Jurassic Park, also known as Jurassic World, is an American science fiction adventure media franchise. It focuses on the cloning of dinosaurs through ancient DNA, extracted from mosquitoes that have been fossilized in amber. The franchise explores the ethics of cloning and genetic engineering, and the morals behind bringing back extinct animals.
The franchise began in 1990, with the release of Michael Crichton's novel Jurassic Park. A film adaptation, also titled Jurassic Park, was directed by Steven Spielberg and was released in 1993. Crichton then wrote a sequel novel, The Lost World (1995), and Spielberg directed its film adaptation, The Lost World: Jurassic Park (1997). Subsequent films have been released, including Jurassic Park III in 2001, completing the original trilogy of films. A fourth installment, Jurassic World, was released in 2015, marking the beginning of a new trilogy. Its sequel, Jurassic World: Fallen Kingdom, was released in 2018. A sixth film, Jurassic World: Dominion, is scheduled for release in 2022, marking the conclusion of the second trilogy. A Jurassic World short film, Battle at Big Rock, was also released in 2019.
Theropod dinosaurs like Tyrannosaurus rex and Velociraptor have had major roles throughout the film series. Other species, including Brachiosaurus and Spinosaurus, have also played significant roles. The series has also featured other creatures such as Mosasaurus and members of the pterosaur group, both commonly misidentified by the public as dinosaurs. The various creatures in the films were created through a combination of animatronics and computer-generated imagery (CGI). For the first three films, the animatronics were created by special-effects artist Stan Winston and his team, while Industrial Light & Magic (ILM) handled the CGI for all the films. The first film garnered critical acclaim for its innovations in CGI technology and animatronics, and its modern portrayal of dinosaurs. Since Winston's death in 2008, the practical dinosaurs have been created by other artists, including Legacy Effects and Image Engine (Jurassic World), Neal Scanlan (Jurassic World: Fallen Kingdom), and John Nolan (Jurassic World: Dominion). Paleontologist Jack Horner served as the longtime scientific advisor on the films, and Steve Brusatte took over this role for Jurassic World: Dominion.
The various creatures in the Jurassic Park and Jurassic World films were created through a combination of animatronics and computer-generated imagery (CGI). For each of the films, Industrial Light & Magic (ILM) has handled dinosaur scenes that required CGI. Throughout the film series, ILM has studied large animals such as elephants and rhinos, for reference in designing the digital dinosaurs.
Jurassic Park series
Special-effects artist Stan Winston was hired to create animatronic dinosaurs for the original 1993 film, Jurassic Park. Director Steven Spielberg chose Winston after seeing his work on the Queen Alien in the 1986 film Aliens. Winston said the Queen was easy compared to a dinosaur animatronic: "The queen was exoskeletal, so all of its surfaces were hard. There were no muscles, no flesh, and there was no real weight to it. The alien queen also didn't have to look like a real, organic animal because it was a fictional character -- so there was nothing in real life to compare it to. There was just no comparison in the difficulty level of building that alien queen and building a full-size dinosaur." Winston's team spent much time perfecting the animatronics. They molded latex skin that was then fitted over the robotic models, forming the exterior appearance.
For certain scenes, Spielberg had considered using go motion dinosaurs created by visual-effects artist Phil Tippett. Spielberg was disappointed with the results and opted for ILM's digital dinosaurs instead, although Tippett and his team of animators remained with the project to supervise the dinosaur movements. Animatics and storyboards by Tippett were used by the film crew as reference for action sequences. The 127-minute film has 15 minutes of total screen time for the dinosaurs, including nine minutes of animatronics and six minutes of CGI animals. The film received critical acclaim for its innovations in CGI technology and animatronics. Among adults, the film generated an interest in dinosaurs, and it increased interest in the field of paleontology.
Winston and his team returned for the 1997 sequel, The Lost World: Jurassic Park, although the film relied more on CGI by ILM. The film features 75 computer-generated shots. While the first film showed that dinosaurs could be adequately recreated through special effects, the sequel raised the question of what could be done with the dinosaurs. Winston said, "I wanted to show the world what they didn't see in 'Jurassic Park': more dinosaurs and more dinosaur action. 'More, bigger, better' was our motto." Technology had not advanced much since the first film, although director Spielberg said that "the artistry of the creative computer people" had advanced: "There's better detail, much better lighting, better muscle tone and movement in the animals. When a dinosaur transfers weight from his left side to his right, the whole movement of fat and sinew is smoother, more physiologically correct." Besides animatronics, Winston's team also painted maquettes of dinosaurs that would subsequently be created through CGI.
Spielberg served as executive producer for each subsequent film. ILM and Winston returned for the 2001 film Jurassic Park III, directed by Joe Johnston. Winston's animatronics were more advanced than those used in previous films; they included the ability to blink, adding to the sense of realism. Animatronics were used for close-up shots. Winston's team took approximately 13 months to design and create the practical dinosaurs. The team also created dinosaur sculptures, which were then scanned by ILM to create the computer-generated versions of the animals.
Jurassic World series
Winston planned to return for a fourth film, which was ultimately released in 2015 as Jurassic World. Winston, who had been planning more-advanced special effects for the project, died in 2008 before the start of filming. Legacy Effects, founded by former members of Stan Winston Studios, provided an animatronic dinosaur for Jurassic World. Otherwise, the film's creatures were largely created through CGI, provided by ILM and Image Engine. New technology, such as subsurface scattering, allowed for greater detail in the creatures' skin and muscle tissue. According to Jurassic World director Colin Trevorrow, the film's animals were created from scratch because "technology has changed so much that everything is a rebuild". Some of the computer-generated creatures were created with motion capture, using human actors to perform the animals' movements. Jurassic World was the first dinosaur film to use motion capture technology.
ILM returned for the 2018 sequel, Jurassic World: Fallen Kingdom, which featured animatronics by special-effects artist Neal Scanlan. The film features more dinosaurs than any previous film, including several new ones not seen in earlier films. Jurassic World: Fallen Kingdom also features more animatronic dinosaurs than any previous sequel, and the animatronics used were more advanced than in previous films. Fallen Kingdom director J.A. Bayona said animatronics "are very helpful on set, especially for the actors so they have something to perform against. There's an extra excitement if they can act in front of something real."
Five animatronic dinosaurs were created for Fallen Kingdom, which features close interaction between humans and dinosaurs. Scanlan and his team of 35 people spent more than eight months working on the dinosaurs. Scanlan said animatronics were not best for every scene: "In some ways it will have an impact on your shooting schedule; you have to take time to film with an animatronic. In the balance, we ask ourselves if it is economically and artistically more valuable to do it that way, or as a post-production effect." Unlike the previous film, ILM determined that motion capture technology would not be adequate for depicting the film's dinosaurs.
The 2019 Jurassic World short film, Battle at Big Rock, utilized CGI and reference maquettes by ILM, and an animatronic by Legacy Effects. The 2022 film Jurassic World: Dominion used more animatronics than the previous Jurassic World films. The animatronics were created by John Nolan.
The franchise's premise involves the cloning of dinosaurs through ancient DNA, extracted from mosquitoes that sucked the blood of such animals and were then fossilized in amber, preserving the DNA. Later research showed that this would not be possible due to the degradation of DNA. In addition, the type of mosquito used in the first film, Toxorhynchites rutilus, does not actually suck blood. The premise presents other issues as well. Michael Crichton's 1990 novel Jurassic Park and its film adaptation both explain that gene sequence gaps were filled in with frog DNA, although this would not result in a true dinosaur. The novel uses artificial eggs to grow the dinosaurs, while the film uses ostrich eggs, although neither would be suitable for development.
In creating Jurassic Park, Spielberg wanted to accurately portray the dinosaurs, and paleontologist Jack Horner was hired to ensure such accuracy. Tippett, a dinosaur enthusiast, also helped to keep the dinosaur portrayals realistic. The film followed the theory that dinosaurs had evolved into birds, and it was praised for its modern portrayal of dinosaurs, although Horner said that there were still many inaccuracies. However, he noted that the film is not a documentary and said he was "happy with having some fiction thrown in".
Horner and Spielberg would discuss ways to combine scientific facts with fictional elements, the latter being for entertainment purposes. Horner said "if I could demonstrate that something was true or not true, then he would go with that, but if I had some question about it and we didn't really have much evidence about it, he would go with whatever he thought would make the best movie." Horner returned as a paleontological consultant for the next four films. For The Lost World: Jurassic Park, Spielberg largely followed Horner's advice regarding dinosaur accuracy, but some exceptions were made. Winston's team closely modelled the dinosaurs based on paleontological facts, or theories in certain cases where facts were not definitively known. In Jurassic Park III, the character Dr. Alan Grant, a paleontologist, states that the resurrected dinosaurs are not authentic but rather are "genetically engineered theme park monsters".
Before the release of Jurassic World, new research had shown that real dinosaurs were more colorful than they were in the films. Horner said that Spielberg "has made the point several times to me that colorful dinosaurs are not very scary. Gray and brown and black are more scary." Horner considered the colors to be the most inaccurate aspect of the films' dinosaurs. In addition, the dinosaurs are often depicting roaring, although Horner considered this unrealistic, saying, "Dinosaurs gave rise to birds, and birds sing. I think most of the dinosaurs actually sang rather than growled."
Despite new dinosaur discoveries, the sequels largely kept the earlier dinosaur designs for continuity with the previous films. Paleontologists were disappointed with the outdated dinosaur portrayals in Jurassic World, including the lack of feathered dinosaurs, although they acknowledged that it is a work of fiction. Trevorrow said that Jurassic World was not meant as a documentary film: "It is very inaccurate — it's a sci-fi movie." The film itself includes a scene stating that any inaccuracies in the dinosaurs can be attributed to the fact that they are genetically engineered animals. Trevorrow noted that the dinosaurs in the franchise – going back to Crichton's novels Jurassic Park and The Lost World (1995) – were partially recreated with frog DNA, stating "those weren't 'real' dinosaurs, any of them."
For Jurassic World: Fallen Kingdom, ILM consulted with paleontologists and did extensive research to accurately depict the dinosaurs. Dinosaur expert John Hankla, of the Denver Museum of Nature and Science, served as an advisor on the film, and also provided several dinosaur fossil recreations for the film. Horner said that his own involvement on Fallen Kingdom was minimal. Paleontologist Steve Brusatte was hired as the science consultant for Jurassic World: Dominion.
Table of appearances
|Species||Jurassic Park||The Lost World:
|Jurassic Park III||Jurassic World||Jurassic World:
|Battle at Big Rock|
List of creatures
The following list includes on-screen appearances. Some animals listed here have also made prior appearances in the novels.
Ankylosaurus also appears in Jurassic World, as Trevorrow considered the dinosaur to be among his favorites. It is one of several creatures that Trevorrow felt was deserving of a substantial scene. In the film, an Ankylosaurus is killed by the Indominus rex. Trevorrow stated that the dinosaur's death was an example of moments in the film "that are designed to really make these creatures feel like living animals that you can connect to. Especially since so many of the themes in the film involve our relationship with animals on the planet right now, I wanted them to feel real."
In Jurassic World: Fallen Kingdom, several Ankylosaurus flee from a volcanic eruption and at least one is captured by mercenaries. It is later auctioned off to a wealthy individual. Several Ankylosaurus escaped the Lockwood Manor Estate grounds alongside the other dinosaurs.
In the novel Jurassic Park, Apatosaurus is the first group of dinosaurs seen on the island. It is replaced by Brachiosaurus in the film adaptation. Apatosaurus also appears in the sequel novel The Lost World, but is absent from its film adaptation.
Apatosaurus makes its first film appearance in Jurassic World, with several individuals being featured, including one depicted by an animatronic. Unlike earlier films which featured numerous animatronics, the Apatosaurus was the only one created for Jurassic World. Producer Patrick Crowley was initially hesitant to have an animatronic built because of the high cost, but Trevorrow persuaded him that fans of the series would enjoy it. The animatronic, built by Legacy Effects, consisted of a seven-foot (2.1 m)-long section of the dinosaur's neck and head. It was used for a close-up shot depicting the animal's death, after it had been injured in a dinosaur attack. Audio recordings of a Harris's hawk were used for the moans of the wounded Apatosaurus.
To animate the Apatosaurus, ILM used elephants as an example. Glen McIntosh, the animation supervisor for ILM, stated that "there are no existing animals that have such large necks, but in terms of the size and steps they're taking, elephants are an excellent example of that. Also the way their skin jiggles and sags. You also have impact tremors that rise up through their legs as they take steps." Originally, Legacy Effects only created a small model of the Apatosaurus for use in the film, but executive producer Steven Spielberg decided that a larger model would be better. The original model was scanned into a computer, allowing artists to create a larger 3-D model needed for the film.
In the first Jurassic Park film, a Brachiosaurus is the first dinosaur seen by the park's visitors. The scene was described by Empire as the 28th most magical moment in cinema. A later scene depicts characters in a high tree, interacting with a Brachiosaurus. This scene required the construction of a 7.5-foot-tall puppet that represented the animal's upper neck and head. The film inaccurately depicts the species as having the ability to stand on its hind legs, allowing it to reach high tree branches. The dinosaur is also inaccurately depicted as chewing its food, an idea that was added to make it seem docile like a cow. Whale songs and donkey calls were used for the Brachiosaurus sounds, although scientific evidence showed that the real animal had limited vocal abilities. Brachiosaurus appears again in Jurassic Park III, created by ILM entirely through CGI.
Brachiosaurus returns in Jurassic World: Fallen Kingdom, including a scene in which one individual is stranded on Isla Nublar and dies in a volcanic eruption. Director J. A. Bayona stated that this Brachiosaurus is meant to be the same one that is first seen in the original Jurassic Park. For Fallen Kingdom, the Brachiosaurus was created using the same animations from the first film. The Brachiosaurus death was the last shot on the film to be finished. Bayona and the post-production team struggled to perfect the CGI, with only several days left to complete the scene. They worked through the final night to perfect the colors and composition, shortly before the film's release. Fans and film critics considered the dinosaur's death scene sad. Reviewers described its death as "poignant" or "haunting", particularly given the species' role in the first film.
Their first film appearance is in The Lost World: Jurassic Park. In the film, the character Dr. Robert Burke, a paleontologist, identifies the dinosaur as Compsognathus triassicus, which in reality is a non-existent species; the film combined the names of Compsognathus longipes and Procompsognathus triassicus. In the film, Compsognathus are depicted as small carnivorous theropods which attack in packs.
The Compsognathus were nicknamed "Compies" by Winston's crew. Dennis Muren, the film's visual effects supervisor, considered Compsognathus the most complex digital dinosaur. Because of their small size, the Compies had their entire body visible onscreen and thus needed a higher sense of gravity and weight. A simple puppet of the Compsognathus was used in the film's opening scene, in which the dinosaurs attack a little girl. Later in the film, they kill the character Dieter Stark, who is played by Peter Stormare. For Stark's death scene, Stormare had to wear a jacket with numerous rubber Compies attached.
Compsognathus make brief appearances in all subsequent films, with the exception of Jurassic World. In the novels, Procompsognathus is depicted with the fictitious feature of a venomous bite, although such a trait is not mentioned regarding their onscreen counterparts. Compsognathus will return in the 2022 film Jurassic World: Dominion.
A fictionalized version of Dilophosaurus appears in the first novel and its film adaptation, both depicting it with the ability to spit venom. The film's Dilophosaurus also has a fictionalized neck frill that retracts, and the dinosaur was made significantly smaller to ensure that audiences would not confuse it with the velociraptors. While the real Dilophosaurus was thought to have stood at around 10 feet high, the animatronic was only four feet in height. In addition to the animatronic, a set of legs was also created for a shot in which the Dilophosaurus hops across the screen. No CGI was used in creating the Dilophosaurus. The animatronic model was nicknamed "Spitter" by Winston's team. A paintball mechanism was used to spit the venom, which was a mixture of methacyl, K-Y Jelly, and purple food coloring. The dinosaur's vocal sounds are a combination of a swan, a hawk, a howler monkey, and a rattlesnake. In both the novel and its film adaptation, a Dilophosaurus kills the character Dennis Nedry.
Dilophosaurus was popularized by its film appearance in Jurassic Park, but is considered the most fictionalized dinosaur in the film. Horner, in 2013, described Dilophosaurus as a good dinosaur to "make a fictional character out of, because I think two specimens are known, and both of them are really crappy. They're not preserved very well." Paleontologist Scott Persons later said that the Dilophosaurus is the most controversial dinosaur depiction in the film series: "A lot of paleontologists get very, very upset about Dilophosaurus."
In Jurassic World, a Dilophosaurus appears as a hologram in the theme park's visitor center. The dinosaur's venom is also referenced in a comedic tour video featured in the film, in which tour guide Jimmy Fallon is paralyzed by the venom.
A living Dilophosaurus was intended to appear in Jurassic World: Fallen Kingdom, but the scene was never filmed, as director Bayona decided that it was not necessary. The scene, set on board the Arcadia ship, would depict the characters Owen and Claire encountering a Dilophosaurus in a cage. Bayona believed that the Arcadia scenes were long enough already. Dilophosaurus appears in Jurassic World: Fallen Kingdom only as a diorama, on display at Benjamin Lockwood's estate.
Dimorphodon, a type of pterosaur, appears in Jurassic World, marking its first appearance in the series. In the film, the species launch an attack on tourists after being released from an aviary. Through motion capture, dwarf actor Martin Klebba stood in as a Dimorphodon during a scene in which one of the creatures tries to attack Owen. A full-scale Dimorphodon head was also created. The sound of baby brown pelicans were used as the vocal effects for the dimorphodons.
A group of running Gallimimus is featured in the first film, and is encountered by the character of Dr. Alan Grant along with Lex and Tim. The Gallimimus were created by ILM entirely through CGI. It was the first dinosaur to be digitized. The Gallimimus design was based on ostriches, and the animators also referred to footage of herding gazelles. In the ILM parking lot, animators were filmed running around to provide reference for the dinosaurs' run, with plastic pipes standing in for a fallen tree that the Gallimimus jump over. One of the animators fell while trying to make the jump, and this inspired the incorporation of a Gallimimus also falling. Horse squeals were used to provide the Gallimimus vocal sounds.
Gallimimus returns in Jurassic World, in which a running herd is depicted during a tour. The scene is a reference to the dinosaur's appearance in the first film. This new Gallimimus scene was created by Image Engine. The company's artists often viewed the species' appearance in the first film for reference. Jeremy Mesana, the animation supervisor for Imagine Engine, said, "We were always going back and staring at that little snippet from the first film. It was always interesting trying to find the feeling of the Gallimimus. Trying to capture the same essence of that original shot was really tricky." By the time Jurassic World was created, scientists had found that Gallimimus had feathers, although this trait is absent from the film.
Indominus rex is a fictional dinosaur in Jurassic World. It is a genetically modified hybrid (or transgenic) dinosaur, made up of DNA from various animals. It is created by the character Dr. Henry Wu to boost theme-park attendance. In the film, it is stated that the dinosaur's base genome is a T. rex, and that it also has the DNA of a Velociraptor, a cuttlefish, and a tree frog. The film's promotional website states that the creature also has the DNA of a Carnotaurus, a Giganotosaurus, a Majungasaurus, and a Rugops. Trevorrow said the mixed DNA allowed the animal to have attributes "that no dinosaur was known to have".
The Indominus is white in color. It can sense thermal radiation, and has the ability to camouflage itself thanks to its cuttlefish DNA. Carnotaurus was previously depicted in Crichton's novel The Lost World with the same ability to camouflage. Other characteristics of the Indominus include its long arms, raptor claws, and small thumbs. It is able to walk on four legs. ILM's animation supervisor, Glen McIntosh, said, "The goal was to always make sure she felt like a gigantic animal that was a theropod but taking advantage of its extra features." Therizinosaurus inspired the long forelimbs of the Indominus. Horner rejected an early idea that the dinosaur could be depicted as bulletproof, but he otherwise told Trevorrow to add any attributes that he wanted the animal to have. Trevorrow and Horner began with a list of possible characteristics and then gradually narrowed it down. Trevorrow said, "These kind of things were often decided by the needs of the narrative. If it was going to pick up a guy and bite his head off, it was going to need thumbs." Trevorrow wanted the Indominus to look like it could be an actual dinosaur, while Horner was disappointed that the dinosaur did not look more extreme, saying that he "wanted something that looked really different".
In an earlier draft of the script, the film's dinosaur antagonist was depicted as a real animal despite being a non-existent species in reality. Trevorrow chose to make the antagonist a genetically modified hybrid dinosaur named Indominus rex, maintaining consistency with earlier films which had generally incorporated the latest paleontological discoveries. He said, "I didn't wanna make up a new dinosaur and tell kids it was real". Fans were initially concerned upon learning that the film would feature a hybrid dinosaur, but Trevorrow said that the concept was "not tremendously different" from dinosaurs in earlier films, in which the animals were partially recreated with frog DNA. He described a hybrid dinosaur as "the next level", and said "we aren't doing anything here that Crichton didn't suggest in his novels." Horner considered the concept of transgenic dinosaurs to be the most realistic aspect of the film, saying it was "more plausible than bringing a dinosaur back from amber."
Trevorrow said the behavior of the Indominus was partially inspired by the 2013 film Blackfish, saying that the dinosaur "is kind of out killing for sport because it grew up in captivity. It's sort of, like, if the black fish orca got loose and never knew its mother and has been fed from a crane." In the film, it is stated that there were initially two Indominus individuals, and that one cannibalized its sibling. Fifth scale maquettes of the Indominus rex were created for lighting reference. Motion capture was initially considered for portraying the Indominus, although Trevorrow felt that the method did not work well for the dinosaur. The animal sounds used to create the Indominus roars included those from big pigs, whales, beluga whales, dolphins, a fennec fox, lions, monkeys, and walruses.
The name Indominus rex is derived from the Latin words indomitus meaning "fierce" or "untameable" and rex meaning "king". The creature is sometimes referred to as the I. rex for short, although producer Frank Marshall stated that the film crew abbreviated the name as simply Indominus. Among the public, the Indominus rex was occasionally known during production as Diabolus rex, a name that Trevorrow made up to maintain secrecy on the film prior to its release.
In the film, the character Hoskins proposes making miniature versions of the Indominus as military weapons. The Indominus rex is killed during a battle with a T. rex, a Velociraptor, and a Mosasaurus.
In the sequel, Jurassic World: Fallen Kingdom, DNA is retrieved from the Indominus rex skeleton and is used alongside Velociraptor DNA to create the Indoraptor.
Indoraptor is a fictional hybrid dinosaur in Jurassic World: Fallen Kingdom. It is made by combining the DNA from the Indominus rex and a Velociraptor. In the film, it is created by Dr. Henry Wu as a weaponized animal. The creature escapes at Benjamin Lockwood's estate and kills several people, before battling Blue, a Velociraptor. The Indoraptor eventually falls to its death when it is impaled on the horn of a ceratopsian skull, on display in Lockwood's library of dinosaur skeletons.
The Indoraptor has long human-like arms, which Spielberg considered to be the animal's scariest trait. It is depicted as a facultative biped  with a height of approximately 10 ft (3.0 m) tall while standing on two legs. It is portrayed as 23 feet (7.0 m) long and weighing about 2,200 pounds (1,000 kg). The front teeth and long claws were inspired by Count Orlok in Nosferatu. Bayona chose black for the dinosaur's color to give the appearance of a black shadow, saying "it's very terrifying when you see the Indoraptor in the dark because you can only see the eyes and the teeth." Initially, the film was to feature two Indoraptors, one black and one white. The black Indoraptor would kill the white one, in what Bayona considered similar to Cain and Abel. The white Indoraptor was ultimately removed from the script as the story was considered detailed enough without it.
The Indoraptor was primarily created through CGI, although close-up shots used a practical head, neck, shoulders, foot and arm. Neal Scanlan provided the animatronics. An inflatable Indoraptor stand-in, operated by two puppeteers on set, was used for some scenes, with CGI replacing it later in production. David Vickery, ILM's visual effects supervisor, said that Bayona wanted the Indoraptor to look "malnourished and slightly unhinged".
Bayona incorporated elements from the 1931 film Frankenstein as he wanted to give the Indoraptor the feel of a "rejected creature". Bayona said, "There's something of that in the way we introduce the character, the Indoraptor, this kind of laboratory in the underground facilities at the end of a long corridor, inside a cell. It has this kind of Gothic element that reminds me a little bit of the world of Frankenstein, this kind of Gothic world. And we have also references of people with mental illness, like this kind of shake you see from time to time. It's kind of like a nervous tic that the Indoraptor has, and it's taken from real references of mentally ill people".
The Indoraptor is the last hybrid dinosaur of the Jurassic World trilogy.
Mosasaurus appears in Jurassic World, as the first aquatic reptile in the films. Earlier drafts for Jurassic Park III and Jurassic Park IV (later Jurassic World) had featured the aquatic reptile Kronosaurus. The Mosasaurus was suggested by Trevorrow, as part of a theme-park feeding show in which park-goers watch from bleachers as the animal leaps out of a lagoon and catches its prey: a shark hanging above the water. The park guests are then lowered in the bleacher seats for a view of the mosasaur's aquatic habitat. The Mosasaurus was designed to resemble the dinosaurs designed by Winston for the earlier films. Trevorrow said, "We made sure to give her a look and a kind of personality in the way we designed her face that recalled Stan Winston's designs for many of the other dinosaurs in this world. She looks like a Jurassic Park dinosaur." Audio recordings of a walrus and a beluga whale provided the Mosasaurus roars.
Some criticized the Mosasaurus for appearing to be twice the size of the largest known species. Horner said "the size of this one is a little out of proportion, but we don't know the ultimate size of any extinct animal." The film inaccurately depicts the Mosasaurus with scutes along its back, a trait that was based on outdated depictions of the creature.
Pachycephalosaurus appears in The Lost World and its film adaptation. For the film, it was created as a five-foot-tall dinosaur measuring eight feet long. Three versions of the Pachycephalosaurus were created for filming: a full hydraulic puppet, a head, and a head-butter. The latter was built to withstand high impact for a scene in which the dinosaur head-butts one of the hunter vehicles. The Pachycephalosaurus puppet was one of the most complex created for the film, and was used for a scene in which the dinosaur is captured. The legs of the puppet were controlled through pneumatics. Among the public, Pachycephalosaurus is the best-known member of the Pachycephalosauria clade, in part because of its appearance in The Lost World: Jurassic Park.
In Jurassic World, a Pachycephalosaurus briefly appears on a surveillance screen inside the park's control room.
Pteranodon, a pterosaur, makes a brief appearance at the end of The Lost World: Jurassic Park. Earlier drafts of the script had featured Pteranodon in a larger role, and Spielberg insisted to Jurassic Park III director Joe Johnston that he include the creature in the third film. Pteranodon is prominently featured in Jurassic Park III, although it is a fictionalization of the actual animal, and it has a different appearance to those seen in The Lost World: Jurassic Park. In the third film, a group of Pteranodons are kept in an aviary on Isla Sorna. The idea of a pterosaur aviary had originated in Crichton's original Jurassic Park novel. An earlier draft of the film had included a storyline about Pteranodons escaping to the Costa Rican mainland and killing people there.
The Pteranodons in Jurassic Park III were created through a combination of animatronics and puppetry. Winston's team created a Pteranodon model with a wingspan of 40 feet, although the creatures are predominantly featured in the film through CGI. To create the flight movements, ILM animators studied footage of flying bats and birds, and also consulted a Pteranodon expert. Winston's team also designed and created five rod puppets to depict baby Pteranodons in a nest, with puppeteers working underneath the nest to control them. The third film ends with a shot of escaped Pteranodons flying away from the island. Johnston wanted an ending shot of "these creatures being beautiful and elegant". He denied, then later suggested, that the fleeing Pteranodons would be included in the plot for a fourth film. Promotional material for the Jurassic World films later explained that the escaped Pteranodons were killed off-screen after reaching Canada.
Another variation of Pteranodon is featured in Jurassic World, which also depicts them living in an aviary. They are later inadvertently freed by the Indominus rex and wreak havoc on the park's tourists. For Jurassic World, the Pteranodon vocal effects were created using audio recordings of a mother osprey, defending her chicks against another individual.
Pteranodons make an appearance in a post-credits scene for Jurassic World: Fallen Kingdom. The scene is set at the Paris Las Vegas resort, where escaped Pteranodons land atop the resort's Eiffel Tower.
A Pteranodon makes a brief appearance in the short film Battle at Big Rock.
Spinosaurus is introduced in Jurassic Park III and appears throughout the film, which popularized the animal. After the two previous movies, the filmmakers wanted to replace the T. rex with a new dinosaur antagonist. Baryonyx was originally considered, before Horner convinced the filmmakers to go with his favorite carnivorous dinosaur: Spinosaurus, an animal larger than the T. rex. Spinosaurus had a distinctive sail on its back; Johnston said, "A lot of dinosaurs have a very similar silhouette to the T-Rex ... and we wanted the audience to instantly recognize this as something else".
Winston's team created the Spinosaurus over a 10-month period, beginning with a 1/16 maquette version. This was followed by a 1/5 scale version with more detail, and eventually the full-scale version. The Spinosaurus animatronic was built from the knees up, while full body shots were created through CGI. The animatronic measured 44 feet long, weighed 13 tons, and was faster and more powerful than the 9-ton T. rex. Winston and his team had to remove a wall to get the Spinosaurus animatronic out of his studio. It was then transported by flatbed truck to the Universal Studios Lot, where a sound stage had to be designed specifically to accommodate the large dinosaur. The Spinosaurus was placed on a track that allowed the creature to be moved backward and forward for filming. Four Winston technicians were required to fully operate the animatronic. For a scene in which the Spinosaurus stomps on a crashed airplane, Winston's team created a full-scale Spinosaurus leg prop, controlled by puppeteers. The leg, suspended in the air by two poles, was slammed down into a plane fuselage prop for a series of shots.
The film's Spinosaurus was based on limited records suggesting what the actual animal had looked like. A scene in the film depicts the Spinosaurus swimming, an ability that the real animal was believed to have possessed at the time. Later research proved this theory, suggesting that the animal was primarily an aquatic dinosaur, whereas the film version was depicted largely as a land animal.
In Jurassic Park III, the Spinosaurus kills a T. rex during battle. Some fans of the Jurassic Park series were upset with the decision to kill the T. rex and replace it. Horner later said that the dinosaur would not have won against a T. rex, believing it was likely that Spinosaurus only ate fish.
A skeleton of Spinosaurus is featured in Jurassic World, on display in the theme park. The skeleton is later destroyed when a T. rex is set free and smashes through it, meant as revenge for the earlier scene in Jurassic Park III.
Stegoceratops is a hybrid dinosaur with the body of a Stegosaurus and the head of a Triceratops. It makes only a brief appearance near the end of Jurassic World, when an image of the dinosaur is visible on a computer screen in Dr. Henry Wu's laboratory. An early draft of the film had a scene where Owen and Claire came across the Stegoceratops in the jungle on Isla Nublar. The Stegoceratops would have joined the Indominus rex as a second hybrid dinosaur. However, Trevorrow decided to remove the animal from the final script after his son convinced him that having multiple hybrids would make the Indominus less unique.
Although the dinosaur is largely removed from the film, a toy version was still released by Hasbro, which produced a toyline based on Jurassic World. Trevorrow, discussing his decision to remove the Stegoceratops, said, "The idea that there was more than one made it feel less like the one synthetic among all the other organics, and suddenly it seemed entirely wrong to have it in the movie. I suddenly hated the idea but the toy still exists as a kind of remnant because Hasbro toys are locked a year out." The dinosaur also appears in the video games Jurassic World: The Game (2015) and Jurassic World Evolution (2018). Outside of the franchise, a Stegoceratops had also appeared in the film Yor, the Hunter from the Future (1983) where it was coincidentally referred to by that name.
Stegosaurus appears in the Jurassic Park novel but was replaced by Triceratops for the film adaptation. The dinosaur's name (misspelled as "Stegasaurus") is seen on an embryo cooler label in the film, but the animal is otherwise absent. Stegosaurus instead made its film debut in The Lost World: Jurassic Park, after writer David Koepp took a suggestion from a child's letter to include the dinosaur. According to Spielberg, Stegosaurus was included due to "popular demand". In the film, a group of adult Stegosaurus attack Dr. Sarah Harding when they spot her taking pictures of their baby, believing that she is trying to harm it. Stegosaurus is among other dinosaurs that are captured later in the film.
Full-sized versions of an adult and infant Stegosaurus were built by Winston's team, although Spielberg later opted for a digital version of the adults, so they could be more mobile. Winston's adult stegosaurs were 26 feet long and 16 feet tall. The adults were not used due to mobility issues and safety concerns. Winston's adult Stegosaurus is only shown in a brief shot, in which the animal is caged. The baby Stegosaurus was eight feet long and weighed 400 pounds.
Stegosaurus has appeared briefly in each film since then. For Jurassic World, ILM studied the movements of rhinos and elephants, and copied their movements when animating the Stegosaurus. The film inaccurately depicts Stegosaurus dragging its tail near the ground, unlike previous films.
The animal makes a brief return in the short film Battle at Big Rock.
Triceratops makes an appearance in the first film as a sick dinosaur, taking the place of the novel's Stegosaurus. Triceratops was a childhood-favorite of Spielberg's. The Triceratops was portrayed through an animatronic created by Winston's team. Winston was caught off-guard when Spielberg decided to shoot the Triceratops scene sooner than expected. It took eight puppeteers to operate the animatronic. The Triceratops would end up being the first dinosaur filmed during production. Aside from the adult Triceratops, a baby had also been created for the character of Lex to ride around on, but this scene was cut to improve the film's pacing. To create the Triceratops vocals, sound designer Gary Rydstrom breathed into a cardboard tube and combined the sound with that of cows near his workplace at Skywalker Ranch.
Triceratops makes brief appearances in each of the subsequent films. In The Lost World: Jurassic Park, a baby Triceratops was created by Winston's team for a shot depicting the animal in a cage. For its appearance in Jurassic World, the ILM animators studied rhinos and elephants, as they did with the Stegosaurus. In the film, Triceratops is depicted galloping, although the real animal was sluggish and would not have been able to do so.
An adult and baby Triceratops appear in Jurassic World: Fallen Kingdom.
Tyrannosaurus rex is the primary dinosaur featured in the novels and throughout the film series. For the first film, Winston's team created an animatronic T. rex that stood 20 feet (6.1 m), weighed 17,500 pounds (7,900 kg), and was 40 feet (12 m) long. At the time, it was the largest sculpture ever made by Stan Winston Studio. The studio building had to be modified for the construction of the animatronic. Horner called it "the closest I've ever been to a live dinosaur". The animatronic was used in a scene set during a storm, depicting the T. rex as it breaks free from its enclosure. Shooting the scene was difficult because the foam rubber skin of the animatronic would absorb water, causing the dinosaur to shake from the extra weight. In between takes, Winston's team had to dry off the dinosaur in order to proceed with filming. Winston's team initially created a miniature sculpture of the T. rex, serving as a reference for the construction of the full-sized animatronic. ILM also scanned the miniature sculpture for CGI shots of the animal.
One scene in the film depicts the T. rex chasing a Jeep. Animator Steve Williams said he decided to "throw physics out the window and create a T. rex that moved at sixty miles per hour even though its hollow bones would have busted if it ran that fast". In the film, it is stated that the T. rex has been recording running as fast as 32 miles per hour, although scientists believe that its actual top speed would have ranged from 12 to 25 miles per hour. In the novel and its film adaptation, it is stated that the T. rex has vision based on movement. However, later studies indicate that the dinosaur had binocular vision, like a bird of prey. The T. rex roar was created by combining the sounds of a baby elephant, a tiger, and an alligator.
In the first film, the T. rex was originally supposed to be killed off. Halfway through filming, Spielberg realized that the T. rex was the star of the film and decided to have the script changed just before shooting the death scene. The changes resulted in the final ending, in which the T. rex inadvertently saves the human characters by killing a pack of velociraptors. Spielberg had the ending changed out of fear that the original ending, without the T. rex, would disappoint audiences.
A Tyrannosaurus family is featured in the film sequel The Lost World: Jurassic Park. The original T. rex animatronic from the first film was re-used for the sequel, and Winston's team also built a second adult. The adult animatronics were built from head to mid-body, while full body shots were created through CGI. The animatronics weighed nine tons each and cost $1 million apiece.
Michael Lantieri, the film's special effects supervisor, said, "The big T. rex robot can pull two Gs of force when it's moving from right to left. If you hit someone with that, you'd kill them. So, in a sense, we did treat the dinosaurs as living, dangerous creatures." The adult animatronics were used for a scene in which the dinosaurs smash their heads against a trailer, causing authentic damage to the vehicle rather than using computer effects. As part of this sequence, an 80-foot track was built into the sound stage floor, allowing the T. rexes to be moved backward and forward. The adult T. rexes could not be moved from their location on the sound stage, so new sets had to be built around the animatronics as filming progressed. Animatronics were primarily used for a scene in which the T. rexes kill the character Eddie, with the exception of two CGI shots: when the animals emerge from the forest and when they tear Eddie's body in half. Otherwise, animatronics were used for shots in which the animals tear the vehicle apart to get to Eddie. Filming the scene with the animatronics required close collaboration with a stunt coordinator. An animatronic T. rex was also used in scenes depicting the deaths of Dr. Robert Burke and Peter Ludlow.
As in the novel The Lost World, a baby T. rex is also depicted in the film adaptation, through two different practical versions, including a remote-controlled version for the actors to carry. A second, hybrid version was operated by hydraulics and cables; this version was used during a scene in which the dinosaur lays on an operating table while a cast is set on its broken leg. Weeks before filming began, Spielberg decided to change the ending to have an adult T. rex rampage through San Diego, saying, "We've gotta do it. It's too fun not to."
A T. rex appears in Jurassic World and is meant to be the same individual that appeared in the first film. Trevorrow said "we took the original design and obviously, technology has changed. So, it's going to move a little bit differently, but it'll move differently because it's older. And we're giving her some scars and we're tightening her skin. So, she has that feeling of, like, an older Burt Lancaster." Motion capture was used to portray the T. rex, and a full scale foot was created for lighting reference and to help with framing shots. Following the film's release, fans began referring to the individual as "Rexy". Phil Tippett had worked on storyboards for the original film and had referred to the T. rex as "Roberta".
The same T. rex returns in Jurassic World: Fallen Kingdom. For its appearance, ILM sent Neal Scanlan the T. rex model previously used for Jurassic World. Using the model, Scanlan created a full-scale 3D print of the T. rex head and shoulders. The life-sized T. rex animatronic, which had the ability to breathe and move its head, was controlled with joysticks. It was used for a scene where the sedated T. rex is inside a cage, while Owen and Claire attempt to retrieve blood from it for a transfusion. The beginning shots of the scene were created using only the animatronic, while the ending shots solely used CGI. The middle portion of the scene used a combination of the two methods. Trevorrow said about the dinosaur, "We've been following this same character since the beginning; she's the same T. rex that was in Jurassic Park and in Jurassic World. She is iconic—not just because she's a T. rex, but because she's this T. rex."
The physical appearance of the T. rex in the Jurassic World films is contrary to new discoveries about the dinosaur. Paleontologists, by that point, believed that the animal was partially covered in colorful feathers. For consistency, the films have also continued to depict the dinosaur with its wrists pointing downward at an unnatural angle, whereas the real animal had its wrists facing sideways toward each other.
Velociraptor is depicted in the franchise as an intelligent pack hunter. It has major roles in the novels and the films, both of which depict it as being bigger than its real-life counterpart. The franchise's velociraptors are actually based on the Deinonychus, but, are larger than the latter. In writing Jurassic Park, Crichton was partly inspired by Gregory S. Paul's 1988 book Predatory Dinosaurs of the World, which mislabeled Deinonychus as a Velociraptor subspecies.
John Ostrom, who discovered Deinonychus, was also consulted by Crichton for the novel, and later by Spielberg for the film adaptation. Ostrom said that Crichton based the novel's Velociraptors on Deinonychus in "almost every detail", but chose the name Velociraptor because he thought it sounded more dramatic. Crichton's version of the animal, depicted at 6 feet (1.8 m) tall, was carried over into the film adaptation. The film also states that Velociraptors are 9 feet (2.7 m) long. The Utahraptor, however, was a more accurate dinosaur in size, length, and height comparison to the franchise's Velociraptors; it was discovered shortly before the 1993 release of Jurassic Park's film adaptation. Winston joked, "After we created it, they discovered it." Like their fictional counterparts, real raptors are believed to have been intelligent and may have been pack hunters.
In the first film, the raptors were created through a combination of animatronics and CGI. The creature was also depicted by men in suits for certain scenes, including the death of character Robert Muldoon, who is mauled by one. John Rosengrant, a member of Winston's team, had to bend over to fit inside the raptor suit for a scene set in a restaurant kitchen. Filming lasted up to four hours at a time; Rosengrant said, "My back would go out after about 30 minutes, and that was after having trained a couple of hours a day for weeks." Part of the kitchen scene was initially going to depict the raptors with forked tongues, like snakes. Horner objected to this, saying it would have been scientifically inaccurate. The various raptor vocals were created by combining the sounds of dolphin screams, walruses bellowing, geese hissing, an African crane's mating call, tortoises mating, and human rasps.
Velociraptor has appeared in each subsequent film. In The Lost World: Jurassic Park, a mechanical version of the raptor was created to depict the animal's upper body. A full-motion raptor was also created through CGI. In addition to the regular raptors, a "super-raptor" had also been considered for inclusion in the film, but Spielberg rejected it, saying it was "a little too much out of a horror film. I didn't want to create an alien."
In the first film, Muldoon states that the raptors are extremely intelligent. Jurassic Park III depicts them as being smarter than previously realized, with the ability to communicate among each other through their resonating chambers. Velociraptor animatronics were used for Jurassic Park III, and a partial raptor suit was also made for a scene depicting the death of Udesky. Before the release of Jurassic Park III, most paleontologists theorized that Velociraptor had feathers like modern birds. For the third film, the appearance of the male raptors was updated to depict them with a row of small quills on their heads and necks, as suggested by Horner.
Paleontologist Robert T. Bakker, who was an early pioneer of the dinosaur-bird connection, said in 2004 that the feather quills in Jurassic Park III "looked like a roadrunner's toupee", although he noted that feathers were difficult to animate. He speculated that the raptors in the upcoming Jurassic Park IV would have more realistic plumage. Jurassic Park IV, ultimately released as Jurassic World, does not feature feathered Velociraptors, maintaining consistency with earlier films. Horner said "we knew Velociraptor should have feathers and be more colorful, but we couldn't really change that look because everything goes back to the first movie." Velociraptor is also depicted holding its front limbs in an outdated manner, not supported by scientific findings.
At Spielberg's suggestion, the fourth film includes a plot about four raptors being trained by a dinosaur researcher, Owen Grady (portrayed by Chris Pratt). When Trevorrow joined the project as director, he felt that the plot aspect of trained raptors was too extreme, as it depicted the animals being used for missions. Trevorrow reduced the level of cooperation that the raptors would have with their trainer. Early in the film, the raptors are being trained to not eat a live pig located in their enclosure; Trevorrow said that this "was as far as we should be able to go" with the concept of trained raptors. Owen's relationship with the raptors was inspired by real-life relationships that humans have with dangerous animals such as lions and alligators.
In Jurassic World, the raptors were created primarily through motion capture. A full-sized raptor model from the first film was also provided by Legacy Effects to ILM as a reference. The model weighed approximately 500 lb (230 kg) and measured approximately six feet (1.8 m) tall and twelve to fourteen feet (3.7 to 4.3 m) long. Life-size maquettes were also used during scenes in which the raptors are caged. Audio recordings of penguins and toucans provided the raptor vocals. The sound effects of the raptors moving around were created by Benny Burtt, who attached microphones to his shoelaces and tromped around Skywalker Ranch, the film's sound-recording facility.
Several raptors are killed in Jurassic World, leaving only one survivor, a female individual named Blue.
In Jurassic World: Fallen Kingdom, Owen's past bond with Blue prompts him to join a mission to save her and other dinosaurs from Isla Nublar, after the island's volcano becomes active. For the film, Neal Scanlan's team created a Blue animatronic that was laid on an operating table, for a scene depicting the animal after an injury. The animatronic was operated by a dozen puppeteers hidden under the operating table. The scene was shot with and without the animatronic, and the two versions were combined during post-production.
To create Blue's CGI appearances, the ILM animators referred to the previous film. David Vickery of ILM said that Blue's movements were designed to resemble a dog: "You look at the way Blue cocks her head and looks up at you. It's exactly like a dog. You're trying to sort of connect the dinosaur with things that you understand as a human." Small puppets were also used to depict Owen's raptors as babies. John Hankla, an advisor for Jurassic World: Fallen Kingdom, provided an accurately sized Velociraptor skeleton that appears in the background at the Lockwood Estate's library of dinosaur skeletons. It is the first accurately sized Velociraptor to appear in the franchise.
Blue is the focus of a two-part virtual reality miniseries, titled Jurassic World: Blue. It was released for Oculus VR headsets as a Fallen Kingdom tie-in. It depicts Blue on Isla Nublar at the time of the volcanic eruption.
In the first film, a skeleton of Alamosaurus is present in the Jurassic Park visitor center. Parasaurolophus made a brief debut in the first film, and has appeared in each one since then, including the short film Battle at Big Rock.
Mamenchisaurus appears briefly in The Lost World: Jurassic Park as one of the dinosaurs chased by Peter Ludlow's group. The Mamenchisaurus design was based on a maquette created by Winston's team. ILM then took the Brachiosaurus model from the first film and altered it to portray the Mamenchisaurus, which was fully computer-generated.
Allosaurus, Baryonyx, Carnotaurus, Sinoceratops and Stygimoloch are introduced in Jurassic World: Fallen Kingdom. Baryonyx and Carnotaurus were among dinosaurs created through CGI. Sinoceratops makes several appearances in Jurassic World: Fallen Kingdom, including a scene in which the dinosaur is shown licking Owen after he has been sedated. Animator Jance Rubinchik described this as the dinosaur's motherly instinct to save Owen. The scene was shot using a prop tongue. Horner was surprised by the inclusion of Stygimoloch, whose existence was considered doubtful by him and other paleontologists; they believed the animal to actually be a juvenile form of Pachycephalosaurus rather than a separate dinosaur.
In Jurassic World: Fallen Kingdom, the skull of a fictional ceratopsian is kept on display in Benjamin Lockwood's estate. Production designer Andy Nicholson said "When it came to the ceratopsian skull which takes centre stage in Lockwood Manor, we were quite conscious that it couldn’t be a Triceratops because it wouldn’t have been big enough to kill the Indoraptor. With that in mind, we created a new genus which was an amalgamation of two different ceratopsians." Several creatures appear in the film as dioramas, on display in Lockwood's estate. These include Concavenator, Dimetrodon,[e] and Mononykus.
Allosaurus returns in Battle at Big Rock, which also introduces Nasutoceratops. Lystrosaurus, a therapsid rather than a dinosaur, will appear in the 2022 film Jurassic World: Dominion. It will be portrayed with the use of an animatronic.
- Dilophosaurus appears in Jurassic World as a hologram, and in Jurassic World: Fallen Kingdom as a diorama.
- The Indominus appears in Jurassic World: Fallen Kingdom as a skeleton.
- Spinosaurus appears in Jurassic World as a skeleton.
- An image of the Stegoceratops appears briefly on a computer in Dr. Wu's laboratory.
- Dimetrodon is not a dinosaur, but is frequently mistaken for one.
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Lystrosaurus is not a dinosaur but belonged to a group called dicynodont therapsids, a group closely related to mammals.
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