain – Art Gallery, Cambridge
- Eve at the Fountain – Bristol City Museum and Art Gallery
- Eve listening to Adam – Victoria and Albert Museum, London
- Governor Richard Bourke – State Library of New South Wales, Sydney
- Athena – Athenaeum Club, London
- Sir Thomas Picton – Carmarthen, Wales
- Chief Justice Tindal – Tindal Square, Chelmsford, Essex
- Sir Charles Metcalfe – Kingston, Jamaica
- Thomas Fleming, Manchester Cathedral
- Justice – Old Council House, Bristol
- A tablet with two marble full-length angels, to Samuel Paynter, of Richmond – Richmond Church.
Eve at the Fountain (1822), Bristol Museum and Art Gallery
The statue of Lord Nelson atop Nelson's Column
His nephew was William Hellier Baily, the paleontologist. Some of Edward Baily's descendants still live in Bristol, East Grinstead, the Isle of Wight, and in Canada today. Also, Cambridge.
- Edward Bowring Stephens (1815–1882)
|Wikimedia Commons has media related to Edward Hodges Baily.|
- Radford, Ernest (1885). Stephen, Leslie (ed.). Dictionary of National Biography. 2. London: Smith, Elder & Co. p. 427. . In
- Gunnis, Rupert; Dictionary of British Sculptors 1660–1851, The Abbey Library p. 32
- One or more of the preceding sentences incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Baily, Edward Hodges". Encyclopædia Britannica. 3 (11th ed.). Cambridge University Press. p. 221.
- Baily, Edward Hodges RA, in: A Biographical Dictionary of Sculptors in Britain, 1660-1851, Henry Moore Foundation
- Theed, William II, in: A Biographical Dictionary of Sculptors in Britain, 1660-1851, Henry Moore Foundation
- Cansick, Frederick Teague (1872). The Monumental Inscriptions of Middlesex Vol 2. J Russell Smith. p. 128. Retrieved 9 April 2021.
- Jordan, Caroline (June 2006), ""The very spirit of purity and chastity": Eve at the Fountain by Edward Hodges Baily", Sculpture Journal, 15 (1): 19–35, doi:10.3828/sj.15.1.2