B. P. Schulberg
January 19, 1892
Bridgeport, Connecticut, U.S.
|Died||February 25, 1957 (aged 65)|
|Occupation||Film producer, film studio executive|
B. P. Schulberg (born Percival Schulberg, January 19, 1892 – February 25, 1957) was an American pioneer film producer and film studio executive.
Born Percival Schulberg in Bridgeport, Connecticut, he took the name Benjamin from the boy in front of him when registering for school to avoid mockery for his British name.
Schulberg was impressed with Edwin S. Porter's films and managed to get a job with the famous director as a scenario writer. He became a publicity manager at Famous Players-Lasky, but in the power struggle around the formation of United Artists ended up on the losing side and lost his job. The public later learned that it was Schulberg's idea to bring together the "Big-4" before they were ever founded. He was one of the founding members of the Associated Motion Picture Advertisers.
In 1919, at age 27, he founded Preferred Pictures and built it around actress Katherine MacDonald. In 1923, his old school-mate and associate Jack Bachman convinced him to offer a New York starlet, 18-year-old Clara Bow, a three-month trial contract. Within days of her arrival, she was made part of the studio permanent stock.
On October 21, 1925, Schulberg's Preferred Pictures filed for bankruptcy, with debts of $820,774 and assets of just $1,420. Three days later it was announced that Schulberg would join with Adolph Zukor and became associate producer of Paramount Pictures, bringing his organization, i.e. Clara Bow.
Schulberg used his background in publicity to create some of the biggest phrases and slogans in film. For instance, he credited Mary Pickford as "America's Sweetheart," and made the slogans "Famous Players in Famous Plays" and "If it's a Paramount Picture, it's the best show in town." During his time at Paramount, he also launched the careers of Ernst Lubitsch, Emil Jannings, Maurice Chevalier, Marlene Dietrich and Shirley Temple.
In an era when the film industry was filled with conservative studio executives, B. P. Schulberg was a "New Deal" liberal, described by Moving Pictures magazine as "a political liberal in the reactionary world of Mayer and Hearst."
In 1931, Paramount top-star Clara Bow left the studio, and within a year Schulberg was "squeezed out" and went back to independent film-production. In 1937, Paramount stopped distributing his films and he remained out of the business until 1940 when he began producing for Columbia Pictures. He produced six films for Columbia in three years.
In 1950, after feeling ignored and underappreciated by Hollywood, he unsuccessfully offered his services in the film trade papers. He suffered a stroke the same year and retired. Schulberg died at his home in Key Biscayne, Florida on February 25, 1957. His son Budd stated in 1981 "I completely supported him for the last five years of his life".
For his contribution to the motion picture industry, B. P. Schulberg has a star on the Hollywood Walk of Fame at 1500 Vine Street. The Paramount studios' "Directors Building" was renamed the "Schulberg Building" in his honor.
In 1913, he married Adeline Jaffe who was also Jewish and who had founded a talent agency taken over by her brother, producer/talent agent Sam Jaffe. They became the parents of renowned novelist and screenwriter, Budd Schulberg, producer Stuart Schulberg, and writer Sonya Schulberg O'Sullivan. They divorced in 1933.
- The Woman Conquers (1922)
- Heroes and Husbands (1922)
- Refuge (1923)
- April Showers (1923)
- Maytime (1923)
- Chastity (1923)
- The Scarlet Lily (1923)
- The Hero (1923)
- White Man (1924)
- The Triflers (1924)
- My Lady's Lips (1925)
- The Lawful Cheater (1925)
- Parisian Love (1925)
- Free to Love (1925)
- The Plastic Age (1925)
- Mantrap (1926)
- The Eagle of the Sea (1926)
- It (1927)
- Wedding Bills (1927)
- The Whirlwind of Youth (1927)
- Wings (1927)
- Special Delivery (1927)
- Underworld (1927)
- Swim Girl, Swim (1927)
- The Woman on Trial (1927)
- Beau Sabreur (1928)
- Red Hair (1928)
- The First Kiss (1928)
- The Love Doctor (1929)
- The Greene Murder Case (1929)
- The Virginian (1929)
- Dangerous Paradise (1930)
- Paramount on Parade (1930) co-producer
- No Limit (1931)
- Make Me a Star (1932)
- Million Dollar Legs (1932)
- Madame Butterfly (1932)
- Three-Cornered Moon (1933)
- Luxury Liner (1933)
- The Crime of the Century (1933)
- Pick-Up (1933)
- The Girl in 419 (1933)
- Jennie Gerhardt (1933)
- Her Bodyguard (1933)
- Good Dame (1934)
- Thirty Day Princess (1934)
- Little Miss Marker (1934)
- Kiss and Make-Up (1934)
- Behold My Wife! (1934)* She Couldn't Take It (1935)
- Crime and Punishment (1935)
- Meet Nero Wolfe (1936)
- Counterfeit (1936)
- Wedding Present (1937)
- A Doctor's Diary (1937)
- The Great Gambini (1937)
- She's No Lady (1937)
- Bedtime Story (1941)
- The Adventures of Martin Eden (1942)
- The Wife Takes a Flyer (1942)
- Flight Lieutenant (1942)
- City Without Men (1943)
- Moving Pictures, Budd Schulberg, p.100, 1981, Allison & Busby, London UK, ISBN 0-7490-0127-5
- Jobes, Gertrude (1966). Motion Picture Empire. Connecticut: Archon Books. p. 228.
- "Movie Ad Men in Association". The Fourth Estate. August 5, 1916. Retrieved August 10, 2012.
- "My life, by Clara Bow". Told to and edited by Adela Rogers St. Johns. Published by Photoplay Magazine in February, March and April 1928
- Morning Avalanche, August 5, 1923
- New York Times, October 22, 1925
- Associated Press news-wire, October 24, 1925
- "B. P. Schulberg Dies in His Sleep at 65; Headed Par Prod". Variety. February 27, 1957. p. 7. Retrieved June 8, 2019 – via Archive.org.
- Beck, Nicholas (2001). Budd Schulberg: A Bio-Bibliography. Maryland: The Scarecrow Press. p. 2. ISBN 0810840359.
- The Post, October 2, 1981
- Indiana Evening Gazette, p6, January 21, 1950
- Jewish Women's Archive: "Adeline Schulberg - 1895 – 1977" by Mik Moore retrieved August 30, 2015