In one mythological tradition (that of Licinius Macer, et al.), she was the wife of the shepherd Faustulus, and therefore the adoptive mother of Romulus and Remus, whom she is said to have saved after they were thrown into the Tiber on the orders of Amulius. She had twelve sons, and on the death of one of them Romulus took his place, and with the remaining eleven founded the college of the Arval brothers (Fratres Arvales). She is therefore identified with the Dea Dia of that collegium. The flamen Quirinalis acted in the role of Romulus (deified as Quirinus) to perform funerary rites for his foster mother.
Benefactor of Rome
Another tradition holds that Larentia was a beautiful girl of notorious reputation, roughly the same age as Romulus and Remus, during the reign of Ancus Marcius in the 7th century BCE. She was awarded to Hercules as a prize in a game of dice by the guardian of his temple, and locked in it with his other prize, a feast. When the god no longer had need of her, he advised her to marry the first man she met as she stepped out that morning, who turned out to be a wealthy Etruscan named Carutius (or Tarrutius, according to Plutarch). Larentia later inherited all his property and bequeathed it to the Roman people.
Ancus, in gratitude for this, allowed her to be buried in the Velabrum, and instituted an annual festival, the Larentalia, at which sacrifices were offered to the Lares. Plutarch explicitly states that this Larentia was a different person from the Larentia who was married to Faustulus, although other writers, such as Licinius Macer, relate their stories as belonging to the same individual.
Yet another tradition holds that Larentia was neither the wife of Faustulus nor the consort of Hercules, but a prostitute called "lupa" by the shepherds (literally "she-wolf", but colloquially "courtesan"), and who left the fortune she amassed through sex work to the Roman people.
Connection to Lares
Whatever may be thought of the contradictory accounts of Acca Larentia, it seems clear that she was of Etruscan origin, and connected with the worship of the Lares, from which her name may or may not be derived. This relation is also apparent in the number of her sons, which corresponds to that of the twelve country Lares. T.P. Wiseman explores the connections among Acca Larentia, Lara, and Larunda in his books Remus: A Roman Myth and The Myths of Rome.
Like Ceres, Tellus, Flora and others, Acca Larentia symbolized the fertility of the earth, in particular the city lands and their crops. Acca Larentia is also identified with Larentina, Mana Genita, and Muta.
In modern literature
Acca is a character in David Drake's story "To Bring the Light", a reconstruction of Rome's beginnings around 751 BCE. She is depicted as a sympathetic village woman in the small shepherd community on Palatine Hill from which Rome would begin.
- Jordan, Michael (1993). Encyclopedia of gods : over 2,500 deities of the world. Internet Archive. New York : Facts on File. p. 2.
- According to Massurius Sabinus in Aulus Gellius (I. c.)
- Macer, apud Macrob. I.e.; Ovid Fast. iii. 55, &c.��; Plin. PI. N. xviii. 2
- Compare Varro, De lingua Latina V. p. 85, ed. Bip.
- Macrobius Saturnalia I. 10; Plutarch, Romulus, 4, 5, Quaest. Rom. 35; Aulus Genius vi. 7; Valerius Antias
- Hornblower, Simon (1996). "Acca Larentia". The Oxford Classical Dictionary. Oxford, UK: Oxford University Press. p. 3.
- Valer. Ant. ap. Gell. I. c,; Livy, i. 4.
- Macrob. Sat. I. c.; compare M'uller, Etrusleer, ii. p. 103, &c.; Hartung, Die Religion der Romer^ ii. p. 144, &c.
- Schmitz, Leonhard (1867). "Acca Larentia". In Smith, William (ed.). Dictionary of Greek and Roman Biography and Mythology. 1. Boston. p. 6.
- Drake, David (1996). "To Bring the Light". Lest Darkness Fall and To Bring the Light (double ed.). Baen.
- Drake, David (2011). "To Bring the Light". Lest Darkness Fall and Related Stories (anthology ed.).
This article incorporates text from a publication now in the public domain: Smith, William, ed. (1870). "Acca Larentia". Dictionary of Greek and Roman Biography and Mythology.